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Color Test

by Keith Bond on 7/9/2012 9:31:48 AM

This article is by Keith Bond, Regular contributing writer for FineArtViews.  You should submit an article and share your views as a guest author by clicking here.

 

 

In a recent Gurney Journey blog post was a link to an online color hue test. It reveals how well you see color. In the test, you drag and drop squares of various hues to arrange them into their proper order – a subtle gradation from one hue to another. You are scored on accuracy. Zero (no mistakes) means you have perfect color hue perception. A high score (lots of mistakes) means you have low hue perception.

 

I found it both fun and interesting. I even did it 3 times to try to get better (and did).

 

The test got me thinking – can you learn to perceive color better?

 

Before I go too far, I must say that I am not a scientist nor am I a doctor. My ideas I am about to present are simply my thoughts based upon my limited understanding of color and sight. They may have some merit, but maybe not. But they are thought provoking to me, anyway.

 

The eye has receptors called cones and rods that receive light waves. The brain interprets the light waves and we understand it to be color. Yes, this is a very simplified summary. But it is sufficient for this post.

 

My question is this: is the ability to see color accurately – as in the color test – because of the cones (physiology) or the brain (mental capacity) or some combination of both? Is the sensitivity of the cones what enables someone to see subtle shifts in hue? Or is it a developed brain that can interpret the subtle differences?

 

Can someone strengthen the ability of the cones to recognize color better? Or can someone strengthen the ability of the brain to interpret the signals better? Can there be both a physiological and mental development in color perception?

 

Since my ponderings on this subject only began a few hours ago, I don’t have any answers. I don’t know if there have been any studies done. If anyone knows of any, I would be very interested.

 

But, this is my theory: you can develop both – but there are limits. I doubt someone who is color blind can learn to see color. But given the cones that one does have, I believe there can be a strengthening on both the physiology and with the mental interpretation.

 

The reasons for my theory are two-fold. First, we can exercise just about every other part of our body, so why not color perception also? Second, I have experienced improved color perception (both in myself and many of my students).

 

Although, I will admit, what I interpret as improved color perception may not be anything more than improved observation. But, it very well could also be improved interpretation in the brain or strengthened (more sensitive) receptors in the eye. Who knows?

 

Regardless, there is another point I wish to bring up. How does this affect you as an artist? The implications of how well you can see and mix very subtle differences in color are intriguing.

 

But is it really important to see such subtle shifts in hue? Or is it more important to see the broader color relationships and harmonies? I suppose it becomes a very personal matter depending upon how you use color in your art.

 

Either way, I do think you can improve, through practice, your ability to see color. I believe that increased ability to see enables you to have more choices at your disposal (in terms of how you mix and use color in your work) and ultimately leads to greater creativity.

 

So, go ahead, take the test. See how you do. Then work to see if you can improve over time.

 

Best Wishes,

Keith Bond

 

PS Thanks to James Gurney (creator of Dinotopia) for the Gurney Journey blog post which led me to the color test and ultimately to ponder these questions.



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Topics: art appreciation | art education | FineArtViews | inspiration | Keith Bond 

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 28 Comments

Jackie
via faso.com
Thanks Keith, that was fun! I love tests like that but I have to admit that I don't take them seriously. I probably should.

In my previous corporate job, part of my day was spent doing color testing for websites. I am certain that just about every monitor 'sees' colors differently. Even if the monitors are at the default color settings, the light in the room and other factors have a large part to play.

This caused at lot of conflict with clients 'I don't like that purple color.' 'What purple color?' etc.

It's the same when clients are looking at print designs online. In a magazine, an ad is lit from above the reader. A computer monitor is backlit. You can show clients the Pantone colors as much as you like but it doesn't stop the 'it's not the same color in the magazine as it was on my computer' lark.

Different browsers show different colors too. Google's browser astounded me when I first started using it because of the color difference.

I also tested each website for usability for those with three forms of color blindness. The most common is in men - they have trouble with reds and greens. If you have a site selling men's clothing and the 'buy now' button is invisible to a lot of your viewers, you're in trouble.

Boiling it down even further, color vision changes in everyone as we age. I probably see very different colors than my granddaughter. And various illnesses change the way we see color too. Even the common cold and flu.

