Blog on Art Marketing and Selling Art


Poppy Balser's "Working with Watercolours in the Studio" workshop in Digby, Nova Scotia Canada

Special Edition International Workshops 2019 Newsletter

Special International Workshops Edition from April 1st, 2019 - September 30th, 2019 [...]

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Shuang Li's "Capture the Moments - Watercolor Sketch" workshop in San Diego

Special Edition USA Workshops April 2019 Newsletter

Special USA Workshops Edition from April 2019 [...]

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Luann Udell's shares a hidden benefit of teaching a workshop

The Hidden Beauty of Teaching

I’m hoping I can offer “community” as another healing power of my art. [...]

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Don't miss S.C. Mummert's discussion on an important tool in an artist's toolbox

The One Eyed Liar

For me, the camera’s a tool, that’s it … just one tool in a rather large artistic toolbox. Yes, a powerful tool, to be sure; but one that should be used with care, and an eye on its limits. It does have them. [...]

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Terry Miura's "10 Strategies for Simplifying Cityscapes" Workshop in Bainbridge Island, Washington

Special Edition USA Workshops March 2019 Newsletter

Special USA Workshops Edition from March 2019 [...]

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S.C. Mummert's discusses two very important elements in the world of artificial light for an artist: Color Temperature and Color Rendering.

It's All About The Light...

For many, North light has long been considered the gold standard for an artist to paint under--which arguably, it is. However, a ton of artists out there lack North light in their studios. As a result, the majority of art today is often created either in part, or wholly under artificial lighting. [...]

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Keith Bond discusses how focusing on the needs of others, will help your art.

Stop Worrying About Yourself - Focus on Others (Part 1)

Stop worrying about yourself and focus on the needs of your clients. [...]

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Keiko Tanabe's 3-Day Watercolor Workshop at Tubac School of Fine Art in Arizona

Special Edition USA Workshops February 2019 Newsletter

Special USA Workshops Edition from February 2019 [...]

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S.C. Mummert's discusses analogous and complementary colors

Analogous and Complementary Color ...

Here’s my take on why this looks so fabulous ... at least to me. Analogous colors are quite gorgeous in their own right. That’s one reason why a rainbow seems so glorious. Each color is directly related to, and harmonious with, the one directly beside it. [...]

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Kelli Folsom's "Still Life Painting as Fine Art- Scottsdale Artist's School" workshop in Arizona

Special Edition USA Workshops January 2019 Newsletter

Special USA Workshops Edition from January 2019 [...]

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To Teach or Not To Teach

Some of you teach art workshops or classes. Some of you don’t. And some of you are considering it. [...]

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S.C. Mummert's discusses 2 important types of edges.

Life on the Edge - Part III

In the world of edges, Halation and Pointing are loosely related, which is why I present them here together. They’re related in that they both use soft, lost or blurred edges to help achieve their effect. [...]

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Sara Linda Poly's "Painting Dramatic Light in the Landscape" workshop in Virginia

Special Edition USA Workshops December 2018 Newsletter

Special USA Workshops Edition from December 2018 [...]

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Don't miss S.C. Mummert's the continuation of "Life on the Edge"

Life On The Edge - Part II

Correspondingly our last article took the virtually limitless array of Edges and compressed them down into just three categories—Hard, Soft & Lost. This time, we’ll try and provide several suggestions of just how we might apply those three basic variations ... the when & the where. [...]

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Lori Woodward demonstrates the difference light vs shadows can make when painting tree foliage

Painting Tree Foliage: Light and Shadow

Without light, we just can't see much - no shape, no color. There is less light in the shadow, so we see fewer detail and color in those shadows. [...]

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Cynthia Rosen's "A Breath of Fresh Air: Painting Outdoors, a Plein Air workshop" in New Jersey

Special Edition USA Workshops November 2018 Newsletter

Special USA Workshops Edition from November 2018 [...]

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Clint Watson shares what NOT to do on your artist website

The Top 12 Things Never to Do on Your Artist Website

DO NOT DO THE FOLLOWING THINGS ON YOUR ARTIST WEBSITE... [...]

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Lori Woodward shares points on how to paint in midday

Painting in the Midday Sun

Glare and strong light causes the eye pupils to contract, making it difficult to see details in shadows [...]

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S.C. Mummert discusses three important types of edges for your art.

Life On The Edge

The study of edges itself will always be a bit subjective (like edges themselves). However, exercises like those mentioned... should help jump-start the process for someone just starting out. [...]

