Artist Websites  Artist Websites |  Featured Artists |  Art Marketing  Art Marketing |  Art Contest |  BrushBuzz |  InformedCollector |  FASO Loves You - Share Your Art, Share Life

Blog


« FASO Featured Artists: Artist Angie Rees | Main | William Wray - surreal, dramatic edge »


Follow this Blog



Subscribe to our Newsletter



Quick Links

Artist Websites and Good Design
How to Sell Art
How to Get Your Art Noticed by Galleries
SEO For Artists - The Ultimate Tip

 

Blog Roll

Mikki Senkarik's Blog

















abstract art
acrylic painting
advice for artists
art and culture
art and psychology
art and society
art appreciation
art blogging advice
Art Business
art challenge
art collectors
art criticism
art education
art fairs
art forum
art gallery tips
art history
art law
art marketing
art museums
art website design
art website tips
art websites
Art World
art world problems
artist resume advice
artist statement
artist tribute
artist website tips
artist websites
assemblage
BoldBrush
BoldBrush Interview
BoldBrush Winners
Brian Sherwin
BrushBuzz
Canvoo
Carolyn Henderson
Carrie Turner
cityscape painting
Clint Watson
collage
colored pencil
conceptual art
Connie Tom
copyright
creativity
Daniel Keys
Dealing with art forgery
Deber Klein
digital art
drawing
email newsletters
encaustic painting
etching
exhibiting art online
exposure tips
Facebook
FASO
FASO Art News
FASO Daily Art Show
FASO Featured Artists
figure painting
FineArtViews
FineArtViews Interview Series
functional art
Gayle Faucette Wisbon
glass art
Google
Guest Posts
Holiday
InformedCollector
inspiration
installation art
Instruction
Jack White
Keith Bond
landscape painting
Linda Mikulich
Lisa Call
Lori Woodward
Luann Udell
Matthew Mahler
mixed media
Moshe Mikanovsky
oil painting
online art competitions
online art groups
originality
painting
pastel
photography
Pinterest
plein air painting
politics
portraits
pricing artwork
realism
religion
Robert Genn
Sarah Maple
sculpting
sculpture
sell art
selling art online
selling fine art online
SEO for Artist Websites
social networking
still life art
street art
support local art
Think Tank
tips for exhibiting art
Twitter
watercolor
watermarks
websites for artists
wildlife art




 Archives:May 2013
Apr 2013
Mar 2013
Feb 2013
Jan 2013
Dec 2012
Nov 2012
Oct 2012
Sep 2012
Aug 2012
July 2012
June 2012
May 2012
Apr 2012
Mar 2012
Feb 2012
Jan 2012
Dec 2011
Nov 2011
Oct 2011
Sep 2011
Aug 2011
July 2011
June 2011
May 2011
Apr 2011
Mar 2011
Feb 2011
Jan 2011
Dec 2010
Nov 2010
Oct 2010
Sep 2010
Aug 2010
July 2010
June 2010
May 2010
Apr 2010
Mar 2010
Feb 2010
Jan 2010
Dec 2009
Nov 2009
Oct 2009
Sep 2009
Aug 2009
July 2009
June 2009
May 2009
Apr 2009
Mar 2009
Feb 2009
Jan 2009
Dec 2008
Nov 2008
Oct 2008
Sep 2008
July 2008
June 2008
May 2008
Apr 2008
Mar 2008
Feb 2008
Jan 2008
Dec 2007
Nov 2007
Oct 2007
Sep 2007
Aug 2007
July 2007
June 2007
May 2007
Apr 2007
Mar 2007
Feb 2007
Jan 2007
Dec 2006
Nov 2006
Oct 2006
Sep 2006
Aug 2006
July 2006
June 2006
May 2006
Apr 2006
Mar 2006
Feb 2006
Jan 2006
Dec 2005
Nov 2005
Sep 2005
Aug 2005

 

Email Newsletters are the New Hub

by Clint Watson on 8/23/2012 7:34:49 AM

This article is by Clint Watson,  former art gallery owner/director/salesperson and founder of FineArtViews. You should follow Clint on Twitter here.

 

For many people, the “big three” have come to dominate their internet time:  the email inbox, Facebook, and Google.  This trend puts the squeeze on how much time and attention other websites can garner.  Like hawkers in an open air market, everyone is screaming at us, trying to get our attention.  And, as we become more and more overloaded, we’re learning to filter and prioritize.  Some websites we used to visit don’t always get as much attention as they used to.

