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Mendacity

by Jack White on 8/8/2012 7:12:49 AM

This post is by Jack White, regular contributing writer for FineArtViews.  Jack has enjoyed a forty-one year career as a successful fulltime artist and author. He has written for Professional Artist Magazine for 14 years and has six art marketing books published. In 1976 Jack was named the Official Artist of Texas. He has mentored hundreds of artists around the world.  Jack authored seven Art Marketing books. The first, “Mystery of Making It”, describes how he taught Mikki to paint and has sold over six million dollars worth of her art. You should submit an article and share your views as a guest author by clicking here. 

 

It’s strange how one line from a movie will stick in our minds. Like Dirty Harry saying, “Make my day.” Or, “Do you feel lucky, punk? Well do you?” I really like one from the Superman where Gene Hackman played the villain Lex Luther and Ned Beatty was his sidekick. Lex looked at his security screen, saw Ned walking and commented, “How does that little brain move that big body.” Every time I see Ned Beatty, I recall that line with a smile.

 

But my all-time favorite was Burl Ives playing Big Daddy in A Cat on a Hot Tin Roof. Big Daddy shouted in his bellicose voice, “Mendacity. All is mendacity.” At the time I saw the movie, I didn’t have a clue what that meant. I’ve told you many times I graduated from college with a fifth grade education. When I got out of school and into the real world, I was ashamed of how little I knew. I purchased a pocket dictionary, keeping it with me at all times. I clearly remember looking up mendacity after the movie. I found the word meant misrepresentation, deception, deceit, falsehood, dishonesty, or in plain English, a bald faced lie. We use words to soften the blow by saying he/she fibbed. In truth, a fib is still a lie. Politicians tend to sugar coat a lie by saying my opponent misspoke. If they were honest, they would say that rotten so and so told a through his teeth, slap in your face, downright lie. I also love the way people cover a lie by using the word prevaricate. In Proverbs there are six things that God hates - one is a lying tongue. The courts will send you to prison for perjury - a nice word for lying under oath.

 

My youngest son used a “white” lie to get items from the NFL Tampa Bay Buccaneers. He was about six when he wrote them, without our knowledge, saying they were his favorite team and that he was dying. He asked them to send him something before he died. He addressed his note to Tampa Bucs, Tampa, Florida and somehow the note reached them. They were a new team with few fans so they sent him a box full of stuff including a football, helmet, jersey, photos and all sorts of things. I had no idea what he said in his note until he confessed when he was grown. I just assumed he had written a fan letter saying he was in the first grade.

 

Some artists are guilty of puffery which can be a form of lying. That’s when you expand the truth about your career. One of the quickest ways of losing credibility is using puffery in your promotional material. I often see in an artist’s literature, “Internationally known teacher or artist.” The truth is there are very few internationally known artists. I suspect Thomas Kinkade comes the closest to being an internationally known artist than any of this century.

 

I think of puffery in advertising. There is no little blue haired Sara Lee, that’s a mega company implying a little old lady is baking the sweets. Sam Adams beer makes people think they are a small Boston brewery, but in truth they have giant operations all over the country. There is not just one Hamburglar, but dozens scattered all across the world. Colonel Sanders has been dead for years, but the company still implies he is behind the stove cooking. These are examples of puffery lies in advertising.

 

No one likes to hear people brag on themselves. Trust me it’s much better if the potential client learns about your greatness from someone else.

 

An artist I know promised people if they purchased his prints, they would double in value in three years. The artist gave them a certificate saying he would buy the art back at double the price in three years. He was selling his prints as an investment. He sold a jillion prints until he was forced to file for bankruptcy. A majority of people buying his prints came back wanting him to make good on his contract. They expected him to pay $600 on a $300 print. He lost everything, because he was not honest at the front end. I suspect he believed his falsehood, but he made a promise impossible to achieve. When you build your career on falsehoods, you can expect to go off course. It’s like a railroad track. If one of the tracks is a millimeter off, eventually the two tracks will be too far apart for a train to use.

