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The Toughest Critics

by Mark Edward Adams on 12/30/2011 8:28:18 AM

This post is by guest author, Mark Edward Adams.  This article has been edited and published with the author's permission. You should submit an article and share your views as a guest author by clicking here. We've promoted this post to feature status because it provides great value to the FineArtViews community.  If you want your blog posts listed in theFineArtViews newsletter with the possibility of being republished to our 16,000+ subscribers, consider blogging with FASO Artist Websites.  This author's views are entirely his own and may not always reflect the views of BoldBrush, Inc.

 

I have found as an artist most people you meet will either tell you they like your work or say nothing at all.  It is rare when a stranger will tell you anything negative or offer some constructive advice.  However, I have found an entire group of people that doesn't hold anything back.  Children.

 

I first noticed this at the zoo.  I go through times when I spend a lot of time sculpting at the San Diego Zoo.  The last couple of years, I have been working with the mountain lions at the zoo.  I will bring all my materials on a little dolly I bought at Costco and spend a few hours at the exhibit at the times I know the cougars are active.  If you can imagine the number of people that walk by the exibit, it ranges from dozens to hundreds depending on the day.  I usually get the same five questions by adults, but not from children.  Here are some actual comments I have heard from kids:

 

"It is the most beautiful thing I have seen, you are really good."

 

"It is really scary, it looks like a monster.  It is for Halloween?"

 

"I want it, can I have it?"

 

"You forgot the tail, cats have tails."

 

"That is so cool, I wish I could do that."

 

"I really don't like it, nope, I don't!"

 

The list goes on and on.  After months of hearing these comments, I realized for the most part the kids are often right.  I realized if the kids are saying it is scary and I am trying to sculpt something very calming, I did it wrong.  If the kids are telling me they want it, then I am on to something.  Over time it has become one of the ways I receive honest feedback.  Often the comments go from really good to really bad over the course of an hour and I have to rethink things.  A lot of the time, I realize it is something I overlooked, like the head is way too big.  Their honesty helps me create better work.

 

-----------------------------------------------------------------

Editor's Note:  You can view Mark's original post here.

 



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Topics: advice for artists | art collectors | art criticism | art education | FineArtViews | Guest Posts | originality 

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 11 Comments

Barbara Reich
via faso.com

Hi Mark -
I love to go out plein air painting and I find that the kids get the most excited when they see an "artist" working, and they almost always want a closer look. The parents often look a bit afraid of interrupting you, but the children would join in if they could. Their comments are always honest and certainly worth listening to. I find it's always worth taking a moment to speak with them. Ahhh, to paint with a child's vision, joy, and abandon.....
Barb Reich



Kathy Chin
via faso.com
You have good powers of observation Mark, and I like your accurate take on children. Yes, they tend to be very honest, and you are lucky to be able to take advantage of their feedback. When I go to the zoo with my camera, no one says a word.

I'm going to react like one of the children...
Really like your work! Was impressed with the quality and the photography right away and then read in your blog about how you use a pro to get your shots. Was particularly taken with the article about getting bitten by the two horses and identified because I like taking shots of them but I don't know them, yet. You found out that you had approached them with discomfort and paid the price...makes a lot of sense, applied to both the horses and artwork. Keep up the excellent work AND the blogging...it's nice to hear a thoughtful perspective of a Gen X'er!

Lisa Manners
via faso.com
Hi Mark,

Great observation! And a zoo or wildlife reserve is a great idea for plein air painting. It is very difficult to get candid feedback as people do not want to offend, whether friend or stranger. My husband has always been my best critic. He says exactly what he thinks and always finds fault with something--whether it is a color, composition, or the proportions of a figure. And after I get over my dismay at the criticism, I find he is always right!

Barb Stachow
via faso.com
What a wonderful way to spend a day! I've often thought of doing the same, but haven't taken the inituative to do so. Now I have even more reason to just go and do it! Thanks

Sharon Weaver
via faso.com
Working outside where people see your work in progress can be an enlightening experience. I enjoy getting feedback from kids and adults too and I have sold several paintings that way. One in particular stands out. I was at a pond painting a turtle sunning on a rock. A mom and little boy stopped to look. The little boy especially liked the painting because he loves turtles. I gave the mom my card and the next day she bought the painting through my website where I had just posted a blog about the experience.

Linda Crane
via faso.com
Great observation, Mark. I love working out "in public". At the Field Museum and the zoos in Chicago, school groups and families are frequent. Nothing is as honest as a class of nine-year-olds. Like you, I listened carefully. Sometimes, "Wow! You're good!" or sometimes, a critical tilt of the head, a squint and "You got the eyes wrong." I'd look and nod and admit that yep I did and that they have a good eye and thank you, I'd fix it.

The adults were wonderful, too. But for different reasons. A group of touring Buddhist monks in their orange robes, who spoke with me through their interpreter while I painted a lotus blossom. Or the people who walked in front of me while I painted a fountain square, apologizing for getting in my way. I reassured them that it wasn't photography and I could easily leave them out of the picture and we all laughed and had nice conversation.

Painting in public did a lot to get me over my insecurities about my work and toughen my tender artist's hide. I highly recommend it.

Donna Robillard
via faso.com
Having taught in public school(elementary) for many years, I did learn that children are the best honest critics - especially the younger ones! But now my husband is certainly my best. Even today he looked at a painting I am working on and told me what stood out to him. It was certainly not what I wanted; but it is something a little paint can correct!!!!

Carol Schmauder
via faso.com
Kids certainly tend to be brutally honest about their likes and dislikes.

Thanks for the article, Mark. What a wonderful place to work. I love the San Diego Zoo.

Cathy de Lorimier
via faso.com
"Out of the mouths of babes......."
The truth will set us free. I love that you listen so attentively to the children Mark, and it is a great reminder to me to invite that kind of attention to my artwork as I am creating it. As a former grade school teacher, I think you are right on about their honesty. Adults tend not to say anything for fear of offending, unless of course you have a critique with a good, honest art teacher.


Mark Edward Adams
via faso.com
I think it is great that so many people identify with my experiences. When I first started working in public I found it difficult to work. I felt I was being judged at every step of the process and so many people want to talk to you. However, over time I realized as artists we are giving people a chance to see something they rarely see. What is normal to us is often amazing to others.

It was even later when I realized the value of the advice from children. I remembered a quote from Picasso which went something like "It took me a week to paint like Rembrandt and a lifetime to paint like a child". I really think there is something kids can see that we lose as we get older. I appreciate all the comments to the blog, it is really nice to hear.

Vickie
via faso.com
I accept your challenge! I am a sculptor who has always wanted to paint in oils. I have recently joined my city art league and have been inspired to learn more about the process. They even have a plein air painting group that meets quite often. I hope to be able to join in on the fun soon.

Sometimes we all need a little push and challenging yourself can be just the ticket.

Thanks for the push!
Vickie










 

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