This article is by Keith Bond, Regular contributing writer for FineArtViews. You should submit an article and share your views as a guest author by clicking here.
In a recent Gurney Journey blog post was a link to an online color hue test. It reveals how well you see color. In the test, you drag and drop squares of various hues to arrange them into their proper order – a subtle gradation from one hue to another. You are scored on accuracy. Zero (no mistakes) means you have perfect color hue perception. A high score (lots of mistakes) means you have low hue perception.
I found it both fun and interesting. I even did it 3 times to try to get better (and did).
The test got me thinking – can you learn to perceive color better?
Before I go too far, I must say that I am not a scientist nor am I a doctor. My ideas I am about to present are simply my thoughts based upon my limited understanding of color and sight. They may have some merit, but maybe not. But they are thought provoking to me, anyway.
The eye has receptors called cones and rods that receive light waves. The brain interprets the light waves and we understand it to be color. Yes, this is a very simplified summary. But it is sufficient for this post.
My question is this: is the ability to see color accurately – as in the color test – because of the cones (physiology) or the brain (mental capacity) or some combination of both? Is the sensitivity of the cones what enables someone to see subtle shifts in hue? Or is it a developed brain that can interpret the subtle differences?
Can someone strengthen the ability of the cones to recognize color better? Or can someone strengthen the ability of the brain to interpret the signals better? Can there be both a physiological and mental development in color perception?
Since my ponderings on this subject only began a few hours ago, I don’t have any answers. I don’t know if there have been any studies done. If anyone knows of any, I would be very interested.
But, this is my theory: you can develop both – but there are limits. I doubt someone who is color blind can learn to see color. But given the cones that one does have, I believe there can be a strengthening on both the physiology and with the mental interpretation.
The reasons for my theory are two-fold. First, we can exercise just about every other part of our body, so why not color perception also? Second, I have experienced improved color perception (both in myself and many of my students).
Although, I will admit, what I interpret as improved color perception may not be anything more than improved observation. But, it very well could also be improved interpretation in the brain or strengthened (more sensitive) receptors in the eye. Who knows?
Regardless, there is another point I wish to bring up. How does this affect you as an artist? The implications of how well you can see and mix very subtle differences in color are intriguing.
But is it really important to see such subtle shifts in hue? Or is it more important to see the broader color relationships and harmonies? I suppose it becomes a very personal matter depending upon how you use color in your art.
Either way, I do think you can improve, through practice, your ability to see color. I believe that increased ability to see enables you to have more choices at your disposal (in terms of how you mix and use color in your work) and ultimately leads to greater creativity.
So, go ahead, take the test. See how you do. Then work to see if you can improve over time.
Best Wishes,
Keith Bond
PS Thanks to James Gurney (creator of Dinotopia) for the Gurney Journey blog post which led me to the color test and ultimately to ponder these questions.
via faso.com
In my previous corporate job, part of my day was spent doing color testing for websites. I am certain that just about every monitor 'sees' colors differently. Even if the monitors are at the default color settings, the light in the room and other factors have a large part to play.
This caused at lot of conflict with clients 'I don't like that purple color.' 'What purple color?' etc.
It's the same when clients are looking at print designs online. In a magazine, an ad is lit from above the reader. A computer monitor is backlit. You can show clients the Pantone colors as much as you like but it doesn't stop the 'it's not the same color in the magazine as it was on my computer' lark.
Different browsers show different colors too. Google's browser astounded me when I first started using it because of the color difference.
I also tested each website for usability for those with three forms of color blindness. The most common is in men - they have trouble with reds and greens. If you have a site selling men's clothing and the 'buy now' button is invisible to a lot of your viewers, you're in trouble.
Boiling it down even further, color vision changes in everyone as we age. I probably see very different colors than my granddaughter. And various illnesses change the way we see color too. Even the common cold and flu.
Then there's the personal perception of what we actually call the color. My idea of 'cerise' or 'eau de nil' might be different to yours. Do we actually see the same color or not.
There is a particular shade of blue (to me) that my mum always used to call 'green' - a sort of aqua-turquoise. After all, we call colors the names we were taught. It's an extreme example but I might call a color 'red' but you call it 'orange'.
Andy and I have worked together in design and art for twelve years and I know that we see colors differently. He often says, when doing design work 'can I borrow your eyes?' when he needs me to look at his computer and see if a particular color needs more green.
We all see colors differently!