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Taking Off The Mask

by Mark Edward Adams on 4/25/2012 9:54:24 AM

This post is by guest author, Mark Edward Adams.  This article has been edited and published with the author's permission. You should submit an article and share your views as a guest author by clicking here. We've promoted this post to feature status because it provides great value to the FineArtViews community.  If you want your blog posts listed in the FineArtViews newsletter with the possibility of being republished to our 19,000+ subscribers, consider blogging with FASO Artist Websites.  This author's views are entirely his own and may not always reflect the views of BoldBrush, Inc.

 

I was talking to a gallery owner awhile back and his gallery has a Facebook page with less than 100 likes after a couple of years. After looking through the page, I could see the problem. It showed a few pictures of artists' work and of the gallery itself but was seldom updated and the few comments left by people were unanswered. The main problem was that there was no personal investement in the page. I asked the gallery owner if he thought it might help if he introduced himself to the collectors and wrote back to people as himself. In other words, he would become the face of the gallery. The owner looked at me strangely and told me he valued his privacy and was uncomfortable with the idea.

 

I understand the owner's concerns because I know a lot of artists who feel the same way. Other than the art, they share very little about themselves other than a short bio and personal statement. Sometimes they don't even show a picture of themselves. In my opinion, this is a huge mistake. In order to prosper as artists and survive in the technological age, we must remove our mask and let the world see us.

 

One of the big ideas floating around is the notion of personal branding. For the first time in history, an entrepeneur just starting out can compete with the big brands due to social media. It is no longer necessary to buy expensive ads in magazines or TV slots to get our name out. We can engage in our own PR campaign with Facebook, YouTube, and all the other tools. The playing field is now more level. As we enter the world of social media, our personality and life becomes the brand. We are now known for our personality and behaviors as much as our product. Thus it now becomes imperative to show the world our personality and remove our mask.

 

So what does removing the mask mean? This means communicating to strangers like they are our friends. Don't be afraid to give your personal opinions or tell stories about your personal life. Post pictures of yourself working on your art. And most of all, it means talking to anybody who takes the time to engage in conversation. This means comments on Facebook, personal emails, and reviews of your work. It does not need to be a long response, but just a sign that you are listening. Now is a time when we are the brand and everything we do matters.

 

------------------------------------------------------------------

Editor's Note:  You can view Mark's original post here.



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Related Posts:

Taking Charge of Your Art Business

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 35 Comments

Diane Overmyer
via faso.com
Great post Mark. I opened an art gallery on "wing and a prayer" so to speak, several years ago. I knew quality artists who produced quality work, so I invited them to join me. I didn't have much money for advertising, but of course every news agency and other advertising business in the county contacted me and told me how I must start a strong advertising campaign. Fortunately a few of my more seasoned artists advised me to keep the expensive advertising to a minimum. I received a lot of free press from local newspapers and those were the places that I did advertise with when I had the money later once the business was making a profit.

I learned that by far my email newsletters provided the biggest punch and were the best way to get the word out. Also a nice quality post card featuring a beautiful piece of art on the front brings a huge return for the money. (I found out the many people save those simply because they love the art on the front!) Today I no longer have the gallery, but in my own art career I still do the emails, my blog and an occasional post card mailing. Those are easy ways to keep in touch with my patrons and they don't break the bank!


Cathy de Lorimier
via faso.com
Hi Mark,
Through many FASO articles, yours included, I am getting the strong message that we as artists need to share ourselves, our stories, and our reasons for creating art in order to connect with our audience. I love Brian Sherwin's motto: Sharing Art Enriches Life! To achieve this connection, I am in the midst of gathering more photos of myself in the studio to post on my website, with descriptions for those interested in reading more. I already write about each artwork I post, so the viewer will get to know me and find a connection to my artwork. I have heard comments like, "I always read every word in your newsletters!" This affirms that people are interested, whether or not they express that to us. I guess the message is to keep updating and adding to our online (and in-person) presence, because we never know when something we write or say really WILL connect with a client at the right moment.

