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Confidence

by Keith Bond on 11/21/2011 7:44:06 AM

This article is by Keith Bond, Regular contributing writer for FineArtViews.  You should submit an article and share your views as a guest author by clicking here. 

 

Bonnie (last name withheld) recently posted the following question:

 

“Hi!! I have decided that what I need most is confidence!! I didn’t graduate with an art degree. I think degrees do give confidence. So now my confidence lies in the reactions of my friends and some sales. These types of approval do not lend themselves to improvisation or experimentation. How shall I gain confidence to explore?”

 

I think that this is a common feeling among many artists.  First, I don’t think that a degree necessarily gives confidence.  Neither do I believe that the lack of a degree inhibits confidence.  The important thing is to recognize where confidence comes from.  Unfortunately, it is complicated.  But here are a few thoughts. 

 

 

The Fear/Confidence Continuum

 

There is a delicate balancing act between fear and confidence.  An artist needs a healthy balance between the two extremes.  I know artists who are extremely gifted and create masterful works, but completely void of confidence.  I know other artists who have almost no skill, yet they are totally confident.  Then, of course, there are those who are good and know it and there are those who realize that they don’t have what it takes.  The best place to be is somewhere in the middle.

 

If your body temperature is too hot or too cold, you have serious problems.  If your blood sugar is too high or too low, you have problems.  It’s the same with your art.  Too much confidence can hinder growth just as much as too little.

 

You need enough confidence to believe in yourself and know that you can express yourself through your work.  Yet, you need enough self-doubt to be humble and realize the need for constant improvement and learning. 

 

This leads to my next point:

 

 

Learn About Your Art Making

 

I am a firm believer that you need to know the rules before you can effectively break the rules.  Just as a musician must understand music theory before he can improvise, the visual artist also needs to understand the fundamentals. 

 

As I said before, you don’t need an art degree.  But you do need a way to learn.  It can be through books and DVDs or through workshops or mentorships.  Or there are ateliers that provide rigorous, intensive training.  Or you can go back to college.  Choose the method that is best for you, but never quit learning.  And be sure that you choose learning options that actually teach you the fundamentals.  You need that foundation first.  Knowledge is the most effective way to liberate yourself in terms of self expression.

 

 

The Inner-Voice/Drive

 

What art would you do if sales weren’t an issue?  If you could create just to create what would you do?  Pursue that.  That is where your greatest joy of experimenting and exploring will come.  And ultimately, that is where your greatest work will come from.  If you follow your heart, if you follow your muse, you will find the confidence to explore. 

 

 

Product Development

 

Many companies have a product development department.  The function of the department is to experiment and try new things.  Set time aside for product development in your art creation.  What I mean by this is to try something new in terms of technique or subject. 

 

Okay, here is another assignment for you.  Spend 20 - 30 minutes a day for the next couple months doing what I like to call Painted Etudes – little exercises that help you explore and grow (this in not just for painters, but for any artist).  They are simply exercises that focus on one thing at a time – just like musical etudes.  It could be a study in color theory, it could be trying a new brush.  Or maybe it is trying a new subject. 

 

The key is, these are studies or exercises.  They are not finished works.  You are just practicing something in a focused way.  Because these little studies don’t ever have to be seen by the public, you can have enough confidence to explore without the fear of failure.  And as you see growth as a result of these, your confidence will grow to the point of incorporating some of these things into the work you offer for sale.  These new skills will have improved your product. 

 

 

Final Thoughts

 

There is much more that could be explored on the topic of confidence.  Next week I’ll offer some cautionary advice.  In the meantime, share some of the ways you have gained confidence.

 

Best Wishes,

Keith Bond



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Topics: advice for artists | art education | creativity | FineArtViews | inspiration | Keith Bond 

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 19 Comments

Tuva Stephens
via faso.com
Brian,
The inner voice/drive factor for confidence has been key to me. It is true if you follow your intuition and heart other things will come naturally. The past 2 years after retiring from teaching high school art for 34 years many wonderful things have happened with my art. More later....staying humble and sharing with others is also important.


tom weinkle
via faso.com
Hi Keith. Nice article, good advice. I really love the paragraph about Inner Voice/Drive. So true.

