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You Deserve a Raise, Too!

by Howard Cooperman on 5/23/2012 7:52:28 AM

This post is by guest author, Howard Cooperman.  This article has been edited and published with the author's permission. You should submit an article and share your views as a guest author by clicking here. We've promoted this post to feature status because it provides great value to the FineArtViews community.  If you want your blog posts listed in the FineArtViews newsletter with the possibility of being republished to our 19,000+ subscribers, consider blogging with FASO Artist Websites.  This author's views are entirely his own and may not always reflect the views of BoldBrush, Inc.


Being the cook in my household is something I take pleasure in. Not only do I love to cook, but also shop. Edye, my wife of 15 years, loves this about me. It doesn't matter whether it's for food, clothing, tools, or anything else. I love to shop! I've been called a Metro sexual, even though I don't carry a purse.
 
In the past several months, I'm finding that food prices are climbing higher and higher with greater frequency. To add insult to injury, not only are the prices escalating, but the weight of packaged goods is getting lighter. Frozen vegetables that were costing $1.00 per pound are now $1.33 - that's a 33% increase from six months ago. Let's not talk about gasoline prices - we all need it, use it, depend on it to get where we need to go - so we just pay the price. There's really not much in today's world that hasn't increased in price and always will, for that matter.
 
Art supplies aren't getting any cheaper, either - canvas, paper, paints, brushes, etc.
 
Which brings me to my point - WHY HASN'T THE PRICE OF YOUR ART GONE UP? When was the last time YOU gave YOURSELF a RAISE?
 
Sadly, I have to admit that not one artist I've represented over the years has called or mailed me a revised price list. Now that doesn't mean that all artists don't raise their prices once in a while, I'm just suggesting that most don't!
  
Sure, you can think up all sorts of excuses. The slow economy, you don't feel confident enough to ask a higher price for your art, or people won't pay more for my art (even though you keep selling it month after month, year after year). People keep buying art - admittedly not as much or as frequently, but they continue to buy it.
 
You deserve a raise - don't you? You're paying higher prices for just about everything these days just like everyone else. So why aren't you asking for more money if even just to keep up with the rising costs of materials? I'm not suggesting to double or triple your prices. A modest amount will not stop you from selling your art. It will however, tell your collectors that your career is evolving and you're art is getting better - the more art you sell, the more value they're getting. Yes - add value to your art and don't be afraid that sales will come to a screeching halt. They won't. I'm willing to bet your collectors have taken home a raise lately. They can afford your art.
 
If you're not keeping up with the increased costs of art supplies, framing, and shipping fees (if they apply to you whether to and from a gallery or client) you're losing money.
 
A modest seven percent increase (plus or minus) will not affect sales. Asking for a raise has nothing to do with ego, (forgive me Jack) otherwise I'd be suggesting to ask another 20 percent for your art.
 
Why not take a step back and look at what you create? If you handed one of your collectors some raw materials and asked them to make a painting for you - how good a job do you think they'd do? They couldn't come close to doing any better than a fifth grader, I know I couldn't - I sell art and just about can't draw a stick figure. That's why I represent artists. Your collectors most likely can't paint - otherwise why would they be paying you for what YOU do best?
 
If you haven't done so for while, consider Giving Yourself A Well Deserved Raise.

 



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Related Posts:

Do Art Appraisers need to get with the times?

Art Marketing: Why desperation marketing is not always a bad thing

Questions You Don't Have to Answer: Why Does This One Cost More Than That One?

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Questions You Don't Have to Answer: Can You Do Better On The Price?


Topics: advice for artists | Art Business | art marketing | FineArtViews | Guest Posts | pricing artwork | sell art | selling art online | selling fine art online 

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 22 Comments

K. Henderson
via faso.com
Totally Agree. Another way of looking at it is this: If you AREN'T raising your prices, you are making less money. The painting that was for sell for $2000 last year may have cost me $300 to make (supplies, materials,shipping etc) This year it may cost me $450 to make. If I don't compensate for that, I'm actually making less money.

Jill Banks
via faso.com
Thanks, Howard, for the push in the right direction. You're right -- we can be very good at finding excuses to not increase our prices. I just recently increased portrait commission pricing after neglecting giving myself a raise for a very long time. Plus made some adjustments to pricing for other new work. Expenses are going up ... and my work is getting better. It is time for a raise!

www.jillbanks.com
jillbanks.blogspot.com

Jackie
via faso.com
Great article. Time has to be factored in as well - not just the cost of materials. When we sell a framed print, it has cost us in the region of $115 for the high-quality printing and framing that we expect. But there's not only the time involved in creating the art, there's also the time taken running around to the printer and the frame shop - not to mention the gas.

