Artist Websites  Artist Websites |  Featured Artists |  Art Marketing  Art Marketing |  Art Contest |  BrushBuzz |  InformedCollector |  FASO Loves You - Share Your Art, Share Life

Blog


« Selected Upcoming Exhibits by Informed Collector Artists | Main | Success in Art: Define success for yourself no matter what the art writers say »


Follow this Blog



Subscribe to our Newsletter



Quick Links

Artist Websites and Good Design
How to Sell Art
How to Get Your Art Noticed by Galleries
SEO For Artists - The Ultimate Tip

 

Blog Roll

Mikki Senkarik's Blog

















abstract art
acrylic painting
advice for artists
art and culture
art and psychology
art and society
art appreciation
art blogging advice
Art Business
art challenge
art collectors
art criticism
art education
art fairs
art forum
art gallery tips
art history
art law
art marketing
art museums
art website design
art website tips
art websites
Art World
art world problems
artist resume advice
artist statement
artist tribute
artist website tips
artist websites
assemblage
BoldBrush
BoldBrush Interview
BoldBrush Winners
Brian Sherwin
BrushBuzz
Canvoo
Carolyn Henderson
Carrie Turner
cityscape painting
Clint Watson
collage
colored pencil
conceptual art
Connie Tom
copyright
creativity
Daniel Keys
Dealing with art forgery
Deber Klein
digital art
drawing
email newsletters
encaustic painting
etching
exhibiting art online
exposure tips
Facebook
FASO
FASO Art News
FASO Daily Art Show
FASO Featured Artists
figure painting
FineArtViews
FineArtViews Interview Series
functional art
Gayle Faucette Wisbon
glass art
Google
Guest Posts
Holiday
InformedCollector
inspiration
installation art
Instruction
Jack White
Keith Bond
landscape painting
Linda Mikulich
Lisa Call
Lori Woodward
Luann Udell
Matthew Mahler
mixed media
Moshe Mikanovsky
oil painting
online art competitions
online art groups
originality
painting
pastel
photography
Pinterest
plein air painting
politics
portraits
pricing artwork
realism
religion
Robert Genn
Sarah Maple
sculpting
sculpture
sell art
selling art online
selling fine art online
SEO for Artist Websites
social networking
still life art
street art
support local art
Think Tank
tips for exhibiting art
Twitter
watercolor
watermarks
websites for artists
wildlife art




 Archives:May 2013
Apr 2013
Mar 2013
Feb 2013
Jan 2013
Dec 2012
Nov 2012
Oct 2012
Sep 2012
Aug 2012
July 2012
June 2012
May 2012
Apr 2012
Mar 2012
Feb 2012
Jan 2012
Dec 2011
Nov 2011
Oct 2011
Sep 2011
Aug 2011
July 2011
June 2011
May 2011
Apr 2011
Mar 2011
Feb 2011
Jan 2011
Dec 2010
Nov 2010
Oct 2010
Sep 2010
Aug 2010
July 2010
June 2010
May 2010
Apr 2010
Mar 2010
Feb 2010
Jan 2010
Dec 2009
Nov 2009
Oct 2009
Sep 2009
Aug 2009
July 2009
June 2009
May 2009
Apr 2009
Mar 2009
Feb 2009
Jan 2009
Dec 2008
Nov 2008
Oct 2008
Sep 2008
July 2008
June 2008
May 2008
Apr 2008
Mar 2008
Feb 2008
Jan 2008
Dec 2007
Nov 2007
Oct 2007
Sep 2007
Aug 2007
July 2007
June 2007
May 2007
Apr 2007
Mar 2007
Feb 2007
Jan 2007
Dec 2006
Nov 2006
Oct 2006
Sep 2006
Aug 2006
July 2006
June 2006
May 2006
Apr 2006
Mar 2006
Feb 2006
Jan 2006
Dec 2005
Nov 2005
Sep 2005
Aug 2005

 

Making A Statement? Yes?

by Karen Cooper on 10/14/2011 10:30:00 AM

This post is by guest author, Karen Cooper.  This article has been edited and published with the author's permission. You should submit an article and share your views as a guest author by clicking here. We've promoted this post to feature status because it provides great value to the FineArtViews community.  If you want your blog posts listed in the FineArtViews newsletter with the possibility of being republished to our 15,000+ subscribers, consider blogging with FASO Artist Websites.  This author's views are entirely her own and may not always reflect the views of BoldBrush, Inc.