jack white
via faso.com
Mark,
Everyone should read and take to heart your message.
I receive stacks of emails from artists asking me to look at their websites. I continue to be stunned at how many fail to have an image of themselves on their site. They don't understand without photos they are only virtual text. I recommend candid shots.
I was looking at a website from a lady who I knew to be in her 70ies. Her photo looked like it was made when graduated from college. A photo of her at 23 doesn't tell the truth. I suggested she have a friend of her working at the easel.
Her reply shocked me, "Jack, I don't want people to see my wrinkles."
I softly asked, "What does your husband think of your wrinkles?"
She got the point. "Jack, you are saying if my husband loves me, then I shouldn't care what others think."
I'm as vain as anyone, but I have a photo of me on my site taken when I was 78. It's so important we be honest, because people don't trust the Internet. We all grow older everyday. Be thankful you have lived this long. Be proud of how you look now.
Jack

Moises Menasse
via faso.com
Es muy importante lo que dice Mark en su artículo.Tenemos que saber que estar promocionándonos en las Redes Sociales implica un trabajo DE TODOS LOS DIAS.
Si no lo hacemos así las personas no entraran a nuestra página.
To tuve la experiencia de la que habla Mark, y hasta que no empece a subir fotos y comentarios a mi página no logré tener fans que me siguieran.


Jackie
via faso.com
Mark, that's perfect information. And what timing ... as I was reading your article my partner received an email from a Twitter follower who wants to buy one of our pieces. And it's not the first.

Also, entirely because of social media we created an art book along with a (minor) celebrity (self-published) and our recent one man exhibition was also entirely due to social media too. (When I say 'we' or 'our' it is my partner who is the artist, I am chief cook and bottle washer).

At the exhibition itself, a lot of the people who attended were social media followers (great contacts!) and so was our first buyer on the opening night.

So true that 'your personality becomes your brand' - that's a great explanation.

Barbara Reich
via faso.com
Mark - I believe for most artists that exhibit their artwork and enter juried shows, as well as have their art in galleries or on their own website, these artists often would like to sell their work. If this is the case, then as discussed in the past, you become your own "business". That means other interested people should be able to find you, contact you, and connect with you. You must be accessible, but not careless. Communication is necessary (like sharing your artistic vision and art related stories) but too much information (like the hours in a day or week you will be out of town) can be foolish. Sometimes there is a fine line between the two. Showing your personality is good, just watch the details you give out. Common sense should prevail.
Barb Reich

Marian Fortunati
via faso.com
I am wondering WHY you were talking to the gallery owner. Was it a gallery that you were interested in showing your work in??
Does the gallery sell work?
Is the work in the gallery quality work?

Although I do agree that if one has a website or a FB page, one should keep it current AND personal... that really isn't the gauge of a good gallery is it??

After all is said and done, the gallery that is selling the work without social media doesn't necessarily have to worry about it.... and probably should simply remove its presence online altogether if it isn't kept up and there are no plans to do so.

David Ralston
via faso.com
Amazed that this has to be said but is so true. Business and art wont sell it self, who better to do that then the one who trying to sell it. I have read many articles about this and see mire and more why keep seeing it. Complete common sense and a part of the Pr biz side. Thanks again for helping the ones that still need the basics spelled out. Check out my work at: www.ralstonartanddesign.com and www.facebook.com/ralstonartdesign

whitney peckman
via faso.com
Removing one's mask does more than simply increase market accessibility for an artist (or gallery owner). When the mask is removed we first access our own vulnerability; we open ourselves to the universe. It means that we are willing to take a risk and risk taking is what leads to growth as artists, as humans. And, it magnetizes us in ways that encourage others to risk. Keep the metaphorical door shut. Nothing will happen. Open it and watch the results.

Jackie
via faso.com
Agreed! People want to deal with other people, not faceless entities. OK, we might not come across as perfect but who is? It's our quirks that make us human, surely?

One of the important points Mark makes is that social media (and blogging) levels the playing field. Maybe there's a natural reluctance for some people to make the step.