Then there's the personal perception of what we actually call the color. My idea of 'cerise' or 'eau de nil' might be different to yours. Do we actually see the same color or not.

There is a particular shade of blue (to me) that my mum always used to call 'green' - a sort of aqua-turquoise. After all, we call colors the names we were taught. It's an extreme example but I might call a color 'red' but you call it 'orange'.

Andy and I have worked together in design and art for twelve years and I know that we see colors differently. He often says, when doing design work 'can I borrow your eyes?' when he needs me to look at his computer and see if a particular color needs more green.

We all see colors differently!



K. Henderson
via faso.com
I took the test last week and had a lot of fun. (got a 41)
Jackie said what I was going to say plus a lot more! Thanks Jackie for your insight.
As an artist, it would be cool to be able to train my eye to see all the different hues for my own personal satisfaction. But for the average person looking at the work, they won't know the difference and indeed may not see the colors as I see them.

Marian Fortunati
via faso.com
I too, took the test a while back and found it intriguing.
Although, I agree that we can learn just about anything (given our body's limitations), I kept thinking about how often I purposely use artistic license when interpreting color.
They say that Edgar Payne (and many other renown artists) moved lakes and trees around to suit their idea for design, why not change color to suit our own personal aesthetic?
Isn't it wonderful how very many things there are in our world to learn and improve upon?
Be well, Keith!

Lynne Hurd Bryant
via faso.com
I took this test a couple of years ago, scored a zero right off. I read a color sight article recently (I wish I knew where) and they talk about being able to see two colors at the same time in one patch of color, i.e. being able to see yellow and blue in a patch of green, a sort of color splitting. This amused me as I see this way as a rule. It is probably nature for the most part, but I won't rule out a great deal of nurture either. My grandmother was an artist and from the time I was about 2, she was trying to teach me to see color more accurately, to understand how colors are mixed on a palette and also to have a great many descriptive words for color...the difference between cerise, magenta and fuchsia for instance. I owe much of my knowledge and abilities with color to her training.

All of us see differently, of course, and some people, like me, have a "warm" eye and a "cool" eye as well, which makes things even more interesting. (My left eye sees more red/pink and my right eye sees more of the blue family.)

Color is so important in the way that value is expressed that it is a vital topic. I hope you'll write more on this subject.

Jackie
via faso.com
There's another thing, and I've forgotten the name of it - it's where people 'see' colors in music and in other aspects of life.

For example, names have colors to me, and always have, depending on the way they would be mixed. For example, the name 'Andy' is quite different in tone to 'Andrew' but they are both blue. The words 'a', 'an' and 'and' are different but all are the beginning of Andy and Andrew. So far, both names are the same color. But adding the 'y' to Andy and the 'rew' to Andrew means that Andrew is a much deeper blue whilst Andy is a lighter shade. Andrea, on the other hand tends almost towards a purple/blue. Andreas is different again!

Weird, I know!

Tim Moore
via faso.com
Interesting..scored 200...i am "legally" color blind.When they open the books and ask me to pick out the letter or number from the picture of many colored circles, i am lost.i cant see any of them.yet i can see and tell all colors? the dr even went around the office gathering different colored objects to test me..i would think if you are told a certain is "blue" ,i would think your brain would learn to make the connection, just like learning anything else..so i would think its not the rods and cones but the brain..

Sharon Weaver
via faso.com
This test was fun and I did well the first time. Recently I have been narrowing my palette both in value and hue in an effort to understand the subtle differences in color. I think it makes me a better artist being able to interpret subtle light effects and see those softer differences and I have definitely learned from these experiments.