 

Have I ever lied? Way too many times. I’m not proud of being guilty of distorting the truth. I lied to my kids when I told them about Santa Claus, the Tooth Fairy and the Easter Bunny. I’m guilty of lying to highway patrolmen when I was speeding. I broke my ex-wife’s favorite vase and lied, blaming the cat. As a freshman in high school, one group ate in the cafeteria and the other brought their lunches for a picnic underneath the bleachers. If the cafeteria group asked me to eat with them, I’d lie and say I’m going to eat under the bleachers. If the bleacher bunch asked I’d lie again, saying I was going to the cafeteria. The truth was I didn’t have money for the cafeteria and my uncle couldn’t afford to fix me a sack lunch. I skipped lunch all together. I’m in no way a perfect man. I’m like the guy whose wife caught him in bed with another woman. He asked, “Who are you going to believe; me or your lying eyes?”

 

I’m ashamed to admit I’ve told more than my share of lies, but on my mother’s grave, I’ve never lied to Mikki. I’ve also never lied to make a sale. Have I expanded the truth in closing a sale? Probably, but I can’t remember any. I have made a conscious effort to remain honest in selling art. There were many times early in my career when the temptation to lie was great. My children were hungry and we were past due on the utilities and mortgage. One little fib to close the sale was certainly on my mind. Somehow I knew the importance of being honest if I was going to ever have a successful career. When the potential customer asked, “Can I expect you to be famous one day?” I’d answer, “I hope so but I wouldn’t take that to the bank.” Another question I faced, “How will this gold leaf hold up over the years?” I was truthful by saying I didn’t know. Since I only did the gold leaf for eight years, I had no way of knowing its longevity. This week, I got three emails from people who purchased those gold leafs almost forty years ago. One was the brother of the lady who made the purchases and another was a granddaughter who inherited the art. They sent me images and the art looks as if I had just placed them in the frame.

 

I think I told you readers a lie. I said I started in oils at 43. Actually I was 46. I miss calculated my numbers. So sometimes we are being honest when we lie. It dawned on me writing this article I started the gold leaf at the age of 38 and did it for eight years. That means I couldn’t have started painting in oils until I was 46. Beat me with a pepper stick.

 

I have never promised that collectors can expect a nice return. I tell the client, “Not many artists’ work increases in value after they are gone.” I then recommend they make the purchase only if they love the work. We do the same with Mikki’s art. People buying a George Rodrigue Blue Dog in the early stages of his career had no clue that one day the dogs would be famous. They simply loved the big, yellow-eyed blue dogs.

 

Listen to me. I’ve been in this business longer than the majority of you have lived. Don’t give in to the temptation to use mendacity to close the sale. The problem with lying is you need a great memory. You have to remember the lie in the event you meet those folks a few years later. Think about me dealing with clients who purchased way back in 1972. That’s forty years of remembering what I said. I don’t know about you, but my memory is not that great.

 

I have to say this in my defense; I sell very well. Not bragging, just a fact. Many think I do so by not being truthful. Selling is very easy if you know how. It’s simply a matter of asking editorial questions and waiting for the prospect to answer. If you listen, they will tell you how to close the sale. I sit in awe as I listen to Mikki work with a prospect over the phone. She is silk smooth in asking great questions. This week, a lady phoned to discuss the possibility of Mikki painting her a very large commission. I carefully listened as Mikki asked about her email address, “Is that ‘R’ like in Rose?” The lady answered, “Yes, my middle name is Rose.”

 

Mikki answered back with excitement in her voice. “Oh, that’s great. We will definitely need to put a rose somewhere in your painting. Maybe even on a tile on the wall.” Naturally the client was elated. Mikki closed the sale.

 

The most difficult thing I have these days is being honest with those who send images of their work to judge. I know if I tell them the raw truth they will be crushed. If I’m not honest, then they are not getting help. Don’t write if you want me to lie.

 

There is still a place for the truth in this world. Replace puffery with honesty. Let’s work to do away with mendacity and bring forth the truth.



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Topics: advice for artists | Art Business | art marketing | exposure tips | inspiration | Jack White | sell art | selling art online | selling fine art online 

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 49 Comments

Doug Hoppes
via faso.com
Another awesome article, Jack. Yeah, I totally agree with you about lying. I generally don't tell lies (unless it's a little white lie because I know that I'll hurt the person's feeling if I told them the truth).

