Artist Websites  Artist Websites |  Featured Artists |  Art Marketing  Art Marketing |  Art Contest |  BrushBuzz |  InformedCollector |  FASO Loves You - Share Your Art, Share Life

Blog


« John Ennis - subtle nuances in fine portraiture | Main | Art Is Not A Talent »


Follow this Blog



Subscribe to our Newsletter



Quick Links

Artist Websites and Good Design
How to Sell Art
How to Get Your Art Noticed by Galleries
SEO For Artists - The Ultimate Tip

 

Blog Roll

Mikki Senkarik's Blog

















abstract art
acrylic painting
advice for artists
art and culture
art and psychology
art and society
art appreciation
art blogging advice
Art Business
art challenge
art collectors
art criticism
art education
art fairs
art forum
art gallery tips
art history
art law
art marketing
art museums
art website design
art website tips
art websites
Art World
art world problems
artist resume advice
artist statement
artist tribute
artist website tips
artist websites
assemblage
BoldBrush
BoldBrush Interview
BoldBrush Winners
Brian Sherwin
BrushBuzz
Canvoo
Carolyn Henderson
Carrie Turner
cityscape painting
Clint Watson
collage
colored pencil
conceptual art
Connie Tom
copyright
creativity
Daniel Keys
Dealing with art forgery
Deber Klein
digital art
drawing
email newsletters
encaustic painting
etching
exhibiting art online
exposure tips
Facebook
FASO
FASO Art News
FASO Daily Art Show
FASO Featured Artists
figure painting
FineArtViews
FineArtViews Interview Series
functional art
Gayle Faucette Wisbon
glass art
Google
Guest Posts
Holiday
InformedCollector
inspiration
installation art
Instruction
Jack White
Keith Bond
landscape painting
Linda Mikulich
Lisa Call
Lori Woodward
Luann Udell
Matthew Mahler
mixed media
Moshe Mikanovsky
oil painting
online art competitions
online art groups
originality
painting
pastel
photography
Pinterest
plein air painting
politics
portraits
pricing artwork
printmaking
realism
religion
Robert Genn
Sarah Maple
sculpting
sculpture
sell art
selling art online
selling fine art online
SEO for Artist Websites
social networking
still life art
street art
support local art
Think Tank
tips for exhibiting art
Twitter
watercolor
watermarks
websites for artists
wildlife art




 Archives:June 2013
May 2013
Apr 2013
Mar 2013
Feb 2013
Jan 2013
Dec 2012
Nov 2012
Oct 2012
Sep 2012
Aug 2012
July 2012
June 2012
May 2012
Apr 2012
Mar 2012
Feb 2012
Jan 2012
Dec 2011
Nov 2011
Oct 2011
Sep 2011
Aug 2011
July 2011
June 2011
May 2011
Apr 2011
Mar 2011
Feb 2011
Jan 2011
Dec 2010
Nov 2010
Oct 2010
Sep 2010
Aug 2010
July 2010
June 2010
May 2010
Apr 2010
Mar 2010
Feb 2010
Jan 2010
Dec 2009
Nov 2009
Oct 2009
Sep 2009
Aug 2009
July 2009
June 2009
May 2009
Apr 2009
Mar 2009
Feb 2009
Jan 2009
Dec 2008
Nov 2008
Oct 2008
Sep 2008
July 2008
June 2008
May 2008
Apr 2008
Mar 2008
Feb 2008
Jan 2008
Dec 2007
Nov 2007
Oct 2007
Sep 2007
Aug 2007
July 2007
June 2007
May 2007
Apr 2007
Mar 2007
Feb 2007
Jan 2007
Dec 2006
Nov 2006
Oct 2006
Sep 2006
Aug 2006
July 2006
June 2006
May 2006
Apr 2006
Mar 2006
Feb 2006
Jan 2006
Dec 2005
Nov 2005
Sep 2005
Aug 2005

 

When in Doubt Go One Circle In

by Clint Watson on 7/25/2012 5:29:15 PM

This article is by Clint Watson,  former art gallery owner/director/salesperson and founder of FineArtViews. You should follow Clint on Twitter here.

 

Every artist needs to pay attention to the concept of the "circles of marketing."

 

Ignoring it leads many artists to make one of the biggest mistakes that I see in art marketing: thinking that art marketing is a "numbers game" and focusing on "getting traffic" and "eyeballs" before mastering the more important and more accessible parts of marketing art.