The great thing about social media and blogging is that it costs nothing, other than a little time. And it doesn't take long once you have everything set up. In less than an hour a day, artists can write a blog post and attend to their social media. If that hour a day sells one piece a month, it's worth it to me. It's just a case of establishing a routine.



Susan Holland
via faso.com
Mark, what do you think about the idea of painting in public? I know some of our favorite contributors to this forum have made themselves known by doing this. I keep thinking that I might rent a few square feet and just paint in public. The whole messy process, from prepping the canvas to making the marks, to scrubbing and painting again, etc. I think an ongoing "show" in the same place on a regular basis would let people into the life of an artist, maybe even without conversation!

How about leaving a pen and comment book out for people to write in, and promising to put replies in the column, so they can look next time they pass by? This would personalize the encounter without interrupting the art.

Show biz. (this is for those of us who cannot work and chatter at the same time.)

George De Chiara
via faso.com
Good read Mark! It reminded me I really need to update my pictures on my website and facebook. The one's of me are rather old.

Teresa Beyer
via faso.com
Hi Mark,

I have recently started doing a series of masks. And just recently wrote about taking of the mask and making myself vulnerable. Being a self centered alcoholic in recovery that I am, I could help knowing and feeling that my blog http://teresabeyer.com/blog/43112/well-worn-mask
was your inspiration.

Of course the saner part of me knows better ~ at least for the most part.

Keeping the brushes wet,

Jackie
via faso.com
Susan, you said "Mark, what do you think about the idea of painting in public?"

Has anyone tried the pop up gallery idea? Where an artist takes over a vacant store for a day or a week?

I'm thinking that an artist could display artwork in a vacant store and hold a 'painting in public' event every Saturday evening.

Has anyone tried this?

Bettye Rivers
via faso.com
Mark, I know where you are coming from, but for so long we have been told to be forever careful what you put out there on the web for everyone to see. There's a lot of freaky people watching and just waiting for info that they might use to harm you or someone you love. I do find I am getting some of those warnings out of my head these days, but sometimes wonder if those warnings should be more strongly heeded.

Susan Holland
via faso.com
Jackie, I think your idea is worth looking into. I've been eyeing a vacant store (there are SO MANY lately) and wondering the same thing.

It does occur to me that arranging to use such a place on a regular basis is a good idea, unless you can count on regular foot traffic at that location.

So often my customers are people who return, saying "thank goodness you are still here". They ask very often, "will you be here next time?"

So it would be good to be able to tell them when you will be painting again. They will definitely bring friends along if they loved what they saw. And people do want to think about it..imagine it at home for a week or so, before they buy things.

Bettye Rivers, the idea of presenting art on a personal, real-life basis is the antidote to this worry. In person, you are entirely in charge of what kind of interactions you are getting. You can always pack up and leave if it's uncomfortable, but I have not found it anything but a positive experience.


Mark Edward Adams
via faso.com
I think that it is great that so many people feel the same way I do. I think the idea of "personal branding" has become huge in the last few years. It is now up to us to introduce ourselves to the world. I think that Jack made some excellent points about putting aside the insecurities and shows people your true selves. I think this is the way people connect with each other.

There was also a lot of great comments on how this fits in with the marketing aspects. The last year I have visited 50-100 galleries in 4 top markets and talked to dozens of gallery directors and owners. They are doing their best and one of the things they always stress is to have professional photos of your work and yourself.

But in the end we have the ultimate responsibility of promoting ourselves and connecting to collectors. Whether it is live art or a fb page, it all helps and is worthwhile.

Mark

Diane Overmyer
via faso.com
Susan and Jackie,
It is so good to read that you are "thinking outside of the box!" I would recommend that you talk with people who have done plein air painting. Many states now have plein air painting groups. I live in Indiana and have enjoyed painting several times a year with Indiana Plein Air Painter's Association. When they hold paint-outs, the towns that host the events often put out the red carpet for us and it has been a great way to meet new clients and deepen relationships with other like minded artists.
Also there are towns that are now creating events or ways to incorporate art into the downtown areas that have empty store fronts. I participated in one such event in Elkhart, Indiana. It is run during the warmer months and they allow artists to display their work for a month or so, and during that time period they have an art walk, where lots of people come out to meet the artists and vote for their favorite art, plus artists may sell their work of course! I was pleasantly surprised to win the competition when I participated! So do some checking and see if there are nearby towns to you that offer something similar.