Since I have a poor memory, I learned a long time ago, that if you lie, then you have to remember it.... (as you said).

Brian Sherwin
via faso.com
Jack -- Back when I did artist interviews for Myartspace I always worked hard to verify information. I knew going into an interview that some artists do choose to fib about accomplishments. I caught several in outright lies -- awards that did not exist, galleries that had long closed shop -- though the artist had claimed to have had a recent exhibit, you name it. I backed out of doing those interviews. The Internet has made it harder for liars.

That said, some of the artists I interviewed were able to deceive. In fact, a few have contacted me asking that I edit interviews from years ago in order to remove the false information they provided to me. They mentioned how it has harmed them -- how others exposed them to dealers and collectors. They have to live with that lie -- no amount of editing can change what they have done.

I no longer have access... and would not have covered up for them in the first place. I always tell them... "You have to live with it.". That is a harsh lesson -- but they decided to be the student the moment they presented false information to me.

Walter Paul Bebirian
via faso.com
Hahahaha - what an interesting concept - Mendacity - and a wonderful memory - good ole Burl Ives - in some ways he was jollier that Santa - and for some reason - his memory brings to mind Andy of Andy's gang as well - must be the jolly in both figures -

Yes - telling the truth - is always a better way to go - but sometimes I forget the truth - like it happened such a looooong time ago - I started photographing and creating art over 54 years ago - so I actually forget half the shows that I did (and prints that I have sold (photographic prints) ) before the Internet and before my online galleries - but none of the images that are in my online galleries are available anywhere except in the online galleries since I will not make prints to try and sell them - a person must now order from the galleries - this limits the number of prints by a factor of who can afford to make a purchase and the records of purchases and image views are all their for me on the site - over 5,900,000 images views since I started the gallery in December 2006 -

enjoy~!

P.S. yes there are 600 images that are available on gift items as well -



Walter Paul Bebirian
via faso.com
oh - I almost forgot - there are over 135,885 images in those galleries -

enjoy!!!

Sandy Askey-Adams, PSA
via faso.com
Jack..

I so enjoyed this article. Wonderful writing... and so honest. :) It is a good reminder of the meaning of the word integrity in all we do in life, not only our art world.

Thank you.


Karen Rainwater
via faso.com
I agree with you completely. I particularly appreciate the fact that you don't make a distinction between "white lies" and lies. I try very hard to never lie. Although, I certainly have failed at times, anyway. There is something that I wonder about, though. Sometimes telling the truth about something can actually create a lie. The situation I am thinking of is this. I have some paintings that have been selected for art shows. So, when I say that some of my work has been in shows, I feel that it comes across as a bigger deal than it really is. Two shows, one a college show, and one was, I think, some sort of tri-state show. So, I tend to feel, in situations like that, a need to elaborate, so as not to feel that I have planted a lie in the person's mind. LOL, I might be over thinking this. But, I have such an aversion to lying that I tend to over explain, I think. Thanks again for the article!

Bettye Rivers
via faso.com
Jack,
Sometimes I have been left feeling so unworthy when I hear all the hype about another artist's accomplishments. I know that an artist should be prepared for rejection and we're suppose to let it role off the back when it comes. Truth is I often get that same kinda down feeling when I hear all the puffery(as you call it)from a fellow artist. Maybe it's not just my own personal little problem! Maybe we just don't talk about it because it seems like green jeoulousy.

Christine Marx
via faso.com
Another great article Jack. It's nice how so many of your articles apply not just to art, but to life in general.

Patty
via faso.com
Thank you. Well-written and truthful.
And, by the way, in one fell swoop you gained my trust. I woud buy from you. Isn't it interesting that being truthful results in trust?

Terri
via faso.com
The advertising examples sited aren't necessarily lies. It pays to do a little research before claiming these companies flat out lie.

http://www.biography.com/people/colonel-harland-sanders-12353545

http://www.samueladams.com/company/about-us.aspx

http://en.wikipedia.org/wiki/Sara_Lee_Corporation

By the way, a sale is merely the transfer of enthusiasm from on person to another. Learn that and you can close with ease.