 

What are the implications of these trends for your artist website?

 

When starting out, most artists think the first thing they need is a website.  And I used to think that too, but I’m not so sure any more. 

 

Your artist website doesn’t fit into those “big three” activities:  Email, Facebook, Google – at least not at first. [1]

 

So, instead of a website, I’m now thinking that your email newsletter should be your “hub.” [2]  By that, I mean  that an email newsletter should be the central strategy around which all your other online marketing activities are organized.

 

Why?  Because the email inbox, as one of the big three, gets a lot of people’s internet time.  And your email newsletter can put your art and information right in your prospective customers’ inboxes. 

 

Nobody will visit your website until they know it exists.  So you have to tell people, repeatedly, about it.  And email is the simplest, most effective way you can put yourself into one of the “big three” places that most people check every day.  Ergo, you need a newsletter before you need a website.

 

But why not focus first on the other two legs of the “big three:” a Facebook page, or on optimizing your site so that you rank in Google?

Here’s why:  In the tech world, we are constantly warned not to build business models that rely on someone else’s platform.  As Twitter investor Fred  Wilson, one of the most respected venture capitalists in tech, put it:

 

“Don’t be a Google Bitch, don’t be a Facebook Bitch, and Don’t be a Twitter Bitch. Be your own Bitch.” – Fred Wilson [http://techcrunch.com/2011/05/23/fred-wilson-be-your-own-bitch/] 


The point is that you want to own your primary marketing asset.  And you, personally, own your email subscriber list.  That’s what Fred Wilson meant when he said, “be your own bitch.”  In contrast, Facebook can ban you at any time, and Google can remove you from search results at any time, as many businesses that had relied upon Google have learned the hard way.

 

Even if you could rely on Facebook and Google’s platforms, they are not nearly as effective as email:  the average lifespan of a Facebook post is about 3 hours [3] after which point, it scrolls out of your newsfeed forever.  And, regarding Google, think about this:  when you are first starting out, nobody is searching for you on Google anyway.  That leaves only 1 leg of the “Big Three” that can start delivering immediate results:   the email inbox.

 

In fact, email is such a strong channel, you could theoretically set up an email newsletter even before you set up a website.  All you have to do is email people you know, ask them if they’d like to receive your newsletter and add them to your list.  You don’t even need a site to do that.  Of course, it’s better to have some sort of site, even if it’s only one page so that people have a place to sign up for your newsletter and, ideally for them to see at least some of your artwork.

 

In practice, I think the best strategy is to set up a simple website and IMMEDIATELY start promoting it with email [4].  And when I say immediately, I mean it.  DO NOT set up your website and then decide to add a newsletter “later.”  Later invariably becomes “much later.”  And “much later” means you wasted your time and money until “much later” finally happens.  Remember, you are setting up the website to support your newsletter, not visa versa.

 

Like we say at FASO:  “Sharing Art Enriches Lives.”  And email is still one of the best ways to share.  So stop waiting and start enriching lives with your art today.

 

Sincerely,

Clint Watson

FASO Founder, Software Craftsman, Art Fanatic

 

---

Footnotes

 

[1]  I said “at least not at first” – after an artist is more established, people will search for an artist by name on Google and his or her followers will click through from Facebook.  Although, in my opinion, those channels while providing value are not close to the effectiveness of email.

 

[2] Don’t misunderstand, I’m not saying I don’t think artists should have a website, I’m just no longer sure that it should be the very FIRST thing that they focus on.

 

[3]  Lifespan of a link on Facebook, source: [http://bits.blogs.nytimes.com/2011/09/07/the-lifespan-of-a-link/]

 

[4]  For FASO customers, we are, later this year, releasing an update to the FASO email newsletter system.  It will have a much improved design area backed buy the same great, reliable email delivery engine.  You won't have to change anything to take advantage of it.

 

-------------------------------------------------------------------

Editor's Note:  You can view Clint's original post here.




[Services:
FASO: Want Your Art Career to Grow?  Set up an Artist Website with FASO.
FineArtViews: Straight talk about art marketing, inspiration - daily to your inbox.

InformedCollector: Free daily briefs about today's finest artists in your inbox.