 

This mistake leads to artists worrying about things like "SEO" before they even learn to take care of their existing fans and closest supporters.

 

Here is the concept:  Seth Godin posted the following image on his blog, along with his post, The Circles of Marketing:

 

 

 

 

The mistake artists make is the same mistake many people make.  As Seth points out in his first sentence, "Most amateurs and citizens believe that marketing is the outer circle."

 

But "marketing" is not only or even mostly the outer circle.  

 

I can't give you any better advice on how to market and sell your art than Seth's last sentence, "When in doubt, when your (art)* marketing isn't working, the answer is easy: go one circle in."

 

 

------

* The word art added by me :-)



[Services:
FASO: Want Your Art Career to Grow?  Set up an Artist Website with FASO.
FineArtViews: Straight talk about art marketing, inspiration - daily to your inbox.

InformedCollector: Free daily briefs about today's finest artists in your inbox.

BoldBrush Contest: Monthly Online Painting Contest with over $6,000 in awards. 

Daily Art Show: Daily Show of Art that reaches thousands of potential collectors.

Backstory: About Clint. Email Editor.  Submit a guest post.  Twitter. Republish. ]


Related Posts:

Clintavo's Position on Marketing Art via Facebook and Twitter

Marketing Art On The Internet, Part 2

The Foundation of Your Online Art Marketing Strategy is....

Artist Website Do's and Don'ts - My Interview with American Artist Magazine

Twin Pillars of Art Marketing Success

Marketing Art Is a Do-it-yourself Job, Like it or Not


Topics: advice for artists | art blogging advice | Art Business | art marketing | art websites | Clint Watson | exposure tips | FineArtViews | Google | sell art | selling art online | selling fine art online | SEO for Artist Websites | social networking 

What Would You Like to Do Next?
Post your comment Join Email List Follow via RSS Share Share

 19 Comments

Jackie
via faso.com
Good point Clint! To me, the important word is 'story'. This applies to marketing anything at all but maybe it's especially true of artists.

I was just reading another topic and two of the artists who had commented started their careers as scientists. There's a story for you. Every artist has a story of how they ended up in the art world.

Every piece of artwork has a story too. Communicating these stories is what's going to make people connect with an artist and their work. Today, thanks to blogs, everyone can tell their story.

Brian Sherwin
via faso.com
I agree with Jackie... 'story' is important -- it can 'feed' the other points in the circle. When I visit an artist website I LOVE to discover the story behind the artist. Unfortunately, I have found that many artist offer little insight other than the basics OR offer too much trivial information about the past (knowing that the artist first picked up a crayon at age 3 does not really help me to figure out who he or she is today).

Not to stray too far from topic... but if you look at some of the most celebrated artists you will often find that they have an amazing story -- I want to know the grit... I want to know the experiences... I want to know what left an impact on the artist.

Scott Baldassari
via faso.com
Excellent, Simple, Obvious, Brief, and TRUE advice.

Some of us, when in doubt, just tend to go in circles... period. :-)

Michael Cardosa
via faso.com
Hi Clint,

I've always thought the hardest part of this is expanding the "community" or "tribe". All the rest in the outer ring, at least to me, is in support of these groups and giving them information that many of them are eagerly seeking.

As to price, I have some strong opinions on that. I really hate seeing really talented artists practically giving their art away but as someone in sales for years selling on price is a loosing proposition. In fact the lower a price is versus the "competition" the more people are liable to look for the flaws and not on the benefits!

Thanks for sharing!

Michael



Clint Watson
via faso.com
Michael,

I understand what you're saying, I, however, don't see the outer ring supporting the "tribe", most efforts in the outer ring are to get new members to join the tribe. I see the tribe as being supported by email newsletters, direct calls with the artist, being on the inside track for the latest work, etc.

I agree with you on price. The problem with competing on low prices is that your in a race to the bottom, and if your successful, you might win that race. I think Seth Godin said that and I remember it every time I'm tempted to start competing on price.

I like the middle range on pricing. At the low end, it's hard to make money and there's always someone willing to make a bit less and undercut you. At the high end, it's hard to find buyers and when you do, each person holds a huge amount of influence over you (and can kill your business if they stop working with you). At the middle, you can get enough numbers of customers...but at a price that allows you to make a profit, improve your product, support your tribe, etc.

Thanks for your feedback.