 

Greetings,

 

Welcome to the Cooper studio, Jefferson, Iowa.

 

We have no choice but to talk about making a statement today.  "Why?" you ask?  Because I have a very strong mental image front and center of one that I just viewed.  Ha.  See?  No choice.

 

Let me paint the verbal picture for you:  I had just delivered some new paintings to MaryRose Gallery in Perry, Iowa.  As I started the car and began the return trip home, the very first intersection I came to yielded up the story root.  There, driving down Second Avenue in Perry, Iowa:  a vintage Jeep, and you know it had to be red.  Did I mention it's a beautiful day in central Iowa?  So, of course, the canvas top was back, letting the driver enjoy every part of his trip.  At each corner post of the windshield was an American flag.  The driver was seventy plus years, give or take a few.  He'd taken it upon himself to make sure everyone knew what he was saying.  Making his statement.  Because right below the windshield, resting on the hood cover, he'd posted a sign, as wide as the jeep hood, and just the right height to fit under the windshield.  In big black block letters he'd written and I quote:  "Bite me".  Whoa.  I grabbed for my trusty camera and then realized he'd probably come after me with his cane, so no, no picture for you.

 

Making a statement.  I guess he'd done that.  I'm not here to tell you that I understand his statement completely.  But I can tell you I'm still thinking about it.  Wondering about it.  Trying to figure it out.  And I know the mental image isn't leaving me soon. 

 

If we expand our definition of artist's canvas, and call his a "rolling canvas", he could check off "mission accomplished" for today, couldn't he?  How about the rest of us?  Have we made our statement in the visual arts world today?  Or are we just going through the motions?

 

I recently read a comment from a fellow artist.  The artist exhibits at summer art fairs, and has had a not so great summer.  Vowing to not quit, she's planning to "cobble something together" to keep going.  I want to know:  how does to "cobble something together" equate with being an artist?  Doesn't being an artist mean you've got some statement to make?  Something MORE than I can "cobble this together" and sell it to you?

 

Maybe you've guessed by now, but I find that "cobble something together" phrase disturbing.  Disturbing enough so that rolling around in the back of the mental blog file is a series of articles about the summer art fair.  Stay tuned.  I'll probably inadvertently be all kinds of politically incorrect in my attempt to make the statement.  But it's a statement that is more and more needing to be made.

 

In the mean time, think about what it is that you are wanting to say with your art.  It can be as simple as "I saw this and I loved it, and here's why".  When art creation is a reaction  to a stimulus experienced by the artist, the first big step toward something meaningful has been made.  Go for it.  And it WILL be a lovely day.  Thanks for stopping by.

 

Later, Cooper

 

Dios mio.  This post needs some color, and so a painting newly delivered to Perry, Iowa seems logical, eh?  The Caboose Park:

 

 

The "Caboose Park" is an acrylic painting on canvas, 12 x 24 inches and available--sort of.  It will be part of an auction at Art On The Prairie, this November 11th, 12th and 13th, in Perry.  I guess that means you have to be there...

 

 

-------------------------------------------------------------------

Editor's Note:  You can view Karen's original post here.



[Services:
FASO: Want Your Art Career to Grow?  Set up an Artist Website with FASO.
FineArtViews: Straight talk about art marketing, inspiration - daily to your inbox.

InformedCollector: Free daily briefs about today's finest artists in your inbox.

BoldBrush Contest: Monthly Online Painting Contest with over $6,000 in awards. 

Daily Art Show: Daily Show of Art that reaches thousands of potential collectors.