When I think about my tennis game, I know that the only way to have shotmaking ability is to try a particular shot (read brushstroke) over and over again under pressure, until you get it right. To me, the same holds true with painting. You have to do it, do it, do it. Confidence comes from understanding, acceptance, memory, and practice.


Carol McIntyre
via faso.com
Gaining confidence, I believe, also has to do with knowing who you are and accepting that knowledge. Personal development is a value I hold high and have journeyed down that path my entire life.

How to know yourself? Start by asking questions: Where do you get your energy - internally or externally? What kinds of problems do you like to solve? Alone, with one person or a team? What color would you paint to represent yourself? How and where do you like to spend free time? If you have a personal problem, what do you do and where do you go? Where do you find solace - at a party or in the woods? What buttons do people push that make you upset? What brings you joy? What makes you laugh? Are you disciplined, persistent, disorganized, etc....

There are a millions questions and books out there to assist in the process. Feedback from friends and family - not always!- can provide valuable information. The more a person knows and likes themselves the more authentic they become. This is then reflected in their artwork. People respond positively to authenticity when they see it in art as well as in a person.

Toni Danchik
via faso.com
Well said. Confidence also came to me with experience, experimentation and not being afraid to fail. It came with trusting that inner voice and allowing myself to be stretched a little beyond my natural comfort level. It came with knowing myself, my strengths and weeknesses. It was not a natural characteristic of mine, I had to work at it. Encouragement helps but it is not always available. Often ignorance is the best confidence builder- when you do not know any better. :)

Carol Schmauder
via faso.com
You have made some very good points, Keith. I think it is important to have enough confidence that you are able to show your work but enough fear that you remain humble, as you stated in this post.

I also agree that you should listen to your inner voice.

Thanks for the great post.

jack white
via faso.com
Keith,

In West Texas we have a saying on confidence, "Fake it till you make it"

None of us start out with confidence. Only through a series of successes can we achieve true confidence. I should think the Green Bay Packers are about as confident as any NFL team these days. With ten wins without a loss tends to build confidence. They go into games knowing they will win. Other teams are hoping for a victory.

Likewise seeing all you can paint sell is a real foundation for real confidence. jack

jill m starkey
via faso.com
my confidence came after thousands of hours of drawing. I was told once by an older artist when i was in my teens to start drawing and painting and do it until i understood it.It was the best advice i was given and it is what i tell my students when they ask "how long until... "

Sharon Weaver
via faso.com
As you state, learning the basics is so important. There is another site with a heated discussion on whether an artist needs to be able to draw. I find it disturbing that many think drawing is irrelevant. Even in abstract art there is the need to understand composition, color theory and painting methods. Study the basics first then adapt them to your work.

Sandy Wilson
via faso.com
Thank you. Confidence comes and goes. Thank you for reminding me of an important factor. I'd forgotten that when I owned and operated my own ceramic studio that one of the things I stressed was "you have to know the rules before you can break them." You caught me at a moment when I needed that reminder.

Donald Fox
via faso.com
The more I think about this topic, the more possible applications of the word and complications from its use come to mind. You mention artists you know who create masterful work but lack confidence. They must have confidence while creating, otherwise the work would not be masterful. Their lack of confidence is of a psychological or emotional nature before and after, but not during, the act of creation. Confident lines and brushstrokes are very distinctive from tentative, uncertain ones.

I also know people who are extremely gifted and confident in their gift but socially are quite dysfunctional. What may build confidence in one person may have little or no effect on another. You're right that this is a complicated issue.

Demetrios Papakostas
via faso.com
Hello Keith,
Nice article about confidence. The hardest thing for me is trying to find mentors and people(artist) willing to share ideas, co-operating together for shows etc. I sometimes feel lonely as an artist. I don't know if its because I haven't been painting as long (10 years)as other more established artists and seems tough trying be to included in their world. I don't want to be thought of as a hobby artist and most artists I know are perfectly content with that title.
thanks for a great article.
Demetrios

Marian Fortunati
via faso.com
Loved your good advice as always.