RosemarieAdcock
via faso.com
Ha! Great illustration, Cliff, and worth some thought. It's funny that in the end, the innermost circle, when all else fail,keep developing that product. Keep refining. Keep improving. Indeed,keep painting.

Michael Cardosa
via faso.com
Hi Clint,

Thanks for the response. I have a question for you as a former gallery owner. Since the gallery has to pay rent, salaries, typical overhead and has limited time and display space, what would you see as the "middle ground" of pricing that would satisfy a successful gallery. I'm not talking Saatchi or PaceWildenstein, more the typical gallery found on the east coast and New York. What would their realistic minimum pricing be to take an active interest in trying to "sell" a new artist in their stable.

Thanks,

Michael

Clint Watson
via faso.com
Michael,

It's been a few years since I was in that business, however, I would say $500 as a minimum on small pieces. I generally considered the $2,500 - $7000 range to be the "middle."

Sharon Weaver
via faso.com
So simple but so powerful. To many start with the outer circle thinking they will take a shortcut but only wind up wasting a lot of time and money. The second circle is the one I am not sure of and would appreciate some input. What exactly does usability and support include?

Clint Watson
via faso.com
"usability" in software means "how easy" it is. For artists I guess that would mean how simple is it to see all of your available works, to contact you, how easy is it to purchase your art, have it shipped, pay for it, etc. I've found many artists make all of those things amazingly hard and more than once I've given up.

"support" would be like customer support. Do you follow up with past buyers? Do you send past buyers info when you have new work available, maybe give them first shot? Do you help people with framing and varnishing? Do you make replacing damaged art/frames easy?

I've toyed with the idea of redoing Seth's graphic specifically in more detail and for fine art.

Sharon Weaver
via faso.com
Thanks Clint. I think reworking this graph for an artist would be very helpful.

Jackie
via faso.com
That's a great idea, Clint.

Usability can also mean that your website is available to all, since so many transactions take place on the web today. It's amazing how many sites still don't work well on smartphones, tablets and even on all browsers.

For regular computer users, it also means that your site can be used by people who have some sort of handicap - even something like colour-blindness can affect the way a person uses your website.

Michael Cardosa
via faso.com
Hi Clint,

Thanks again! That's very helpful. Asked a few gallery owners in the past here in NY and pretty much got a non answer. Unfortunately, since I was really looking for the bottom number to where it became interesting to them it was something I guess they didn't want to share.

Thanks again,

Michael

Clint Watson
via faso.com
I think NY may be it's own deal. I would guess their bottom number would be higher than galleries out west.

Michael Cardosa
via faso.com
You might very well be right!

Doesn't make it any easier though! :)

Sure there are hundreds of galleries here, maybe thousands when you expand to the tri-state area but I'll bet the artist to gallery ratio is just as high if not higher when you throw in the well known out of state artists.

Just have to keep on pluggin'

thanks again Clint



Esther J. Williams
via faso.com
Clint, if I did not offer my works for under $500 in this economy, I would be broke, busted, bankrupt. I am staying where I am at and paying my bills.
By the way, I love the inward dimension of circles. Coincides with the inner dimensions of the conscious mind, spirit and emotions. If we look within the answers lie there.

Esther J. Williams
via faso.com
I meant some of my works, particularly the smaller sizes. When a work is midsize, it hits the $500 mark. Smaller works under $500 are like the bread and butter to many artists. I have sold so many of those and will continue it, it is my survival means. I like the term, "paid to exist" by Jonathan Mead. I am selling larger pieces in the $2,000 and up range. Those sales are from communicating with my tribe. Without the newsletter and heart to heart phone calls, they would not happen.
Oh yes, people are insisting on stories with the art. It sure isn`t easy being an artist like people think it is. We not only have to paint, we need to be poets or writers plus a slew of other hats.

Marian Fortunati
via faso.com
Seth Godin writes an informative and enjoyable series of books that can help all of us! Thanks for the reminder.

Donna Robillard
via faso.com
Powerful information, yet so simple. Thank you.










 

FASO Resources and Articles

Art Scammers and Art Scam Searchable Database

 

FineArtViews, FineArtStudioOnline, FASO, BrushBuzz, InformedCollector, BoldBrush
are Trademarks of BoldBrush Technology, LLC Licensed to BoldBrush, Inc. 

Canvoo is a registered trademark of BoldBrush Technology, LLC Licensed to BoldBrush, Inc

Copyright - BoldBrush Technology, LLC  - All Rights Reserved