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Great Marketing, Dubious Art - People Really WILL Buy Anything

by Clint Watson on 10/17/2006

 

Great Marketing, Dubious Art – People really will buy anything.

A few years ago we saw a play about a man who bought a completely white canvas.  The comedy was created in watching the man attempt to justify to his family and friends why he spent a ridiculous amount of money on a blank canvas.  The answer, of course, had everything to do with him being duped by the dealer’s marketing and nothing to do with the intrinsic value of the artwork.  Thank goodness such nonsense only happens in works of fiction!  Or does it?

 We happened across a web site today where Sala, a young “artist” from Zurich , is selling one thousand paintings.  Here is the premise: 

 

  1. Get 1,000 identical white canvases
  2. Paint a big block number on each canvas 1 – 1000
  3. Create a weird, mathematically based pricing scheme
  4. Offer the “paintings” for sale on a web site
  5. Find 1,000 suckers to buy your “art”
  6. No, this is not a joke.

 

View the One Thousand Paintings Web Site:
http://www.onethousandpaintings.com

 Just for fun, we looked up painting number “300.”  Underneath the image of the painting it read, “This is a computer generated image.  The real painting looks different.”  Further down the page we were told, “300 (three hundred) is the natural number following two hundred and ninety-nine and preceding three hundred and one.”  Such an artistic statement!

According to Sala’s web site he has sold 588 paintings so far.  In addition, Sala’s “art” has generated serious buzz.  He is being written about, talked about, and blogged about.  Sala’s web site informs us that his “work” will be featured in Wired magazine’s December issue.  Marketing guru Seth Godin says that Sala’s marketing is so, “classically, perfectly viral.”  Sala’s marketing must work very well, even Seth forked over some hard earned cash for number “552.”  He’s even threatened to donate number 552 to the MOMA.  We suspect the MOMA would honor number 552 with a place of honor. . .too bad they couldn’t assemble a traveling exhibition of the whole collection…they could teach art museum visitors nationwide how to count to 1,000.

 Enjoy some marketing advice from Seth Godin:
http://sethgodin.typepad.com

 I can see the future of modern “art” now.  A multitude of preposterous gimmicks cry out, simply asking for someone to bring them to fruition.  How about painting the alphabet….no only twenty six paintings…but what about the Chinese alphabet?  How about the entire dictionary?  Keep yourself busy for years while stamping out illiteracy!  Why work so hard?  Let’s just produce 1,000 white canvases!  I mean….why even have to actually paint them?

So why do we rant and rave about one thousand paintings in a serious art space?  Simple, serious art collectors and artists wouldn’t look twice at Sala’s “art.”  But serious artists should take a second and third look at Sala’s marketing.  He has created a phenomenon that people apparently want to be a part of.  It’s all marketing.  Indeed, people seem to be buying the story, rather than actually buying art.  We don’t write today to give specific examples or marketing steps, but rather to point out that if a man can actually make hundreds of thousands of dollars selling numbers, think of the possibilities that could arise out of marketing real art.

One of the important numbers to focus on as you market in the Internet age is inbound links.  We’ll be providing more information on this in the future, but an inbound link as a link from another web site to yours.  Think of each inbound link as a “vote” for your site.  The more links “votes” you have, the more serious the search engines consider your site.  Building inbound links is an ongoing, time-consuming process…and one that should be part of your marketing plan.  Since Sala’s project is unique and has generated a lot of buzz, he has garnered a fairly large number of inbound links.  Google reports that he has 361 links.  By contrast, Richard Schmid’s inbound link count appears to be only 42.  You may verify a site’s Google link count by typing “site:www.yourwebsiteaddress.com” into Google’s search bar. 

Sala’s Link Count:
http://www.google.com/search?hl=en&q=link%3Aonethousandpaintings.com

Richard Schmid’s Link Count:
http://www.google.com/search?hl=en&lr=&q=link%3Arichardschmid.com

We’ve made a game of it, poking fun at Sala’s project, but he has some lessons for the serious artist who wonders how to get more traffic to his or her site.

That’s my view, post a reply and send me yours.

Sincerely,
Clint Watson

Software Craftsman and Art Fanatic


PS:  We could use some spare change, anybody interested one-upping Sala and marketing one million paintings?  You make the art and I’ll create the website and handle the orders . . .

PPS:  “There’s a sucker born every minute” (credited to P.T. Barnum, although nobody is sure who really said it)



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 4 Comments

Rick Rotante
via web
This is the art worlds "pet rock". I don't know who said it but it seems to fit here - " a fool is soon parted from his money" I'm not sure if you remember that Jasper Johns (who?) was an artist who did a series of paintings with numbers and letter. He also painted a series of American flags. All you old rich people know who you are. You probably have one over your computer and are looking at it as you read this. Shame on you. For those who bought one refer back to sentence number two. ( by the way I happen to think he did wonderful work)
There was a time when you could point at a work of art and know it was a work of art. Things were clearer way back when. Strictly speaking, I'm not opposed to many art movements that have occurred in history. After all, we got some very fine artwork to look back on if you take the time to look for it. There have been a multitude of proficiently trained artists making inspired pieces. Without having to think very hard, there is the Mona Lisa, the Pieta, The David, the Sistine Chapel and on and on. One movement inspired the next or was created because it was lacking something the newer generation of painters needed. Or there were some nuts in the bunch who managed to attain the eye of the populace and get their work classified as ART. No matter what side of the argument you're on as to what art is, you have to admit there has been a constant surge of creativity since man(and woman)walked into the sunshine from their caves.
You just have to look into the caves to see what I mean.
The caveman wasn't deliberately "making art" as such, he was recording his world. As limited as it was, it was his world. Not to be verbose and take up too much cyborspace, my point, If I have one, is nothing has changed. "artists"
(in perentesies) are still recording their world. Some use the systems and techniques of old and others use modern tools.
Whether it's art or not is going to be debated ad infinitum.
Which is good. Since it keeps us creating and causing us to re-think things and satisfies the age old quest of mankind (womankind)to keep searching our souls for the exquist thing we call ART.