Susan Holland
via faso.com
Thanks, Diane. I think there may be storefronts that would welcome a live artist show in their front window. I know that Daniel Smith's Home Store in Seattle has demos frequently enough that they have a special room set up for it. (I would not like to do a workshop...too much pressure to perform within a time frame for me, but perfect for some artists who have their act together.)

I am going to investigate the notion that Seattle's Pike Market might want to allow a space for on-site art to be made. One or many artists could do their stuff and there could be a "host" to chatter with onlookers. Street art is so ubiquitous in places like Paris. It would fascinate Americans as well, surely.

Selling could be handled by the "host(ess)" and surely the buyer could get a chat with the artist who then can unmask him/herself.

At least that is what I would need to paint in public. I need to zone out from distractions, but that is what I think people would like to discover about the making of art. It is part of the mystique, in a way.



jo allebach
via faso.com
All of these ideas are great. I really don't know how much to actually tell. Some people seem to have a handle on how to incorporate the art and also the personality and minor everyday things. I need to get back to my blog. It was fun when I knew what I wanted to write about.
Thanks.

Jackie
via faso.com
Bettye, I know what you mean about being careful and I've just had this conversation with a friend who, after much consideration, has let her ten year old daughter start using Facebook.

Her logic, and I agree, is that the little girl will start using it one day - probably in the next couple of years - so why not? And we talked about the freaky people you mentioned. We decided that in 'our day'we used to play in the streets and in the woods and were more exposed to weirdos. And it's really upto parents to teach their kids about internet use as it's so much a part of our lives now. As Susan says,we are in charge and it seems such a waste not to use every opportunity.

I'm investigating the vacant store idea Susan, let's keep in touch if we have any news.

The Indiana group sounds interesting, Diane. And I'm especially interested in what you said about an art walk. We have several of these close by, but we've never taken the plunge. Just yesterday my partner met a lady at our frame shop who wanted us to show a couple of pieces at an artwalk this Saturday. It wouldn't cost anything and it's only a couple of miles away. I'd love to have opinions about this.

Mark, I'm sorry, I seem to have taken your great article way off topic!

jack white
via faso.com
Jackie, the negative of setting up in a vacant store. Who will find you? It's not easy to get folks to walk into a store front.

Talk with your local mall. Work out a deal to pay them a commission on what you sell. Mall's have foot traffic. You can't sell if you don't have people.

Success depends on three words, Location, Location and Location. It's not enough to find a place to paint, you have to get people to come into your space.

I have a friend who paints small pieces. He made a deal with a Cosco Store to paint in front of their doors.

Another artist I'm helping is doing plein air work in his local gardens. He does pretty well. The gift shop sells his painting. Those he sells to visitors he pays the gardens a commission.
I sent you a book, but the email was kicked back.
Jack

David Ralston
via faso.com
Excellent job so much input and ideas by like minded people love it. I too have had the thought of using empty stores for display or something productive. I think artist can not only inhance life with art but also change things for the better economy wise with great ideas like all of yours. Also like when artist ban together with conversations of kindness to others, is also a unvailing of one self for another. Hats off to you all, may your journey be filled with blessings.

Jackie
via faso.com
Hi Jack,

That's a great idea about malls - you're absolutely right. And we're lucky in that we have two huge malls quite nearby. In fact, I was recently reading that one has a lot of well-heeled vistors from Brazil and Colombia who buy 'luxury goods'. Great idea!

And thank you so much for sending the book and letting me know about the email problem - for some reason that address seems to be on its last legs. A better one is jackie(at)tropicalsundesign(dot)com - I'll email you because your advice is invaluable.