Backstory: About Clint. Email Editor.  Submit a guest post.  Twitter. Republish. ]


Related Posts:

Artist Statement: Know your Audience

Are You Guilty of this Originality Sin?

Play Artists Play

Why Painting From Life Matters

Head in the Sand Disorder


Topics: art collectors | creativity | FineArtViews | Guest Posts | inspiration | originality | sell art 

What Would You Like to Do Next?
Post your comment Join Email List Follow via RSS Share Share

 22 Comments

Geri deGruy
via faso.com
YES! I want to share my vision and want my work to have life and spirit...to make a statement.

i loved your story. wonderful example of a clear message.

Teresa Tromp
via faso.com
Karen, you just brought back a not so good memory for me.

The young lady who lives next door to me did not like it when I expressed my dislike for her training her puppy to do its business in my yard.
After a very loud difference of opinion, I noticed a huge 'BITE ME' on the rear end of her car. I do believe it was addressed to me!

She expressed herself, but I don't know if everyone appreciates it!

If we want to sell our artwork to fellow humans, it's important to make a statement that people will want to look at time and time again, and enjoy in the process.

I don't want to be stressed looking at artwork. I want it to take me away from the stress of every day life.


Marian Fortunati
via faso.com
Karen, As you know I always love your posts... They always make me think... but most important... they make me smile.

I've already commented on this post on your blog, but now I'm asking myself a different question... I guess that in your view making a statement is all that is important.... That it's NOT important that the statement is understood by those who read/view/hear the statement.

So if I believe I'm making a statement with my art... but others don't interpret my art the way I intended... Is that really making a statement???

Bonnie Samuel
via faso.com
Good one, Karen. Wouldn't you love to know the story behind the old guy's "bite me" message--what happened in his life to color his thinking in that way? I often wonder when I see bumper stickers that clearly slant one way or the other, what life experiences brought the driver to that message.

I do agree that art without a message is just sorta paint on the canvas, ho-hum sort of thing. Which is why it is sometimes frustrating not to get what's in one's head or heart on the canvas to deliver the message!

Hope you have a great show in Perry.

Jan
via faso.com
Karen,

First I want to address the impetus to write this post as a result of being disturbed by the comment you read from another artist who does art fairs who said he/she needed to "cobble something together" - man, it's totally understandable why that artist made that statement. If they do art fairs, it's a huge investment in time and money. It's not something you can just let go if you have made the commitment to show at fairs - you have to plan that far ahead of time, and commit to doing it. This past year, in fact the past several, have been REALLY rough sales wise. If you are an artist who spends all that time and money showing at fairs and you don't get any kind of return on that investment in time and money spent, you question everything about what you are doing, depression plays a factor, and you wonder what you can do in order to spur some sort of revenue - thus prompting that sort of comment about "cobbling something together" - few of us artists who rely on sales of our work for part or all of our living can afford to adopt any kind of a purist attitude - with the economy the way it is, you gotta do what you can figure out to do. Whatever it is that might help. While Van Gogh is one of histories most brilliant artists, it's well known he only sold one painting during his lifetime - he had a message that he "stuck to" but it sure did not help him financially. Monetary return is part of what we as artists use to gauge whether our message is getting across. And whether it's a message people understnad. And if that's not happening, we question our message - and scramble to "cobble something together" so we don't completely lose our hold on our efforts.

jack white
via faso.com
Karen,

We buy our plants from Karen Cooper. Every time I read your name I'm reminded of our dear friends the Coopers.

I love the expression clobber out some paintings. Clobber is a word often used in this part of the country. It means to hit, bash, thump or crush. There are times we have to go to the easel and crank out work, or otherwise we would do like your friend in the red jeep.

I think she means she needs to make art that connects with folks, which to her is clobber the bad out.