Rick Rotante
via web
I read years ago that without art in a culture the culture was destined to eventually devour itself. The concept is more complicated than that, but with the constraints of email, I don't have the time to expound on it. This 1000 paintings site and I guess others like it, though banal, offer some hope to humanity in an odd way.
I believe it's our search to find art somewhere. Those of us not raised with art, (and we all have been so raised with art even though we might have been exposed to it subliminally) are searching for it. I believe humanity since the caveman was looking to explain his world by using "art" in the form of cave paintings. We will do the same with the technology at hand today. And whatever techno-pop stuff we create in the future. It's our way of trying to explain our world. A larger issue is that our world today is more complex than in Michelangelo's time. Traditional painters like myself ( and the new crop of "genius" traditionalist) are...I was going to say holding on to the past, but a better explanation is that we are the bridge from the past. My training and experience comes from "the master" of the past. That's what I base my art career on. I'm a child of that upbringing. The newer generation with their current media exposure are looking with fresh eyes at creating art. I may not applaud the results or buy it, but a segment of artists are pushing, like those who pushed before and created Fauvism, Cubism, Impressionist did before us. I will continue to paint in the style I appreciate and understand. Yes, I push forward but I'm not willing to go to the extremes I see in art like the 1000 paintings idea. I'm "stuck" here for better or worse to be one of the voices who say look ahead but don't forget where we came from.
Rick


Rick Rotante
via web
I keep coming back to this blog because this is a pet issue with me. I consider myself a well rounded individual who has been around the block more than once. I am aware when someone is shoveling bulls--t and I immediately close my eyes, shrug my shoulders and move on. Leaving those gullable enough to succumb to spend their energy on it.
I've tried to maintain integrity and honesty in my dealings with myself and other in all things I do. There are those out in the art world who only want to get rich quick at whatever cost and still sleep at night. There are many justifications to market things like "people will buy anything", "a sucker is born every minute", and on and on. Selling ones soul today has become big business. I've read that corporations actually admire when a potential hiree uses subterfuge to get the job. They reward it in fact. And hire the person in the process.
I was showering this morning and came up with what I though was a good new marketing tool for me to use and decided to tell my wife about it and see what she thought. She is also a peron of the world and been around those same blocks.
Our collective radar is always up guarding us against bulls--t that is rampant all around us. On TV, radio, print ads, billboards, internet.
Now I thought this idea, in keeping with self promotion, which artists fine difficult to do, was a good one. I could do this and it would, hopefully, bring attention to my artwork.
As soon as I proposed it, my wife being as cynical as I got into a heated debate about the integrity of the idea. Since we both see this kind of thing all the time she thought I was lowering myself to what she thought of as just another scheme. Gimmick, Trick to fool the public into noticing me.
We argues back and forth and didn't see eye to eye on this.
Now, I can't tell YOU the idea because I still plan to use it. But the point I want to make, as Clint and others are doing, i.e. a "painting a day" idea, is we need to get people to notice us and keep our integrity at the same time (at least for me). Separating a gimmick, a scheme from a legitimate marketing idea is tough. As I said earlier "media" hires the best to get out attention all the time. The issue here is all marketing ideas could be called a scheme or gimmick if used to bilk someone or have them think, through your idea that they must have your product and then beating them over the head into submission with endless repetition.
Marketing can be good marketing and my idea is only to be used to get peoples attention. It won't use gimmicks, it's simple and concise AND it gets people to notice me without gimmickry. It puts me out there for those curious enough and take the time to find out.
Bottom line is my work still has to speak for itself. After the public notices my promotion, there has to be something of worth at the end. The marketing was only to get them to notice and make them curious enough to check it out.
That's what tools like "a painting a day" mean. All I say is "Try it, You'll like it". I keep my integtrity, get noticed and hepefully sell my work.
When you take the time to think about it, all marketing is about being noticed. If the product doesn't meet the expectations, it will fade away. If you promote and your work is not up to snuff, you will fade away.
1000 painting (of numbers) will also fade and be a footnote in history as just another marketing scheme.

Brian Kliewer
via web
I saw this post before but now I am viewing it in an entirely new light. The "one thousand paintings" idea itself isn't even "original." I recently watched a re-run of the Mary Tyler Moore show from 1971. Rhoda had decorated Mr. Grant's living room. On one of the walls was a "painting" of the number "5". Mr Grant's response..."I'll bet she looked through four other paintings before she got to this one."

... on the "sucker" angle...I also recently noticed that someone is selling snow on eBay.










 

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