Moving from competence to virtuoso level is much more daunting than moving from
beginner to competence because when you're competent, to most people
you're "good." Realizing that you're not "good enough" is the beginning of the wisdom necessary to truly become a master . . .
I've been pondering lately about master artists....or masters in any field for that matter. Why don't more of us become masters? Why am I still a "software craftsman" and not a "software virtuoso?"
I remember a few years ago, one of my favorite painters,
Kevin Macpherson, cancelled all his shows and workshops and essentially just practiced his painting for about a year. This makes me think of of "
Deliberate Practice" - the theory of K. Anders Ericsson. In a nutshell, the theory says that practice doesn't make perfect -
perfect practice makes perfect.
Most of us stop at being competent because, most of the time, competent is good enough. But to be really great requires that we keep pushing ourselves. Being great is not just a matter of continuing our craft every day...but being deliberate about learning new things daily....making sure that we push ourselves to that "next level." You could paint every single day for the rest of your life and stay at the same competence level without that deliberate "push" to grow.
Moving from competence to virtuoso level is harder than moving from beginner to competence because when you're competent, to most people you're "good."
I think developing an attititude of "I'm not good enough" is healthy -- it keeps us pushing. That must be why Kevin was willing to cancel his (lucrative) shows to focus on pushing himself....he felt that "good" wasn't "good enough."
And if you're objective is to be a great artist...."good" isn't "good enough."
via web
I am really playing "catch-up" with much of your newletters/blog emails-so much so that I have a folder just for you! Anyway, I just want to say that the theory you posted of one thinking "they are not good enough" as being a manner in which it keeps one pushing themselves, striving for something better from within,is a theory that, I believe, comes from an intensely focused dedication. Until I read what you wrote, I have never heard anyone really validate what I have always thought myself. Before I became a painter I was (and always will be, in a sense) a songwriter/musician. I got on Geffen Records and, yes, I had the "corporate" experience before I found painting...
My point being is that over the years I've had so many friends who would complain that I did not have enough fun, etc...Saying to me- "Always practicing, and on and on." However, they all had dreams of their own, but they did not spend (again, my observation only) nearly enough time doing it, instead of talking about "DOING IT."
"Healthy or not," I have always used "not being good enough" as a motivater for all my artistic endeavors.
Perhaps it should be "I can be so much better," but, then it just sound like I tempering what drives me for the people around me-And just like in my art, TRUTH, is always preferable.
Thanks.
julianne
P.S. My music website http://www.juliannemusic.com is coming to an end very soon, and, after seeing Casey Klahn's website (we chat via our blogs, etc) with FASO, I should be moving over to your company soon.
Thanks again.