Julie G.
via faso.com
Immediately after reading the article I took the test and scored a 38, which upset me horribly, and so I re-took it and scored an 11. Whew! Now I'm relieved, and bored enough that even though I want to make a perfect score, I'm not willing to go through the tedium to obtain it.
What I find interesting in taking the test and observing myself is a)the perfectionism I expect of myself and b) the speed at which I can become tired of trying to get to my best level. And that has nothing to do with color at all! It's the kind of thinking that means starting work and not finishing it and always wanting to move on to the next project.
I love color. I love combinations of colors, I love individual colors. One of my favorite things to do as a child was coercing my little sister into a made-up game whereby I would close my eyes, randomly mix up the 16 magic markers we had, and then keep half and give her half. We then had to color in a geometric design with the results we ended up with, and make it attractive. (Remember those Altair Design books with black and white geometric shapes to fill in?) What's funny is, I don't remember anything I actually colored. What I do remember is the excitement of opening my eyes and seeing the colors I ended up with, and how I was going to combine them. Thrilling! (to me only). Poor sis, I tormented her with that game.
I absolutely believe we can improve our ability to see color gradations unless we are legally colorblind. But what I think is important - to me, anyway - is the feelings I get from those colors and their relationships to one another on the page/canvas/screen/fabric etc. I am never bored by colors themselves.
I'd say a good color 'test' is to guage my satisfaction levels with my color mixing, and then seek out guidance from a teacher (formally or someone whose work I respect) if I feel like I am unable to reproduce the vision in my mind's eye. I also try to look at a lot of different sources for inspiration, not so much from other artworks, but from nature, architecture, fashion, other cultures, etc to keep me interested in my color choices.

Dina
via faso.com
Wow! I'm a graphite artist and deal with monotones all the time, and always thought I can't see colors well, but I scored a 3 for the first time. I guess I should break out my oil paints...

Thanks so much. It was fun!

Jackie
via faso.com
This has just reminded me ... I had my art training in the UK. As part of the course, we did a spell of textile design. At the very beginning of the course, we were each given black and white outlines of a floral textile design (like in a kid's coloring book). I think were were given three, every one identical. We were then told to color them. The first two had to be colorways we thought best and the third was to be awful.

They told us to deliberately choose colors that didn't go well together and we were to make them as nasty as possible.

You might have guessed the outcome. Our 'prettiest' colorways were bland and predictable. Our 'ugly' ones were vivid and gorgeous!

jack white
via faso.com
Keith,

You mentioned something close to my heart. I read an article in Reader Digest years ago saying the eyes have cones that only see the primary colors and rods that see values. I thought if I could develop a pallet only using red, yellow and blue, my work would tickle the viewers brain. I learned to never use earth tube colors but mix them. I also realized if I painted in correct value the color was not as important is painting realism.
Good topic. Jack

Carolyn Hancock
via faso.com
Not surprisingly, my lowest recognition in the color test was in the green/turquoise family. I guess that's why landscapes are more difficult for me than painting people. I always thought it was because I could read expressions better than leaves and trees. My score was 12 on the first go round, with the problem areas only in the cool colors. I wonder if this color perception explains why one is naturally drawn to certain colors or color temperatures?

Cathy de Lorimier
via faso.com
Keith,
I believe in serendipity. For the last several hours I've been trying to figure out how to order myself some business cards, having just realized that my mac program Photoshop Elements only works in RGB, which wouldn't print true to color on a CMYK commercial printer. I do believe that printing one of my art images in RGB would alter the color on the business card (or flyer) significantly enough to be unpleasant. I want the product to reflect my original piece as accurately as possible.

So I put it out there to all the other FASO artists reading this, what program do you use for CMYK printing? Regular Photoshop is extremely expensive.

Keith, thanks for the interesting article. I must try that color test once I settle this technology question of mine!

Jacqueline
via faso.com
Hmmm. I took the test and scored 76! It kind of surprised me, because I had thought I was getting better at seeing color hues! Hate to think what I would have scored 3 years ago. I am wondering though if the strong pain meds I am on make it more difficult...it really was difficult to even look at the test page without getting nauseaus. Those little color swatches were swimming around the screen, not wanting to stay still for me to get a good look at them! : ) Now I see why my paintings have such strong colors! That seems to be how I see. I can't see the subtle changes therefore I can't paint them... Interesting and informative. Thanks for the link.

Jackie
via faso.com
Cathy,

This is what I was talking about above - RGB colors do not appear the same when converted to CMYK. If you're just dealing with a few colors, your print shop can help with their Pantone swatches but this won't be helpful with most artwork.

I would take a look at moo.com -it's a great service and you can have a different artwork on every card. You just upload the images to their site. It's a great idea to have your artwork on your cards!

We found that the colors were slightly more vivid than our originals but not enough to really be of concern.

Donald Fox
via faso.com
An interesting post and enjoyable test. Whether we can improve our ability to see color is a good question. We can certainly improve our thinking about color. As we think more clearly, that may enable us to see more clearly. Beginning painting students have difficulty seeing color relationships since they have limited ways to describe color differences. As they gain experience in describing color, they seem to gain ability to distinguish color. Is it the thinking or the seeing that has improved?