Rossana Currie
via faso.com
As my mother used to say... lies have short legs... you won't be able to advance far away with them... (I am not sure it has sense in English, in Spanish it does). Lying is sinonimus of betraying, who wants to be a traitor?
After reading the book you sent me I am changing what I paint and how I paint. Sometimes I get discourage but anyway, I love to do it!
Thank you Jack, your articles always help people and show your wisdom.

Michael E. Vermette
via faso.com
Mendacity by Jack White was a terrific article. I found it intereseting that Jack admitted to fibbing and lies in general, relaxed in the everyday situations. But when it came to his art he never lied or entertained "puffery". It brings to mind another reason to be honest. When it comes to our our art, we are dealing with something that goes beyond ourselves. We are dealing with the "sacred". It is the sacred in our art that touches the heart of the viewer. That is why when we are personally attacked we can handle that a whole lot better than when our art work is being attacked. Critiques and honest remarks dropped by our peers are all great so long as it is done out of respect; but when someone does not take off their sunglasses while viewing your work, that's disrespect toward the work. It's like wearing ear muffs in church.

Debra LePage
via faso.com
A humble and honest article. Thank you for sharing your many experiences with us.

Sandy Askey-Adams, PSA
via faso.com
Michael..Rosanna...Patty..Bettye...

I am smiling here because it is comical to me at outdoor art shows when people will walk up to a painting with their sunglasses on...and give a compliment. I know they are not really seeing what they should be seeing. Disrespect?? Probably, but I don't even think they realize it.

Rosanna...I love what your mother said about lies.

Patty... such true words you wrote about being truthful results in trust. Some people do not realize that.

Bettye..You are not alone in your throughts.

Yael
via faso.com
Wonderful article, not only for artists, but for people at large. I wrote about it in my own blog: http://sticklersforsyntax.wordpress.com/wp-admin/post.php?post=1345andaction=edit



jack white
via faso.com
Michael,

Remember some people have prescription sunglasses. I don't see the sunglasses a disrespect, some people are just not interested in art. Not just our art, but any art. Consider thinking they didn't know better.

Instead think about this, only 5 percent of the folks in the United States have ever been an art gallery. I understand ignorance is not an excuse, but I suspect that is the reason some left their sunglasses on.

Hang in there, Jack

Kathy Chin
via faso.com
Jack,

Great article as usual. Lying about our art would not do any good in the long run as you demonstrated. Have not really run into anyone who does lie...but have seen some artists who tend to embellish on their true accomplishments...giving the ultimate impression they're doing better than they are. Guess that comes under "puffery" in varying degrees. But, if you have one collector in another country (which i don't) aren't you considered "internationally known?" Know a photographer who is in a European gallery...does that make her "internationally known?"

Bettye - Bottom line, I have found that it's much less stressful to worry about how I'm doing and how my artwork is improving rather than worrying and feeling down on myself because the artist in the next tent is selling like hotcakes. Sure, I let the air out of their car tires to "show" them (just kidding) but I've realized that it helps us all when people open their wallets to buy art. I'm like anyone else, I get down on myself when my art doesn't sell, but I try to figure out what the problem is...is it the quality of my art, my selling techniques, etc. I'll only allow myself to feel badly for a short time before getting back to work. (sometimes easier said than done) As I'm competitive, an article by Photographer Nigel Merrick hit home. He talked about the skills that both successful artists and elite athletes need which include passion, a burning desire to succeed, resilience against temporary setbacks, and respect for our fellow artists... (http://www.zenologue.com/blog/2012/08/professional-photographer-9-olympian-skills/)

We can all succeed by being honest and focusing on our goals...right Jack?

Michael Cardosa
via faso.com
Hi Jack,

No truer words! Of course, would be kind of silly to lie in a post about telling the truth! :)

As someone who has been in high level sales for the last 30 (ok, plus) years, honestly is best, lies come back to bite you in the end. ( your end!)