Keep on writing. jack white

Donald Fox
via faso.com
Throughout the history of art, one can find examples of work ranging from the sublime to the obscene. All of it carries some message that may be inviting, provoking, pleasing, engaging, insulting, calming, uplifting, depressing, inspiring, satirizing, condemning... Some works may convey a message totally opposite in meaning to two different people. This is one of the enduring mysteries and fascinations of art, at least to me. What I get from Karen's blog is that each artist should think carefully about the statement he/she wishes to make. A statement always has an audience, so who is the audience you wish to make your statement to? That needs thinking about as well.

Geri deGruy
via faso.com
I agree that we have to think about the audience for our statement...to some extent.

But I also think that we have to be true to OUR statement. Yes we want to sell art, but if it doesn't come from the inner things we want to say, if we're tailoring our message for others, won't we lose something essential in the process?

Haven't we all seen art that has a message we don't necessarily like or agree with, but because it's genuine, it makes an impact on us anyway?

Jan
via faso.com
I was more responding to this:

"I recently read a comment from a fellow artist. The artist exhibits at summer art fairs, and has had a not so great summer. Vowing to not quit, she's planning to "cobble something together" to keep going. I want to know: how does to "cobble something together" equate with being an artist? Doesn't being an artist mean you've got some statement to make? Something MORE than I can "cobble this together" and sell it to you?"

and totally understanding where the referred artist is coming from. A LOT of time and money invested in those fairs. You need a return on that. You choose to do art fairs, that's part of the bargain.



Jan
via faso.com
Insofar as your "message" goes, if you are interested in selling your work, and it isn't selling, then rework the message or method so that it does. The statement about continuing to do something the same way and expecting a different result after every successive try comes to mind. This really is something that you have to think about if you are selling your work, or rely on selling your work to make part or all of your living - the "message" is tantamount to a mission statment, and businesses revamp their mission statements all the time in order to remain relevant.

Kim
via faso.com
Interesting anecdote about the guy in the Jeep. It occurred to me that there may be less meaning to his "Bite me" sticker than meets the eye. Some people have a quirky sense of humor, and I'm reminded of the saying that "Sometimes a cigar is just a cigar."
As for making a statement, I think it naturally follows from just doing what you have a true passion in doing.

George De Chiara
via faso.com
Making a statement...This is something I've been thinking about a lot lately. Sometimes, no matter how hard I try not to, it seems like I've just copied what's in front of me when painting rather than making my statement about it. I usually can't tell until after I'm done painting and I put the painting away for a few days. If it doesn't grab me after a few days, then I know I didn't really say anything about what I was painting. I didn't make my statement. It's really something I think we need to work at each time we step to the easel. Thanks for the reminder.



Donna Robillard
via faso.com
I know what I want to accomplish in my art; and when I hear comments about the pieces, I am glad they can see what I tried to express. Sometimes it does take some figuring out how to get it accomplished.

Kathy Chin
via faso.com
This topic is great food for thought. Seems like in this day of economic challenges, we've all got to think about our own situations and dig deeper in the search for solutions.

My interpretation of "Bite me," is "if you don't like it, too bad, (for this issue) it's the way I say it is." But that's only what I think, maybe not the way the owner of the sign meant it.

"Cobbling it together," could mean going back to the easel to make something that might appeal to potential collectors. To me the telling point was "vowing not to quit." She could also have said "bite me," to all the fools who did not buy her work and kept on doing the same thing and failing. But agin, that's my own interpretation.

Had a real estate client who in a sense kept saying "bite me," to all the lowball offers he turned down for his condo. He refused to compromise because of the healthy past history in Southern California real estate. Unfortunately this happened as the bottom fell out of the market. He finally sold, but got way below the lowball offers he kept turning down.

Seems like we all have to figure out what is best for our own artwork and what we can do to survive the challenges.

I for one am trying my best to analyze my own artwork and work to find ways of improving it.


KarenCooper
via faso.com
Hi everybody!

Several commentors cause me to think maybe I didn't lay it on the line hard enough! :) Jack, going to the easel and cranking out paintings, I'm all for that! And Jan, I exhibit at those summer art fairs too--I know it's mandatory to sell while you are there.

