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Wiki Working for Artists

by Moshe Mikanovsky on 12/15/2011 8:46:59 AM

This article is by Moshe Mikanovsky, Regular contributing writer for FineArtViews.  An emerging artist searching his way in the art world, he loves to share what he learns.  With over 20 years of technology experience, Moshe combines his technological background and his passion for the arts with the goal of "working his dream".  You should submit an article and share your views as a guest author by clicking here.


In a recent seminar I took on entrepreneurship as part of my current personal development in between jobs, our speaker, Mark Venning of the Change Rangers introduced us with a term he coined “Wiki Working”. That immediately sparked my imagination and I started probing a bit more on what this is all about.

 

We are all familiar with sites such as Wikipedia, where the content is created by the users, which is really the essence of what coined “Web 2.0”. Social media sites are taking a huge role in that, by having content created by users, rather than by the owners and creators of the web site. But, the original word “wiki” is actually Hawaiian for hurry, quick or fast.  And it is true that with the nature of the wiki-based websites, content can be created in collaboration in a much faster way than before. Just imagine how long would it have taken for a team of paid individuals to write all the terms on Wikipedia. It would take years and millions of dollars.

 

So at the root of wiki sites is the collaboration. And Venning extended that into the entrepreneurship world of starting a business by saying – we cannot do it all on our own, we need to find help and collaborate with other people, and from that he came with – Wiki Working.

 

What does it have to do with us, the artists? Everything.

 

We are the sole proprietors of our own business. We create products, which we need to sell. We have to deal with expenses, marketing, sales, financing, legal, and all other business aspects, not in this specific order necessarily, but in some way that will make our business viable, thriving and sustaining.

 

So how do we do that? Not alone!

 

There are many mechanics involved in any business, and we have to identify them all. Being an artist is NOT an exception. A short list will look something like:

 

  • Business plan and business structure
  • Marketing Plan and collaterals
  • Finances – investment, banking, accounting
  • Legal – copyrights, licensing
  • Insurances
  • Infrastructure – studio/office space, technology, telecom
  • Expenses – travel, networking, professional development

 

And this is just the start. Each of these should be expanded as much as we can so we don’t have any surprises.

 

Next, lets identify what is it we like doing, and what not. I, for example, realized during the time I started my blog, that I enjoy writing and love developing my network as well as marketing collaterals. On the other hand, I hate – actually HATE, with capitals – dealing with the finances and legal stuff. So I know I need a good accountant, and I know I need a good system to make these areas of the business work for me. By identifying what you like and what not, you will be able to easily identify where you need help the most.

 

So how do we do it the Wiki way?

 

That is still something I am pondering, and I think this forum is a great place to put it out there and see what happens. After all, if you are in the same state of your art career as me, the expenses are way more than your income, and you do try to work with a very small budget, saving here and there by doing it yourself. How can I afford an expensive accountant or lawyer if I need one? Or if you don’t know anything about website development, should you spend the money on some of the expensive options out there, or try to learn how to do it yourself?

 

Or, is there a way to do it collaboratively, the wiki-way, by engaging our peers, other artists like us, who have stronger skills than us on some parts of the business, and we will help them with our strengths? What about going at it together, like a co-op of sort (not necessarily with a co-op gallery, but just a business entity that handles all the business aspects, and sells the artwork of all the individual artists)? Or maybe there is another creative way I didn’t even think about?

 

Let me know what you think. Use the comments area to wiki-share your ideas, experience and thoughts.

 

Cheers

Moshe



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Topics: art marketing | art website design | art websites | artist website tips | exposure tips | FineArtViews | Moshe Mikanovsky | online art groups | social networking | support local art 

What Would You Like to Do Next?
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 9 Comments

Roderik Mayne
via faso.com
I would be very interested in seeing how this might work.

