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A Lesson From Sir James Dyson

by Clint Watson on 4/17/2007 7:35:36 AM

You've probably seen Sir James Dyson on TV.  He stands next to his best-selling vacuum cleaner and proclaims, "I just think things should work properly."  He's also one of the richest guys in Britian.

What you probably don't know about Sir Dyson is that he made 5,127 prototypes of his vacuum cleaner before he "got it right."

It seems to me that there were already plenty of good vacuum cleaners on the market, but Sir Dyson wanted to create one that was "great."

I imagine that you feel that way too.  You want to create "great" artwork....not just good artwork.....and not just what everyone else is creating...right?

Chuck Salter interviews Sir Dyson in the May 2007 issue of Fast Company.  Here are some of the ideas Dyson presents that immediately struck me as applicable to fine artists.  He could easily be talking about painting with the following statements:

"if you want to discover something that other people haven't, you need to do things the wrong way.  Initiate a failure by doing something very silly, unthinkable, naughty, dangerous.  Watching why that fails can take you on a completely different path.:

"[Society] admires instant brilliance, effortless brilliance.  I think quite the reverse.  You should admire the person who perseveres and slogs through and gets there in the end."

Dyson's methodology has been to view success as a product of failure.  So while he failed 5,127 times, in Dyson's mind, that was just a necessary part of the journey.

I encourage you to start on your next "failure" today....it's the next step in your ultimate success.

Sincerely,

Clint Watson
Software Craftsman and Art Fanatic

PS:  I've made about 170 entries in this blog so far.  If Dyson's experience is any guide, I still have to write 4,957 more before I create a really "great" essay...


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Related Posts:

Life and Art, Recursively

Tenacity

Your Personal Definition of Success

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Climbing to the Top


Topics: Best | Creativity and Inspiration | Inspiration 

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 8 Comments

Linda Blondheim
via web
I agree with you about success. I believe the successful artists are the ones who keep showing up. The sucessful artists continue to work at their painting craft, continue to work toward their goals even when sales are non existant. A sucessful artist simply never give up.

Linda Blondheim

Kristi Grussendorf
via web
Linda's right and I've heard this same comment from so many wise people. It was one of the two main pieces of advice from my University instructors that I continue to repeat to myself: 1. The most tenacious, not the most talented are successful and 2. You never know when the muse will visit so make sure you have a paint brush in your hand! Also, I don't usually learn in a gradual manner. My learning curve is jagged with bursts of "aha" moments (usually resulting from "mistakes"). I was joking with my daughter the other day. After I commented that I wouldn't make THAT mistake again, she responded that I would go on to make other more interesting mistakes! I hope so.

Chris Bolmeier
via web
Being an artist is like any other profession. If you stay in the game and don't go away you will be noticed. Making mistakes is a great way to learn. Paint the way you paint, the knowledge is slow in coming. The only way to learn is by painting, painting, painting.

Christine Harkins
via web
That was funny Kristi! I have been painting on cheap canvas board so that I wouldn't be afraid to explore my creativity. That was my mistake. I love the paintings I have been doing lately and wish they were on better quality supports.

Frederick E. Bikle
via web
Originality is 10% creative and 90% forgetting where you got the idea.

Frederick E. Bikle
via web
Originality is 10% creative and 90% forgetting where you got the idea.


via web
I am still working on getting my website launched. I very much appreciates Sir james Dysons comment. It gave me a real boost. Thank you Sir James and Clint' fine art studio too.

Mark Williams

Peggy Selander
via web
I can vouch for learning and growing from failures in all aspects of life. My artistic life is no exception. Every artist goes through periods where the well seems to have gone dry. Life gets too hectic; you don't have time to nurture the soul and do some art. (In my case, it's painting in oils.) You take care of bills, work, kids, etcetera; your right brain practically begins to atrophy. When you finally realize you've neglected your artistic life and you push yourself to paint you can sometimes lose interest in your last, unfinished endeavor. Additionally, if you need to start a new project, you sometimes find that the spark just isn’t there. Fortunately this has only happened to me a few times, but when it did it was actually a blessing in disguise.
Artistic angst is real and can frequently open the door to a well-spring of new ideas, and new and improved techniques. In those fresh beginnings will be both failures and successes. But in those failures there is gold. When I look back at those times I realize that I unwittingly seem to do research. The frustration leads me to look at other artist’s work for inspiration. Before the internet, I’d make frequent trips to the library, now I just surf the net. Sometimes I find inspiration in the masters, sometimes its contemporary artists, but always I’m storing and compiling information. Now, having learned from those dry periods; those failures, I know that “eureka moment” is right around the corner and I will experience my own personal renaissance. An entire series of paintings might be the result. A looser, freer technique might be in the cards. I have even branched out into other genre’s and found success.
I've learned to let the failures happen and not to sweat it. Back in the 60’s the Mama’s and the Papa’s said it best in their song “Dedicated to the one I love”, the darkest hour is just before dawn.
Peggy Selander











 

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