At this point I don't think I could tell someone my art is a great investment for the future, but then again, I can safely say that if they like it and the market crashes, they still have something to look at with my art.

thanks again,

Michael

Tine Buma
via faso.com
I learned a new word today. Mendacity. Thanks, Jack!

jack white
via faso.com
Teri,

Thank you taking the time to send me those links. That was very thoughtful. I know this took you some valuable time. As we say in Texas, "Much Obliged."

Jack

jack white
via faso.com
Kathy,

You are the consummate professional. That is why you are going to be very successful and also helpful to others. You are willing to challenge yourself to grow. I never hear you blame any thing or one.

I'm proud of you.

Jack

jack white
via faso.com
Terri,

Oooops I misspelled your name. I didn't catch my error until the message was gone.

Jack

jack white
via faso.com
Bettye,

I love the way you spell your name.

Try to remember this, a lot of artists stuff is hype.

Early in my career I did several outdoor art shows. I had artist tell me how great they were doing, but I noticed they kept taking the same art from show to show. That's when I began to realize they were lying. They may sound harsh, but what else can we call it when they are obviously not being truthful.

In truth the only person you have control over is Bettye. Do your best and be satisfied.Face the fact that some artist will say most anything to save face.

I wrote a book title: The Malady of Art: FEAR. Email me at jack@jackwhiteartist.com and I'll email you a free copy. I do think this book will help you.

Jack



jack white
via faso.com
Walter Paul,

You have been busy. (smile)

Jack

Walter Paul Bebirian
via faso.com
Jack - so much more to go - the 135,902 Images are only from 2006 -

most of my images from earlier efforts I have not had time to stop and go backwards at all - and the remain in either slide form (photographs) or art that I have not looked at for quite a while -

I believe that it is much too exciting and plentiful to look ahead than to be looking backwards -

also - as to the alteration of the truth that the article discusses - it is quite interesting that on the subject of art - which is I believe a short version of the word or concept having something to do with artificial (although I am not sure of this so let me know if I am wrong) that the creators of this thing called art be held to some strict adherence to facts - :-)

Susan Ploughe
via faso.com
Jack,

I own one of your downloadable books and I have appreciated much of your selling advice, but I am troubled by today's post.

In another of your posts a good while back you shared how you had created a "fake persona" for a certain body of your work - I don't remember the details, but I recall some sort of itinerant loner cowboy. You talked about how it helped sales because people were intrigued by the drama of the "artist's" story. All I could think about was how betrayed the buyers would feel if they ever discovered that the bio was made up. How do you square that with today's post?

jack white
via faso.com
Susan,

Great point. To do the eBay experiment I had to invent an alter artist. Remember many artist paint under several names. My friend A. D. Greer painted under five names for a gallery. He supplies all their art. Robert Wood one of our greatest landscape painters use another name for some of his work. It's pretty common place in art.

The good thing about those folks buying my alters work is in time I will let all them know they own a Jack White. I have their mailing lists and in a year or so plane to contact them, letting them know the true value of their art. The 11x14 the paid $350 for on eBay is actually work $2,000 or perhaps more because of the collector value.

If I had done the work under Jack White and been just as successful, artists would say, that was because of my name. I looked as my alter artist as an actor playing a roll. Clint Eastwood has played many rolls but none are really him. I didn't do that to improve sales, but to give a true proof an unknown artist could do very well marketing on eBay. I proved to my satisfaction an artist could earn over $40,000 a year selling an unknown artist work.

I became an actor to play a roll. Not to deceive folks in to buying something of less value. Can you imagine there surprise when they realize the 30x40 they purchased for $1,600 on eBay will appraise for $40,000.

But thanks for pointing out what you though was a lie. I obviously don't think I lied or I'd not written about the experiment on FASO and wrote a book on how to sell art on eBay. I've taught many artists how to market their art on eBay.