BoldBrush Contest: Monthly Online Painting Contest with over $6,000 in awards. 

Daily Art Show: Daily Show of Art that reaches thousands of potential collectors.

Backstory: About Clint. Email Editor.  Submit a guest post.  Twitter. Republish. ]


Related Posts:

I'm Not Surprised Your Art Isn't Selling . . .

The Perfect Sending Frequency for Artist Email Newsletters

Clintavo's Position on Marketing Art via Facebook and Twitter

Personal, Timely, and Relevant

Artist Website Do's and Don'ts - My Interview with American Artist Magazine

Artist Brian Kliewer - A Case Study in Email Marketing

Email is Still the King . . . It's Good to be the King


Topics: art marketing | Clint Watson | email newsletters | exposure tips | FineArtViews | selling art online | selling fine art online | social networking 

What Would You Like to Do Next?
Post your comment Join Email List Follow via RSS Share Share

 24 Comments

Michael Cardosa
via faso.com
Clint,

Your insight is always welcome. As the founder and owner of FASO this is pretty interesting to put email before websites. I know that FASO makes the whole process easy but it's still an interesting departure from the norm.

The thing that I find hard to do is expand my email list to where it means something! Forty or fifty people will not get me anywhere. Several hundred would be a much bigger and better story and way to get my name and paintings out to the public.

There are lots of companies that will sell you lists of corporations of any size, but what about collectors, etc. I think a great follow up would be ways to expand the mailing list organically or other ways that might be available.

Thanks again,

Michael


Carolyn Hancock
via faso.com
Getting started with that first newsletter was difficult-what's the focus and how to write it. The FASO template gave me a good looking basis to start from. Adding images was easy; we're artists after all and have plenty of them, right? And the words, the writing, once I got started, the keyboard seemed to know what to do. Now I almost enjoy my monthly newsletter. What IS hard, is reaching more people with my Scrumble. Its title is a pastel technique meaning to lightly touch the surface (with pastel) to create interest or excitement. That's what my newsletter focus evolved into: a touch of art, travel and golf and how they relate.

Sandy Askey-Adams, PSA
via faso.com
Hello Clint:

Thank you for this excellent article and reminder about having an email newsletter...something that I have not done yet.

I keep telling myself I will, but time slips by and still have not done that newsletter. I really do want to do one.

I asked myself why I have not. Not all, but some of it is because I am not sure How to start one and make it as wonderful as other newsletters I have seen and read.

I also enjoyed reading Michael and Carolyn's comments. Getting started with my newsletter is difficult....I cannot even get my mind set on doing it. There is that word again...fear... of messing it up.

Bonnie Samuel
via faso.com
Interesting view, Clint. I have a question, though and that is frequency of emails. Frankly, those who send "too many" no matter how good the content (most often not so hot) get blocked. We are so overwhelmed with crammed email boxes. Would you comment on frequency...what do you think works?

I have set my blog up to encourage sign ups, which actually is a link to my email on FASO. So when I do a blog, I think send out an email to my list with link to the blog. Works for me. While I could just put the same content on an email that I put on my blog, with the blogpost I am reaching far more people through FB, Twitter and several other sites where one can feed into their blog feeds.

Peter Prest
via faso.com
Hi Clint,

This is one of the best FASO editorials I've read. You have made a significant contribution to artists with this article. We do have control of our email and don't of Facebook and Google, so it does make sense that that's where we should invest our energy. I get direct response to my monthly newsletter almost every time; I have a chance to respond to specific comments, and more importantly, make new connections. However, I hadn't connected the dots until I read your piece. I really appreciate your thoughtful analysis of the 'big 3' communications giants.



Nancy Riedell
via faso.com
Clint,

As a retired writer, I can tell you that sending out a regular newsletter does a couple of things: 1) It personalizes you to the email recipient and 2) It keeps your name out there.

If artists are going to send out a newsletter, they MUST be consistent. Send it out on average of once a month. I send mine out the first Sunday of the month and then send out any announcements separately.

Crucial: Always do a spell check before you send it out. Nothing loses credibility faster than a poorly written newsletter. Know the difference between there, their, and they're, and too, to, and two.

I'm glad to read that you'll be improving the newsletter template soon. The current one is somewhat jerky to use. But it's better than nothing, so I use it faithfully.