One hopes that throughout our lives no matter what we are trying we don't become "satisfied".... we always enjoy learning and strive to move ahead.. trying new things. I imagine most of us are like that ... at least I like to think so.

jim Springett
via faso.com
Hi Keith,

This part of your story," listening to your inner voice and to build upon when painting, and exploring as you listen seems to ring true. I spend many hours watching nature, and then consider how to express what I see in smaller paintings. Since working on wildlife I have learned a lot about nature and how delicate the balance is, so I'm more in tune with my subjects. The creating part of painting is what I enjoy best and each panting is unique and new in terms of painting. Thanks for reminding me about listening to my inner voice.

Jim Springett-wildlife painter

Lori Woodward
via faso.com
Keith, thanks again for your wise words. I love the part about painting what I would if sales were not an issue, and the other part about doing the studies and experiments.

A good reminder to me to set aside time to work on what feeds my heart... which would be traditional landscape. I have a bit of trouble quieting the exterior voices who would have me paint what they want me to. When I follow someone else's muse for me, I end up unhappy.

I have sold plenty of landscapes, so there's no reason to not listen to my own heart. (and I've had plenty of academic education to put to good use ;)



Esther J. Williams
via faso.com
Disciplined practice and gaining comfort in what you are creating is going to help gain confidence over time. Enriching your mind through books by master artists and taking workshops or watching countless demos will help you attain what college did not teach you. Maybe it was a good thing this person didn`t go to college. I did not finish my Bachelors of Art, but went to three colleges, each time pursuing a different degree. I was not a confident person, it took years of stumbling, searching and practicing to come out of that void of who I wanted to be. I always knew I was an artist. Listening to others only made me feel more misdirected. I read something one day, it had to do with being happy with who you are, a unique individual who has the power to grow and become whomever you want to. It said listen to the vitality of your own being and do not fear, let your thoughts and sensations lead you to where you want to go. Be alive.
I challenge myself and even though I still face that lack of confidence when I especially challenge up, just being able to conquer the task and get through to the other side with flying colors destroys the fear.

Tuva Stephens
via faso.com
Well said Esther. It is important to enjoy creating, rather than achieving the result. "What we need is more sense of the wonder of life and less of the business of making a picture," Robert Henri

An artist must continue to grow to improve drawing and refine painting skills and techniques. Edgar Whitney said," The discipline endured is the mastery achieved." Practice. Play. Study.



Susan Elcox
via faso.com
You say do what makes your heart sing. But I keep having people tell me to focus on one style in my art so that people will understand and remember my work better. I understand this feedback, but at the same time don't want to get into the mundane of creating the same thing every time. Do you have any suggestions?

Jim Springett
via faso.com
In viewing this blog and Keith's blog today on Confidence, I love to paint in all three mediums, oil, watercolor and acrylic, and as I sell on ebay and faso I have found that all 3 mediums sell about the same. At times to help with bordeum, if I have been painting continuously in one medium, shifting to one of the other mediums2 tweaks my interest and allows my creative fires to grow. What is sort of interesting is I seem to learn a lot about painting in each medium, and some of what I learn in one medium is transfered to my other mediums. I paint a variety of subjects and that helps keep me growing too, plus my wildlife is varied a great deal too. I'm more in a growth mode when painting and push the boundaries all the time, each painting has some new element that was not in the last painting and that is the fun part, keeping my painting fun is a key to grow, the confidence side I do not think about, just do the work, and enjoy this very dynamic process, to help beautify the world as we know it does. have a good day.

Jim Springett-wildlife painter


Dan
via faso.com
I couldn't agree more, Keith.

You don't necessarily need a fine art degree to be a confident artist, but you do need to have a certain level of skill before you can feel confident.

I found that teaching myself through books and trial and error wasn't helping my confidence, so I recently enrolled in an online classical art atelier, and my confidence is building already.










 

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