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Lori Woodward demonstrates how warm light makes cooler shadows, using paintings by Michael Godfrey & Lisa Mitchell

Warm Light Makes Cooler Shadows

Before I studied with Richard Schmid, I understood how to use color and value in my landscapes, but in a less scientific way than I do now. I knew that shadows are darker than the sunlit objects, and I even knew that the reflected light in the shadows was always darker than anything in the light. [...]

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Don't miss Luann Udell's next topic "Rules" in her series, "The Four Questions".

THE FOUR QUESTIONS #5: The Rules

Take the opportunity to learn from someone else’s experience, their assumptions, and their mistakes--and discover their insights and solutions! [...]

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Vladislav Yeliseyev's "Chesapeake Watercolor Workshop" in Maryland

Special Edition USA Workshops October 2018 Newsletter

Special USA Workshops Edition from October 2018 [...]

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Sara Linda Poly's "Plein Air Painting in Tuscany" workshop in Italy

Special Edition International Workshops 2018- 2019 Newsletter

Special International Workshops Edition from September 1st, 2018 - March 1st, 2019 [...]

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S.C. Mummert discusses three important color topics: saturation, transmission and shadows in his latest piece.

Where's The Color?

Okay... the fact is these chromatic elements exist around us in nature. But as is so often the case in art, we sometimes need a little nudge to actually “see” what’s going on... to become more in tune with what’s happening optically, so we can put it to use in our own work. [...]

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Zac Elletson discusses how past and present artists can influence your artistic style.

Finding Your Style

How to find your art style and artistic voice. [...]

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Cynthia Rosen's "Paint Outdoors Workshop - A Labor Of Love and Inspiration" workshop in Vermont

Special Edition USA Workshops September 2018 Newsletter

Special USA Workshops Edition from September 2018 [...]

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William Schneider discusses the advantages of perfecting one skill at a time.

The Perpetual Student

A great idea is to copy masterworks. Sargent did; Zorn did. In fact virtually all the great artists have done this type of research. The goal is to figure out the master artists’ thought process. [...]

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In this second article, Lori Woodward demonstrates how she uses lines in her art work.

Simplify Landscape Painting Using Straight Lines

This is part two on using straight lines to block in subjects in the drawing stage of a painting. [...]

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Lori Woodward shares a lesson from studying with Richard Schmid

Simplify Drawing Using Straight Lines on Rounded Objects

Try drawing your rounded objects with angular straight lines... I think you'll find that it makes drawing a lot easier. [...]

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Eugen Chisnicean's "Biennale du bassin D'Arcachon" workshop in France

Special Edition International Workshops 2018- 2019 Newsletter

Special International Workshops Edition from May 26th, 2018 - February 1st, 2019 [...]

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S.C. Mummert discusses more ways artists can explore and experiment with composition.

Composition Should Be a Tool - Not a Rule

Some years ago a popular artist was quoted, “When it comes to rules regarding composition ... there are no rules”. I happen to agree. I agree largely because each of us should be actively exploring... experimenting... pushing artistic boundaries... without any limitations. [...]

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Special Edition USA Workshops August 2018 Newsletter

Special USA Workshops Edition from August 2018 [...]

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Special Edition International Workshops 2018- 2019 Newsletter

Special International Workshops Edition from May 1st, 2018 - January 1st, 2019 [...]

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More Compositional Elements

One of my key objectives while creating a painting is to hold the attention of my audience—for as long as possible. Strong Patterns of Light & Dark help us with that, but there is more. [...]

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How Instagram Works

If we artists are to entice and create a new generation of art collectors, we will do best if we meet these folks where they already live (and post). [...]

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Special Edition International Workshops 2018 Newsletter

Special International Workshops Edition from June 1st, 2018 - December 1st, 2018 [...]

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Compositional Patterns of Light and Dark, Part II

Just as when we paint, there’s something about the reversed image a mirror provides us, that inexplicably reveals things we otherwise can’t see in our efforts. [...]

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Good Etiquette For Workshop Students

Essentially, you're there to listen, learn and make art... not to impress anyone. [...]

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Special Edition USA Workshops April - June 2018 Newsletter

Special USA Workshops Edition from April - June, 2018 [...]

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Disconnected

There is something about seeing things in a different way that enables you to disconnect with your preconceived ideas. You can more clearly see reality. [...]

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