Also, keep your newsletters fairly short. Anything too long will bore the reader. If you are not comfortable writing, ask someone to read it for you and take their feedback as objective criticism.

If you're interested in having me edit your newsletter, send me a personal email at nancy@nancyriedellfinearts.com and we can discuss.

Thanks, Clint, for this timely article. It's very true.

Nancy

George De Chiara
via faso.com
Interesting post Clint. I've been thinking about several artists who's newsletter I subscribe to, but never visit their web site. Until I read this post I never realized that. Makes me think how many people on my email list do the same thing.

Can't wait to see the updates to the FASO newsletter system.

George



Sue Betanzos
via faso.com
This is a great point and very true. I know three professionals who use an email newsletter that links with a blog and it is very effective. I read them when I get them and they are short, with several related links. Straight, to the point - I like them.

And I am exactly where Sandy A. is at - keep meaning to do one of these short, cool newsletter newsbites - but still have Not done any thing! Sandy you have described my situation too.

I agree with your points on priority. Hardly anyone has just found my website. It's usually thru a referral, Facebook and Email.

Bonnie Samuel
via faso.com
George--In your email/blog, always put links back to something specific on your website. That will ensure many more visits to your site than if someone must go hunting for your url. I think pictures also are good....with links!

Some great pointers here--thanks to everyone.

Sharon Weaver
via faso.com
I think this is an interesting post but would appreciate information on how to increase my newsletter subscribers.

Clint Watson
via faso.com
Several people have asked about "How to increase subscribers".

That deserves future posts, but the way to start is to start personally emailing people you know, one at a time and ask them if they would mind being added to your email list. Most people will say yes. Most people, if they think about it, can come up with dozens of people they know.

If you have any past buyers, or past people who expressed interest, email every single one (personally, one at a time) and ask them if they would like to be on your email list.

Ask people on the phone if they would like to be, ask people in person if they would like to be, etc.

Ask your facebook friends, ask your twitter followers, etc.

Ask artists friends to encourage their followers to subscribe to your newsletter (and do the same for them).

That should get you a nice little core group.

When you start sending newsletters, make sure to ask people to forward it friends that they think might like it.

FineArtViews, btw, started with about with just a few hundred and over time, through consistently and constantly considering that our "hub" it's now over 21,000 subscribers. Now, of course, that may be an unrealistic number for an individual artist, but most artists can develop a nice market with just a few of the right people. My illustration was that just keep plugging away and it grows.

Clint Watson
via faso.com
An addendum to my last comment. I love all of those methods because they are things that we, as individuals CAN CONTROL. It amazes me how many people focus their marketing on so many things they CAN'T control.

A little anecdote. A little over a year ago, FASO lost all our rankings for the main site in Google. They pushed an algorithm change and we had done something incorrectly in our robots.txt and allowed google to index content we didn't mean for them to (which led to a rankings drop, which we fixed within 30 days and were back higher than before).

My point is this, during that 30 days when we had no Google rankings - our traffic was hardly dented and our revenue didn't go down AT ALL. Because we don't rely on Google (although it is nice to have when we have it). We still had our in-house list, FineArtViews and just kept plugging away. I've always strived not to be "Google's Bitch" :-)

Jackie
via faso.com
Good article Clint, and I imagine your updated newsletter system will be great. I'm looking forward to your future posts about getting subscribers - we set up a signup box several months ago and never got a single subscriber. Help!

That's a great comment about being in control. I so much agree about putting all your eggs in one basket. We find that Google, Bing and Yahoo perform equally well, with Google images and smaller search engines bringing up the rear.

I do worry about the future of email newsletters though. I don't know about others but I find that I rarely use email these days. The younger generations in my family hardly use it at all. In fact, my two nieces (14 and 12) had email addresses but abandoned them. With all the youngsters in my family (those 35 and under) we communicate via SMS or social media. I find too that I'm getting more business messages via LinkedIn than email.

I imagine, but it's just a guess, that's because people are using phones to communicate rather than computers. Will email still be around in a few years? I don't know.

Mark Edward Adams
via faso.com
Hi Clint, I like the way you think about social media in terms of a hub. However I see the newsletter and as important but much smaller part of the marketing.