There are lots of overheads that sometimes we forget to take into account. Sometimes it's too depressing to think about for me - but I know I should pay more attention.

I also feel strongly about the perception of value. I have a story - once upon a time, I ran a used car lot (I know, I know) and our buyer bought a beautiful little red Porsche at a great price. Because of the great price, I put it on the lot at $6999. Everyone who saw it said "What's wrong with it?" Nothing was, but it sat on the lot for ages. I upped the price to $9999 and it sold almost immediately.

That was a valuable lesson and I often refer to what I call 'the red Porsche syndrome"!



jack white
via faso.com
Howard,
There is a difference between art and food. No one needs to buy our art. The folks must buy food or starve to death.

I agree it would be nice to have a raise. I don't agree raising prices at this time is a good idea. Galleries are closing. As you said 30 of your 34 galleries have closed the past two years. Santa Fe has lost over 60 big time galleries the past 2.5 years. Taos only has a few still open.

My rule for raising prices. Go up when you are selling more than you can produce. If you have a garage full of art it would be foolish to raise prices. I'm helping one artist that has about 80 framed pieces. He can't sell one. He needs to lower his prices.

Lori did a great piece on how big time artists are adjusting their prices down.

I talked to a gallery owner in New Orleans. He is giving a 40 percent discount to all that come in his place. He said all the galleries on Royal Street are giving big discounts.

We are paid by how well our work connects to buyers. Corn is going to sell, because people must have it to live. Art is a luxury. We might want a Ranger Rover, but settle for a Ford 150 because it fills our needs. People might want an original but settles for a print.

We are dealing with a client that wants a $15,000 piece, but they have a $4,000 budget. I would love to sell them the more expensive painting, but we will supply the less expensive piece with a smile.

If an artist thinks they deserve a raise, then paint better and sell more. This is not government work. We have to earn our raises. We can't print money like the FED.

With the economy so slow more artists are finding 9-5 jobs than in any time in my memory. Many have turned to teaching. The pool of full time artist has been greatly reduced.

If an artist is selling more than they can produce then by all means raise your prices. Howard is right you deserve a raise. The key word is deserve.

I went through the Jimmy Carter years and then when Texas took a big hit with oil, cattle and saving and loan. You couldn't give a piece of art away if they had to buy a frame. This economy is worse than either of those. Back then there were spots where folks were doing well.

North Dakota is doing great, but the workers are living in 5th wheelers and no wall space.

Howard I respect your writing for FASO. it's great to have a working gallery owner looking out for artists. I feel uncomfortable not agreeing with you. Your friend, Jack

Jack

Howard Cooperman
via faso.com
Jack,

If there were one person in the universe that I didn't mind disagreeing with me, it is you. You know I am a real fan of yours and have directed so many artists to Senkarik.com to purchase your books. They have helped me so much to sell more art, I'm happy to direct them your way knowing the I will be indirectly helping them too.

I do agree that less art is being sold, more galleries are going under, and more artists are working 2 or 3 jobs to make ends meet.

My sales are not as great as I'd like them to be, I'd be a liar to say otherwise. What I do recognize is that art collectors and people that can afford art are getting wealthier by the day. They're not spending as much money and remmaining as close to their hard earned cash as they can.

BUT, since they haven't been spending as much money, they've become richer in the past few years by not spending as much. They still love art, and it will not make a difference if a $1000. painting two years by an artist they collect costs $1095. this year.

Artists that are making a living need to adjust their prices to recoupe the higher cost of materials. They need to be aware of the fact that their costs have gone up and be compensated.

As I said in the article, I'm not suggesting to raise prices by 20 percent, but do think about trying to recover some losses so that selling their art is more profitable.

You know how much respect I have for you Jack, but this is one area I can't fully agree with you.

We should speak on the phone about this topic and see if between us we can come up with a compromise to continue this post in order to benefit this community.

Love, - yes Love,

Howard

Jackie
via faso.com
There's an alternative to raising prices. That is making better use of your time. We have a hard time with this because I'm one of those horrible organized people and Andy is a free spirit who will think about a meeting when he goes into it and not before.