Kathy Chin
via faso.com
Moshe,
Very intriguing article. A fellow photographer was talking about this just last nite, saying that he just loves taking pictures, but doesn't so much like the selling aspect. He was thinking of paying a few kids to sell for him as he plans his year of outdoor shows. Told him that was the worst idea (imho) and suggested if anything, to pay an expert to mat, frame, etc, and all the other jobs he really dislikes. Suggested that no one can sell his images as well as he can (except maybe Jack White!!! :)
I think working on some kind of a wiki-share is great idea!!! But one issue my friend and I have while considering working together, is that we both dislike some of the same things (like maintaining finances) so if you get a workable number of artists together, will that be an issue? Or maybe we all work with one trustworthy financial consultant for example. (although we all know how we artists can be when herded into a group.)

Lots to consider unless we just find our own people to help us do the jobs we drag our feet on.

jack white
via faso.com
It's probably every artist dream to have others do things for us. Until we reach a very high level of income, then that burden is ours to bear.

Moshe, if you put as much effort into finding out what sells as you do into the tech side, you would have the funds to hire a bookkeeper. Your bank account would be full. Put your focus on making work that connects with buyers. I still say you would be way ahead by doing work with acrylics on gallery wrap canvas, like the lion on your logo. No frames. No glass. Just art folks love.

We use a CPA to do our books. His fee is about $350. It doesn't cost as much as you think to hire professionals.

Art is made in solitude. Art is marketed solo. It's sold one piece at a time. There are exceptions when we have a large project needing art, but most of us make and sell one image then another one. Even giclees are single item sales.

You have great talent. Use those skills to hone your craft. Then use your writing to share how you made it with us. We need young people like you to pave the way for the next generation. I believe in you.

Jack

Bruce Black
via faso.com
This was a great article, and I am all for banding together in the spirit of artists helping artists. After being a "professional" artist for over fifteen years, I am just starting to have the personal fortitude to really begin to see my artwork as a business and to take specific steps in that direction. I wish I could just hire some marketing genius to manage my work, but alas it is up to me to make my business grow. I heard a great quote that I have been following lately, "You can't hope your way to greatness". I'm not sure who said it, but I think of it everyday as I attempt to grow my business.

Bruce.

Ellen Walton
via faso.com
Very well written article. Understand where you are coming from. Perhaps if you don't like to do one aspect surrounding your art, trade a painting for the service. Perhaps get a SMALL group of like artists together to share feelings and ideas. Maybe a trade of services could be done. Share ideas on how to market. The sharingn of ideas emote enthusism which could be catching and a benefit to all.

Debra Heard
via faso.com
Maybe having a computer program designed to do it all for you! It would be nice to just type in the information and the rest would be taken care of.

Sharon Weaver
via faso.com
The need for a network is very real but as you point out most of us dislike doing the same thing. There are groups who band together in order to get referrals from each other. That idea has worked well for my friend who sells insurance but I am not sure how to transfer the idea to art. As Jack points out art tends to be a very solitary business and with the profit margin so low it is difficult (read impossible) to justify paying someone else to do the books.

Rick Rotante
via faso.com
Not to overstate the obvious - when do you get the time to paint. Historically artists have made bad business people. Logically, this is as it should be.
One needs to focus all ones energies in one area to be really good and move forward to succeed.
It's the "Peter Principle" at work. If you try and be all things to all people, you are setting yourself up for failure. Be the best at what you do and let others do the rest. Unfortunately, this could be the reason so many good artists languish in obscurity.
Looks good on paper, but not practical in reality.
True some artists have marketed their work successfully, but they sold the work, the work didn't sell on it's merits.

jack white
via faso.com
Rich,

No matter how well you can sell, unless your art connects with buyers, you will not be successful. There is plenty of art I wonder why it sells, but it reaches people. I also know very few artist who know how to sell well. I learned to sell long before I became an artist at 38.

When I was making the gold leaf, I sold 3/4th of my art wholesale to all sorts of dealers. My ability to be involved in selling was eliminated. The art had to connect or there would be no repeat wholesale clients.

The same goes for art in galleries. A client has to show interest before the salesperson can close the deal.

I agree more artist fail because of the lack of focus than any other reason.

Jack










 

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