Lovely comments David. I'm very new to this site (and to this business!) but already I can see a great sense of community here.

Delilah
via faso.com
Wow Jack.
Just when I thin I have everthing covered I find I have a big hole in an important area:

"Everyone should read and take to heart your message.
I receive stacks of emails from artists asking me to look at their websites. I continue to be stunned at how many fail to have an image of themselves on their site. They don't understand without photos they are only virtual text. I recommend candid shots."

I have been adding a smale big smile on my face pic of me on my blogs, but oh boy do I have egg on my face, because I frogot the most important place my web site.

Thanks for the wake up call

Jackie
via faso.com
We have a couple of photos of Andy (he is the artist, not me) but they are buried in various posts. There's one of the two of us on the 'about' page and now you've got me wondering. Should I have on on the home page?

Have you noticed that realtors seem to be the worst? So many times, I've met a real estate agent in the flesh after seeing their business card. Often, they have gained 100lbs and thirty years!

Susan Holland
via faso.com
That's the trouble with including photos... the more current they are the more difficult they are to look at! My most current favorite is of me tucked in bed reading stories to my two youngest grandkids... I look twenty years younger that I really look in that happy picture. Guess the combination of the warm fuzzy feelings and gravity did me a favor. Do I now have to arrange for my bio portraits to be taken in bed, I wonder?

Does a self portrait work, do you think?

Diane Overmyer
via faso.com
Jackie,
See what kind of a turn out they expect, or at least what kind of promotion they are doing ahead of time. Just putting up signs at a busy intersection, isn't necessarily enough to get people to stop. I did an art market one time last year. It was a nice fall day, but it took us a good 2 hours to get to the city that it was in. I think I only sold two paintings that entire day. I did meet some other cool artists however so that was good. Basically if you have the time and some art that is available right now, then I say do the event, but don't go in expecting to sell everything you have, if you know what I mean. Look at it as market research. Let me know how it goes! (I didn't tell you before, but the cash award for my prize at our Art Walk was $1000. That plus the sales I had of my work that night, definitely made that event worth while!)



jack white
via faso.com

Susan,

We look what we look like. It's not wise to use old or fuzzy images. I'm 80 and we have a current shot of me on our last newsletter. We are who we are and age is part of it.
You don't want your clients to think you are a fake. Have a friend take a few shots of you working. People will love your honesty.
Pictures in bed don't tell your story. You are an excellent painter, so have images of you working.
Jack

Diane Overmyer
via faso.com
Jack,
I just can't pass this up a second time! Last time when you told us you had a photo of yourself at 78 on your website, I thought, 'I don't remember seeing any photo looking anywhere near a 78 year old person on his site'. I looked again at your site and saw your photos. I must say I totally agree with your comments about being current and honest, but also, few people age as well as you have! Maybe by the time you are 100 you will look like the typical 80 year old! It just goes to show that a life of art and generousity must pay off! Thanks for all you share with so many and keep that youthfulness going!

Susan Holland
via faso.com
Thanks, Jack. I will do what you suggest, and soon. I do have a recent photo of myself on my about.me site, and honesty is definitely very important to me. I share too much of my truth sometimes. Thanks for the encouragement.

(I was actually kidding about putting the photo I mentioned on the site---the bedtime story one. )

Susan Holland
via faso.com
Jack, see if this is better : www.ooothere.com
I found a pretty recent pic for my site.

Jackie
via faso.com
Susan, that's a lovely photograph! It's so much better than those staged photographic studio ones that are often on websites and business cards.

I don't know you at all but thanks to that photograph you look like exactly the sort of person I'd love to sit down with and have a cup of tea and a chat.

It says to me that you are very approachable and friendly. It says that you enjoy life and have fun.

Isn't that exactly the type of person we'd all like to do business with?

Susan Holland
via faso.com
Ahh, what nice words, Jackie. Thanks so much for the attagirl! :) Susan

Donna Robillard
via faso.com
I think when we are younger we want people to look at us a certain way. As I have matured and been through things in life, I like the freedom of being who I am. I believe you do, too.










 

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