I am a firm believer in permission based marketing. I am not going to sign up anyone for a newsletter without their permission. So how do you get the permission from strangers? That is where everything else comes into play. I have a website, facebook, youtube, pinterest, a blog, and have been features in traditional media articles and an upcoming TV show. I also pay for facebook ads and google adwords.

I have found the best hub is actually facebook. Currently for a post on facebook I get 5-20K views per post. I have a little under 2000 likes but I still get almost twenty thousand views. Nothing else even comes close to this. So I see facebook as a starting point to build a relationship with fans and collectors. Once they feel comfortable, you send out a post about the newsletter and the ones that sign up want to hear more. It takes the relationship deeper.

I just can't see how a newsletter can be the hub compared to the quantity of views on facebook. If I need to change the platform that is fine. I have already started building relationships with the ones that wanted to know more.

Mark

Clint Watson
via faso.com
Jackie - Email will be around. None of us had email at 12 or 14 either. As soon as they grow up and get "real" jobs, they'll have to have an email address. Nearly every single website requires one to sign up, so eventually, they'll use it. I've been watching the tech press predict the "death of email" for nearly a decade and it just keeps growing.

Mark - if that works for you, great. Just to clarify though - I'm not and would never suggest you sign someone up for a newsletter without permission. 5-20K views is great! That's awesome. However, I am more concerned with connecting with people on a one-to-one basis, which is what selling art takes and email is more conducive to that. And, although you can do that on Facebook, you are still on someone else's platform and Facebook can and does lock people's accounts. The other thing is that many people are not on Facebook but (nearly) everyone has email. It's probably a good idea to do both if you can swing it. Again, though, these are just what I see as overall trends in seeing what works for a large percentage of artists that I talk with, there are always people who crack the nut a different way and it looks like you found a way that works for you.

Sue Betanzos
via faso.com
Hi Clint, you have some very valid point which I shared with another friend. @ Mark E., I have had the same experiences regarding exposure to my work and I WISH I had 2000 likes, but so far FB is where most of my connections hang out, and I have yet to have even one comment on my blog. But on FB I always connect and the FB ad worked pretty well for me too.
Still need to establish my Pintrest account. I will ask thru FB announcement who would like to receive my art newsletter and see the response I get. I have met some of the coolest artists on FB.

Jackie
via faso.com
Hi Clint,

I've read many 'death of email' articles over the years too. And it has happened. I realize that we move in different circles but in the 'teckie' world, few people use email today.

Yes, my nieces (who I said abandoned their email, not that they never had it) will get email addresses when they get into the corporate world, just the same way they'll get a phone extension number - but for fun, connecting, communication and making purchases I imagine that they will continue to use their cellphones.

In my previous corporate job, for several years we communicated between ourselves and our clients using an online collaboration area, not email. In common with many companies, we had all manner of firewalls, server-level spam blockers and so on that blocked html emails, emails with more than one outgoing link etc. so we never saw email newsletters on our work email addresses.

This morning, we had a power outage for more than three hours. We worked just fine, using our phones. We both get email on our phones but I didn't check mine. When I did, all I'd missed were the FASO notifications. Yet I had communicated with clients and others via social media.

Mark, I wholeheartedly agree with you about social media. (I use Facebook but prefer Twitter, Pinterest and Google though). I'm a firm believer in permission marketing too - probably because of all the spam emails I've received over the years!

Clint Watson
via faso.com
I would suggest those who doubt if email works read this:

http://www.copyblogger.com/simplicity/

Nobody can say that Hugh MacLeod isn't very well connected with social media, yet he says this:

"But looking back, it occurs to me that none of that 'hot PR media action' has moved my business forward nearly as quickly or effectively as this one simple thing:
My newsletter subscribers telling their friends about my newsletter, and suggesting that they sign up."



There's a reason Groupon grew so fast: daily emails.

There's a reason Facebook grew so fast: emails (Have you ever not opened a "You've been tagged in a photo" email?) In fact, Facebook sends email to people who AREN'T EVEN MEMBERS to tell them their friends all want them to join. Facebook works on the back of email. Facebook is even trying to become an email provider (remember recently when everyone was mad because Facebook changed all the email addresses on pages to user@facebook.com? Why did anyone get mad if email is dead anyway?)


I appreciate that Facebook can be a very useful tool, but, as Mark Twain said, "The reports of my death have been greatly exaggerated."