The artist who was going to cobble something together--think art on a stick. Think cut-off fence posts with faces painted on them. (and we are not talking about something interesting like a totem) We are in the quantity-over-quality column here. Maybe it's only happening at art fairs in the upper midwest, but there's always some that beat the jury and get in. At the Octagon art fair in Ames,Iowa recently, someone had glued plastic butterfly wings to a skinny little piece of copper rod--$1.99. Art?? or cobble something together?? Maybe my vision is getting snooty?!

I just went back to Marian's on target question about whether if the artist's statement isn't understood, is it still a statement?--kind of like if a tree falls in the forest and there's nobody there to hear it, does it still make noise? I think everybody here is truely thinking about their artistic statement, EXCEPT for my example person who first needed to assess whether she wanted to make art or just sell stuff. Ahh, Friday afternoon deep thinking...

Nicole Hyde
via faso.com
Perhaps the artist meant "cobbling something together" in the marketing sense and not necessarily about the art itself?

Carol Schmauder
via faso.com
Interesting and fun article, Karen!

I think the old guy in the jeep must have been a curmudgeon and liked to advertise the fact!

Joanne Benson
via faso.com
Karen,
I think we all make a statement with our art whether it is consciously or unconsciously. Some statements are just more interesting and/or exciting than others. Different statements appeal to different people. However, if no statements are appealing to people then perhaps you need to examine your art to determine why. It may not necessarily be you.....but then again it could have to do with your venue, price points, target audience....multiple issues....

In the end, I agree that we have to be true to "our statement". We may want to try different ways to make it. And if we need to sell to survive then this is even more important in order to determine what works.



Brian Sherwin
via faso.com
A professor I know once said that fine art created without a message is merely illustration. A statement that I'm sure will offend any illustrator that reads this. No offense. :)

That said, he made the comment thinking about commercial illustration and how an illustrator will create any image if paid -- and potentially create it with no emotional drive whatsoever. In a sense, creativity is a mere assignment to the commercial illustrator. Again, this is the view of the professor.

Thus, in his opinion, art created without that drive is just art for profit sake. In his opinion, that art tends to not have a 'voice' -- no message to speak of. In other words, he felt that in order to make an impact with your work you must have a message.

In some ways I agree with him. I'm sure we have all seen technically solid art that does not 'speak'. It has all that is needed to be a great painting except for that spark of life.

jack white
via faso.com
I wonder how much art the professor has sold. He is clueless about the real art world. He gets his salary no matter what he says. We who sell for a living have to make what people will buy or we will be looking for a 9-5 job.

And there is nothing wrong with being an Illustrator. Norman Rockwell was a marvelous painter. So was N. C. Wyeth.

It's amazing how much bad information is taught to gullible artists. They pay money to hear him teach such stupid stuff.

Jack

Jo Allebach
via faso.com
It is such a thrill to get a response from viewers that say just what I was attempting to say.

Brian Sherwin
via faso.com
Jack -- Actually he did well as far as I know. I happen to have been one of his students.

So you are saying that a technically sound painting is still 'good' even if there is no 'spark' to it? You know what I mean by spark -- that gut feeling that informs you that you are looking at something that has an emotional impact?

He was not saying that illustration is 'bad' per se -- only that there is a lot of it that is simply 'I made this for x amount of dollars with x amount of time to do it and it really goes well with the story below it' -- and that sums up the connection the illustrator has to the piece.

When thinking of painters in that regard... well... there is a lot of room open for something to be 'missing' from the paintings -- that spark...











 

FASO Resources and Articles

Art Scammers and Art Scam Searchable Database

 

FineArtViews, FineArtStudioOnline, FASO, BrushBuzz, InformedCollector, BoldBrush
are Trademarks of BoldBrush Technology, LLC Licensed to BoldBrush, Inc. 

Canvoo is a registered trademark of BoldBrush Technology, LLC Licensed to BoldBrush, Inc

Copyright - BoldBrush Technology, LLC  - All Rights Reserved