Diana Moses Botkin
via faso.com
Although I couldn't get the links to work from your article above, or the Gurney blog post, I finally found the test online at the following link. http://www.colblindor.com/farnsworth-munsell-100-hue-color-vision-test/#prettyPhoto/2/

I am guessing it is the same test, although the background is white, rather than black, as shown on the Gurney blog post.

It was an interesting exercise, but after a few minutes I noticed my eyes and brain started to blend the squares with the surrounding hues, even from the other rows.

This gives food for thought. Most of know how surrounding colors affect how we see a spot of color in a painting.

I scored fairly low but would like to take the test again sometime when my eyes are "fresh" to see if I can get an even lower score.

Certain medical conditions and drugs do affect hue recognition, so perhaps anyone scoring high should see their doctor if they are unaware of the cause.

Dan Goldstein
via faso.com
I am grateful for this article because it gives all of us encouragement to keep growing, improving physically and mentally. The body is an amazing piece of machinery and for those willing to exert some self-discipline, the potential to improve oneself physically, even into one's 50s and 60s, I believe, is substantial. Of course some of us have a stronger capacity in this area than others, and some have challenging (debilitating) physical conditions which they deal with heroically. Perhaps they are the best examples of all! Thanks for this article!

susan
via faso.com
Scored 6 and I have a pupil that doesn't constrict fully or equally with the other. If I go outside in bright sunlight without sunglasses and then return indoors everything has a reddish cast. Apparently I can still determine subtle color changes pretty well.

Julia Watson
via faso.com
Interesting post! I love working with color - it's my favorite part of painting. I like to layer transparent paints to get subtle color shifts. I took the test and scored a 4 the first try so I was pleased.

But besides differences in ability to see colors, people have different color preferences. One of my painting students was unhappy with leaves that were "way too blue" until she changed them to a more saturated and much yellower shade. I had thought they were fine the way they were! Neither of us was wrong - we simply had different preferences.


Adriana Guidi
via faso.com
I love doing these kind of tests!I did have to take a break in between for a bit...after a while all the colors run together.The first one I got a score of 12,then I took it a second time and got a score of 4..yay!

Zan Barrage
via faso.com
Monet painted the water lilies when he was practically color-blind with cataracts!

Depending on the angle between your eyes and your computer screen, you will see different things and colors and even color saturation. In fact one trick to acing this test is to first do it with your eyes at full 90 degrees to the screen (The proper way to see the full spectrum of the screen, and then to tilt the screen so you are at a very acute angle where you will see mostly values and correct some of the wrongly placed colors. I did one run normally and got a 12 and then did another run with the additional acute angle review and got a 1.


Cathy de Lorimier
via faso.com
Keith, a fun test. I got a perfect score. Who knew?? The only thing I did to increase my chances was to expand the size of the boxes to fill my screen. This helped immensely!

Donna Robillard
via faso.com
This was really fun! I have found that the more I observe what I am painting, the more subtle changes I see. The better it becomes over time, also; because I see those changes much better than I did 3-4 years ago.

Delilah
via faso.com
It is all about our growth as artist.

Charlotte Herczfeld
via faso.com
I took the test a couple of years ago, and I have a well calibrated monitor, did it during daylight, and modesty forbids me to say I scored 0... ;-)

I absolutely know we can train our brains to see more subtle colour variations. It is just like anything -- provided we give it time, effort, and attention, we *will* develop our senses and abilities.

Charlotte Herczfeld
via faso.com
@ Jackie. It is called synestesia (possibly spelled 'synesthesia', or 'synaesthesia' (forgive an alien for not knowing English well enough)), seeing colours in sound, or words. Only 'bout' of it that I have is that the word and day Tuesday is yellow. Those who have it for real report wonderous symphonies of colour from sound, or lovely sounds from colours, etc.

Jackie
via faso.com
That's it Charlotte! (And I have no idea how to spell it, either). It's funny that you say that Tuesday is yellow because I nearly see it the same way - but a fairly pale orange. It must be wonderful to hear music and see colours. Almost psychedelic.

I note that you spell 'colour' properly (I'm from the UK) so you definitely DO know English well :)










 

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