But this means that I can concentrate on alternative ways of making money from his art. I don't create it but I can write a book about it, for example. I can post here, making sure that everyone has heard of Andy Royston and his wonderful iPhonegraphy. (See??? Haha.) I can write blogs and update our site to make sure that search engines find us. I can design exhibition catalogs and other stuff we need. Plus networking, emailing, writing proposals, making contacts, writing articles, utilizing social media ...

Maybe devoting an extra hour a day to promotion would be an alternative to raising prices? If it increased sales it would bring in more money without increasing prices. What do you think?





Laura den Hertog
via faso.com
Great article Howard,
Thank you for taking the time to write it.
While I understand Jack's point if view as well, I think a lot depends on an artist's situation and there is another factor at play...perception.
Low prices can and do affect the perception of the art in the eyes of the collector. I think artists sometimes fall into a trap where they churn out a winning formula and are afraid to raise prices, most especially in hard times. It's like being held hostage by the market.
My response to hard times is to make better art...add to that the possibility of higher prices for better work and you have a formula for motivation. It takes motivation to push yourself beyond your current capabilities and abstract ideas of fame and fortune, respect and self-respect are not always enough.
Ask yourself...what if I could double my prices? My answer would be get off your duff and improve, cut no corners, go the extra mile and make the absolute best art you can. This is no time to be resting on your laurels.
It helps to find a dealer or have a following who believe in your work of course, but allowing the market to dictate the quality of your work is a mistake.

Cheers,
Laura


Zan Barrage
via faso.com
I was going to answer but then I read Jack's answer and he beat me to my argument. In economics there is a simple concept called supply and demand. If you graph these, you will find your optimal price where they intersect.

If you raise your supply without a rise in demand, your optimal price must fall. If demand rises and supply doesn't the price rises.

You raise your prices when you are selling a lot because what the market is telling you then is the price/value of your work has an imbalance and there is a perception of more value. If you don't have that imbalance you will risk selling less.

Now this works to a point of course because I am sure none of us is willing to test how low we have to take our prices before our works will start flying off the walls like hotcakes. So pricing is a bit of economics and a lot of alchemy. But there are some basics to pricing that are not negotiable:
If you are not selling, either you have no audience or you are mispricing.
I say mispricing because it cuts both ways. If you sell your 8âx10â for $25, you are using very little alchemy. If you are pricing them at $25,000, you are using very little economics.


Zan Barrage
via faso.com
Oh and one more thing please: This is not the area where you can fake it until you make it. Because the market will dictate the price. You may set it, but the market will quickly correct you. When it does, and it is to the negative, there is a lot of pain associated with that. Trust me I know and Jack can attest he has seen some of my pain.

Marsha Hamby Savage
via faso.com
Very interesting conversation going on here. For the last couple of years as I watched sales slow to a dribble, I have talked to several patrons, participated in some of the on-line conversations such as this one, and husband and artist friends. Mostly people are saying why are we following that reasoning that we should never drop prices? Patrons don't really want to see us drop prices.

As an artist that had pretty good success in previous years ... sales, and awards ... made me think my work was progressing! I was not resting on what had been done, but was always working hard to better my own work. One would think, this would keep the success of sales coming... then the money for purchase of artwork dried up.

Howard, you raise a very valid point about we are now making less because the supplies it takes to produce paintings are costing us more ... and therefore we are making less on what we produce. So ... it seems we are in a situation that we can't win!

I agree with both you and Jack... but it still does not answer our questions as an artist in a tight situation about sales not happening. Galleries have closed ... meaning artists are not reaching the number of potential clients. Valid reasoning would be, find other galleries ... or other avenues to sell. Easier said than done.

jack white
via faso.com
For Everyone

There is a way to raise prices without affecting sales.

I see art priced at $325, $420, $915. I'm pointing out being just a tad over the highest amount. You can raise those prices to $390. $490 and $990 without slowing sales.

I saw a painting priced at $3025. In that case I recommend the price be lowered to $2990.

Early on in my career I was using the just over the top amount price when a wise old dealer told me. By adding a few dollars you won't hamper sales and you can pay your travel on the extra funds.

It makes sense. Gas stations don't price gas at $4 a gallon, they use $3.99. JC Penny and those top stores always go just under the top amount. $39.99 sounds so much cheaper than $40. It works for big retail and it will work for us.

Howard you are right, we can give ourselves a raise. I've used this pricing for 35 years, 22 with Mikki. It works.

Jack

Howard Cooperman
via faso.com
Jack, that is all I'm suggesting. Thanks for clarifying my point in numbers. I should have done that from the start!

Sooooo, I guess we do agree.