Much Obliged,

Jack

Walter Paul Bebirian
via faso.com
one thing is for sure - perception is everything - so we can look at any number of different departments stores in Manhattan and see that from one to the other - Channel No.5 is selling in each one of these stores - I am not sure right at the moment about any variance in the prices but - there is definitely a perception from one store to the next how much one might pay for the same perfume because it is being purchased in a specific store - why? - well the perception of the store - the ambiance - the perception of the type of clientele in each one of the stores as well as the specific location of the stores - but all carrying the same products -

so in this case with art - and perception - it is of course our choice to create some perception as well - for years - generation decades - centuries and so on artists have been restricted to showing their work in salons - galleries and eventually museums - and in order to get such shows their work has had to be accepted by curators and gallery owners and dealers - these folks are being passed up now in many cases by the artists - and the clients as well and there are many situations where the work of an artists can be seen directly thanks to the Internet - from an artist's presentation -

given the fact that the only time someone will or at least it is recommended that they purchase something that they absolutely love - the price as well as where they purchase it may or may not matter to them - depending on whether or not they are purchasing from Henri Bendel (which by the way looks nothing like it used to back 1976) - or Bergdorf Goodman or from a manufacturer's store on Fifth Avenue - (such as Cole Haan) - these manufacturer's stores are becoming totally necessary because of their expanded product line and the limited space that they are able to secure in any of the department stores no matter which one it is -

DeBeers - Harry Winston - Tiffany and of the other Jewelry Stores on Fifth must have now unlike the old days - their own stores on Fifth - stores in different parts of the world - what is this world coming to? more shoppers - more education - more details - more products and more choices - when a person goes into a gallery - they are offered a number of works by any artist - (I remember being in a Madison Avenue Gallery and a DeKooning was walked in still wet back in 1976) and now there are so many more choices offered by any artist on their own personal website -


jack white
via faso.com
Susan,
As they say on the Five, there is one more thing. Scores of book authors have written under several names. One of the best male writers was actually a woman.

Jack

Marian Fortunati
via faso.com
I couldn't agree with you more!!
I like Rossana's quote... that one will stick with me..

It strikes me that in order to sell your art, you have to have absolute faith in yourself and in your work.

Thanks again, Jack!

jack white
via faso.com
Walter,

A few months back I did an article for FASO on perception setting the value of art. People pay more for a shirt with a polo player than one at Wal-Mart that is probably just as good. Branding is the key to higher prices.

Jack


Jim
via faso.com
Jack,
Thanks for another great article. Truth and integrity is a must in every aspect of life. I learned this again this year. I've been doing some outdoor art fairs. At one a couple asked if I could do a particular commission for them. I said yes, gave them my price, and they agreed. When I finished the piece I realized I had not priced the work appropriately and should have charged more. The couple agreed to pick up their art at one of my future shows. When they came to get it they saw that I had similar pieces as theirs priced higher and asked if they owed me more. I told them no that we had an agreed to price. Not only were they appreciative, but they ended up buying another piece. I could have easily made up some reason as to why they should pay me more, but instead I went with our agreed upon price and ended up not only selling another piece, but having a future collector.

Tine Buma
via faso.com
Jim, that was a class act! Thanks for sharing.

Debra LePage
via faso.com
Nice story, Jim. Integrity wins out every time.

Michael Cardosa
via faso.com
Hi Jim,

Good for you! That's a great story and I bet you're new collectors tell it whenever they get a chance. And they should...

Best,

Michael

Charlotte Herczfeld
via faso.com
Jack, one reason I really like your articles is that you tell it as it is. Complete honesty in selling is the way I've chosen to go too. That builds a reputation customers feel much more secure about. And it allows me to have integrity. A win-win situation.

I don't have much on my resume yet, but what I have is enough for my clients/collectors/friends. And what I have there is honest.

Ah, there is many ways to interpret "internationally known". I tend to ask "to whom?" to what segment?

The highest level is clearly when the woman on the street (anywhere) knows your name. If you are, say, Picasso.

But if I have my work in new homes in several countries on the both sides of the Atlantic, I'd word it something like that. "My work has been adopted by collectors in USA, Canada, England, Sweden, Norway, and Spain." True, and feels "international" (so where is Australia, Asia, Africa, South America?), and nobody can complain about it and I keep my integrity, again.

As yes, the truth is so much easier to handle. And it won't bite you in the rear end as lies have a tendency to do.

The answer to the question "who will ever know?" is -- *I* will.