Michael Cardosa
via faso.com
Hi Jackie,

I've read both responses from Clint and yourself and I have to say, I agree with Clint. Social media might be the darling today and it might never go away but email's demise has been forecast for way too long to take seriously. Everyone has an email account whether they use it or not. In fact, according to industry analysis (I'm in the tech world too) there are 2.9 billion email accounts and of those 790 million are business accounts. Businesses still use email as their primary means of communicating with customers no matter what their exposure on Facebook or any other network.

By the way, I had a Facebook account and had it deleted. I got tired of their privacy policy of the day. The other thing I think about too is what happens when Facebook turns into MySpace?

I think using ALL means of communications is good, don't get me wrong, my departure from FB was a personal choice. If something works then I say use it but I think most artists should not discount a means of reaching out to people that while not trendy still works for most contacts.

Just my opinion. By the way, I enjoy reading your tech responses on SEO etc.

thanks,

Michael


Jackie
via faso.com
Hi Michael,

Thank you for your reply. Believe me, I'd love to have a successful newsletter. Our problem was, that although we put a signup box on our site (about a year ago?) we didn't get one single signup, despite the excellent hit rate. I was so looking forward to it too...

I'm not saying that email is dead - in fact my comment was "I imagine, but it's just a guess, that's because people are using phones to communicate rather than computers. Will email still be around in a few years? I don't know." And I truly don't know. But all I can say that in my experience, people are using it less and less.

I don't think that it will ever go away - completely but I think there's a strong chance that its usage will decline. For example, my dad (at 87 years of age) berates me often because I don't have a fax. I don't think I've had one for about five years or more but to him, it's his preferred method of transatlantic communication. This is probably because that was the case before he retired. Just as faxes are hardly ever used these days, there is a possibility that email could go the same way.

Things change so quickly - the article Clint referenced in his post was written over two years ago and so much has changed since then. (As you know, in the tech world, so much has changed since last week!)

I don't worry about Facebook going the same way as MySpace a) because it's my least favourite social network and b) if it did, something else would come along to take its place. (Actually, I've often said that I wish Facebook would go away!)

I so much agree that all communication is good and that artists (everyone) should definitely use whatever works for them. For me, sadly, it isn't email - I wish it was as its so quick to do. But I'm happy to know that others have success with it. After all, we're all in the same boat - just trying to get our names out there :)

Clint Watson
via faso.com
Hugh uses email more today than he did 2 years ago and his business has grown tremendously in that timespan.

But I do think Jackie could have a point considering the longer term - there is a way, in the future, that email could be supplanted. There are many movements to develop a "social networking protocol" that would allow Facebook like interaction but not tie you to a central authority like facebook. Just like how you now can take your email address with you to any provider you want (assuming you use your own domain name), you would be able to take your friend data, status updates, connections, etc and host them anywhere, even on your own server. And the servers could talk to each other (like email servers do now). If those efforts ever reach viability, then I think email could be supplanted because you would no longer have to rely on someone else's platform.

But here in the present, we all have to use what works for us and it sounds like that's what we're all doing. Thanks for your insights Jackie and Michael.

Ronald C. Gillis
via faso.com
Please,Clint,Make sure that the IT folks make the newsletter control panel very graphic friendly.We need to compete with vendors like AWeber which offer a very graphic heavy newsletter with all the bells and whistles.I,for one,would rather pay you the $14.00 a month as long as I got a newsletter that has competitive punch.Otherwise.....well,I must compete in the market right?

Ronald C. Gillis
via faso.com
Oh,it goes without question that this new and improved newsletter has its own Control Panel...right?

Clint Watson
via faso.com
Ron,

It's a separate control area but accessed from within the current control panel. My goal for it is not to be as full-featured as aweber but to be much easier to use and more relevant for art newsletters. The newsletter design area is graphic friendly and the templates are built with art in mind and pre-tested on all major email clients. I will be posting more details as we get closer to releasing it.










 

FASO Resources and Articles

Art Scammers and Art Scam Searchable Database

 

FineArtViews, FineArtStudioOnline, FASO, BrushBuzz, InformedCollector, BoldBrush
are Trademarks of BoldBrush Technology, LLC Licensed to BoldBrush, Inc. 

Canvoo is a registered trademark of BoldBrush Technology, LLC Licensed to BoldBrush, Inc

Copyright - BoldBrush Technology, LLC  - All Rights Reserved