Howard

jack white
via faso.com
Laura,

I think we should never skimp on quality. Do our best with each effort. Our goal is to continue to get better. Never cut back to sell cheaper.

I realize some artists have their work priced too low, but they are in a trap. The time to raise the prices was when sales were strong. They take a risk to raise prices in this flat economy.

I'm not talking about those selling an 8x10 for $75. I think you can go up to $90. I'm talking about a $700 8x10. If you are a big time artist then you are getting $2000 or more out of that size.
I have a dear friend, who decided to go with an art rep. The rep immediately more than doubled his retail prices. This was back when sales were good. His sales were okay even with the higher prices, but the market fell, the rep left and my friend is stuck with $20,000 originals, I suspect his old prices of $8,900 would still find buyers.

Finally I told him to go back to his old prices. He was reluctant, because we never lower our prices. I explained his rep made a mistake and unless he corrected the error he would be the one to suffer. The last time I heard from him he was doing pretty good. No one had complained about the drop. The few high dollar buyers never stayed in contact.

I will confess I don't have the courage to make a price jump with Mikki's work. We are still selling all she can produce, but we don't have a waiting list other than a couple of commissions.

I don't want my words to hold anyone back. If you feel you can raise your prices and still maintain good sales, then go for it. I never want to discourage.

My goal is to keep Mikki and myself positive. I work hard to keep our galleries upbeat. Which is difficult when no one is coming in.

I'm sure Howard has experienced a slowing of traffic. We have in the three galleries that sell Senkariks.

Jack

Marian Fortunati
via faso.com
Yes... It's always a balancing act...
Do I raise my prices and possibly sell few paintings or keep them the same and possibly sell the same amount?

I continually vacillate, but finally decided what was MY bottom line and I'm happy with it... AND luckily.. still selling.

Sharon Weaver
via faso.com
I gave myself a raise last year and am very happy I did. Never sell yourself short.

Laura den Hertog
via faso.com
Jack,
I apologize for the delay in my response. After days of trying to post my comment, I finally got in touch with FASO tech and they have fixed the glitch.
I don't think any artist intentionally skimps on quality, I think we always work to the best of our ability.
However it has been my experience that leaps in quality, creativity and general expansion of ideas and technique can, and do come from adversity. A drop in sales makes us question what we are doing, how are are doing it etc. It doesn't really matter that everyone agrees that the economy is affecting sales because although that may mean we are not personally responsible for the drop, we ARE responsible for how we respond to it.
The last couple of years have forced me to look hard at what I have been doing, and more importantly, to decide if I stalled out on a plateau because sales were good doing what I already had down pat. So it has become a time to re-valuate where I want the art to go. I asked myself if it was good enough...could the work be better, and if so, how?
I simply think that hard times can lead to breakthroughs...accomplished through introspection, hard work, and a hopeful point of view.
Accomplish this and you really do deserve a raise.

Cheers,
Laura

jack white
via faso.com
Laura,

Thanks. You are 100 percent correct. When things are not working it's time to take a closer look. When the economy began to slow, Mikki and I went down by our little (tiny) lake, sat in our swing and talked about what we could do. We came to the conclusion she needed to fill her smaller piece with more pots and flowers. Today she puts as much into a $1500 painting as she had been in a $5000 piece. He willingness to spice up the smaller painting has kept her sales sound.

Last month she had couple interested in a $9,800 painting, but they thought the book on the table looked like a bible. Mikki told them she could paint the book out. The painting was a beach scene. Then Mikki asked the lady what they did. She said we run a recovery program. Mikki asked, do you use a book?

"Yes." answered the lady.

Then I'll paint your book on the table. That closed the sale. A few years back we would have asked them to pay the shipping to us and then on to them. Now we are paying the shipping.

We have to do what we gotta do to close the sale.

Jack

Laura den Hertog
via faso.com
Now that's what I call going the extra mile..great attitude!

Jackie
via faso.com
Laura, have you found any problems going to the Canvoo discussions? I can see the list OK but when I try to read them I get 'internal server error'. Would that be the same tech team?

Laura den Hertog
via faso.com
Jackie,
I haven't tried that but I have been getting the same error message in different places on FASO. Let tech know what you have been having trouble with and they will take care of it for everyone!

Cheers,
Laura

Jackie
via faso.com
Thank you Laura. I thought I'd manged to break the internet :)

Delilah
via faso.com
I total agree with you. I am keeping my prices the same so in fact I have lowered them. As Jack says, if you are not selling everything you paint your prices are too high.










 

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