Walter Paul Bebirian
via faso.com
names matter as well - I remember being in a high end gallery in Manhattan - uptown east side and in the next room I saw a painting being presented to a lady - who seemed to love the piece until she was told the name that the artist had given it -

I don't remember any details beyond that but I could tell that this painting which the client liked very much changed in her mind when she heard the name it was given -



Tine Buma
via faso.com
Walter,

Aha!

Donald Fox
via faso.com
Many have said that realistic painting is itself a lie. It's only dealing with illusion and false representation of space and images that are far removed from real things. Metaphors and figurative expressions are exaggerations created to express ideas about something that is otherwise difficult to express. Are they true?

We exalt truth yet often cannot agree on what is truth. We end up giving interpretations of facts. Look at climate science. Groups of scientists are using the same facts to prove opposite viewpoints. Is it any wonder that in the arts truth is as bendable as lightwaves?

Michael Cardosa
via faso.com
Walter,

I think the point you made about names is an important one, especially in landscapes. I think the right name allows people (collectors) a way to connect with the art. My PERSONAL believe is artists who name their works landscape #1 or #2 or 147 miss a very important marketing opportunity.

Best,

Michael

Walter Paul Bebirian
via faso.com
definitely a big challenge for me - I deal with it by a unique and intricate numbering system -

with only a handful of images actually having a name:

http://walterpaulbebirian.imagekind.com/store/imagedetail.aspx?IMID=0aefbeb7-4011-4482-9698-6f6052562abbandq=money

Walter Paul Bebirian
via faso.com
with 136,070 images I would have an extremely difficult time to name more than a handful of the images in my galleries -

Money is definitely and exception:

http://www.imagekind.com/MONEY_art?IMID=0aefbeb7-4011-4482-9698-6f6052562abb

Sandra Grissom
via faso.com
Jack and Mikki,
I look at Mikki's site just about every day and look forward to reading your articles when she makes a note of them. Love her site and your books. I would not mind the truth in a critique of my paintings because the last article you talked about how old you can't be to start painting and selling-and I'm old and on the fast tract. So take a look and help me out. I look forward to your next article. All the best to you both.

jack white
via faso.com
Sandra Grissom,

Please feel free to send us images of your work. Mikki and I will tell you what we think.

Send to Senkarik@Senkarik.com

Jack

Brian Sherwin
via faso.com
Susan, Jack -- I think there is a big difference between creating a persona and outright lies. As Jack suggested, the use of an alias is not uncommon in art and literature. Concerning, novels... if I say King you will likely know who I'm talking about -- that said, even he used an alias at one time. You will find it in music as well... even going back to the composers of old.

I suppose it depends on how the persona is used though. For example, if I created a persona and claimed that I had exhibited at Gagosian Gallery, Mary Boone, and other high profile galleries -- and that I had been shot five times in Iraq -- that would be outright lies. I'm building on status that does not exist -- and that I can't match in reality.

In general, a working persona is not too far off the mark from who the person is in reality. A persona should not be used as a lure for deceptive marketing by giving status when in reality the person behind the name can't match the story in some way. That is my two cents.

I once caught an artist who built a persona around herself -- as in used her real name but added to her story. She had told others that she was related to Georgia O' Keeffe -- and went as far as to suggest that O' Keeffe had taught her early on. All lies... and she paid for it when her integrity was shot down after being exposed.

Donna Robillard
via faso.com
Mendacity - such a neat-sounding work for a lie. I can remember telling little white lies and getting spanked for them as a youngster. Now, as an adult, I've learned it is much better just to get the truth out, even though it is not always the easy thing to do.

Sandy Askey-Adams, PSA
via faso.com
Donna..Jack, everyone....

I remember the bar of soap that was brought out when I was a child if any of us children told a lie. Yuk!
When I was in grade school, we were taught that a lie is like a spider web, it weaves and weaves getting bigger and bigger till we get caught in it ourselves.

Tine Buma
via faso.com
Great metaphor, Sandy!

Brian Sherwin
via faso.com
Sandy -- My grandmother did the soap thing. Every time someone mentions soap in the mouth I can 'taste' it in my memory. LOL










 

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