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What Exactly Makes Art...Good?

by Heather Craft on 1/14/2011 9:18:43 AM

This post is by guest author, Heather Craft.  This article has been edited and published with the author's permission. You should submit an article and share your views as a guest author by clicking here. We've promoted this post to feature status because it provides great value to the FineArtViews community.  If you want your blog posts listed in the FineArtViews newsletter with the possibility of being republished to our 13,000+ subscribers, consider blogging with FASO Artist Websites.  This author's views are entirely her own and may not always reflect the views of BoldBrush, Inc.

 

Recently, the Today Show did a story on Autumn-an 8 year old artist.

 

As I stood in the kitchen and listened to the 15 second teaser before the commercial break, the cynic in me began to rear its ugly head. I remembered a few years ago watching a documentary on HBO about Marla, a little girl of 4 or 5 who at that tender age was already having solo shows and whose work was selling for tens of thousands of dollars. Never mind the controversy that surrounded her work and accusations that her father was actually directing her and in some cases actually doing some of the painting.

 

Most of the pieces I saw really impressed me and were......well, good. Really good. And if Marla actually did do all those paintings, then she is an absolute, undeniable prodigy. If she didn't, then it's sad to think that touting a 5 year old as an artistic genius is nothing more than a gimmick.

 

To my knowledge, those accusations of Marla's paintings not being completely hers have never been proven, but as I mentioned before, I can be a bit cynical.

 

So back to Autumn.


As the camera panned across 3 of Autumn's paintings, I thought "Wow, for an 8 year old, these are really good".  After I heard Autumn speak about her process and about her inspirations (Andy Warhol being one of them), I totally believe that Autumn did those paintings.

 

And when Matt Lauer said that some of her pieces were selling for upwards of $20,000- well, I'll keep my reaction to myself. The cynic in me thought, "Her paintings are a hot commodity just because she's 8 years old. Another gimmick".

 

So I started thinking, are her paintings really that good?

 

For an 8 year old, yes they are. Absolutely. I thought that two of three were beautiful.

 

But then I thought, what if we had been told that those paintings were done by Helen, a 35 year old? Or Robert, a 40 year old? Would they still be considered that good? And would someone pay $20,000 for them? Are they considered masterful only because of the age of the artist?

 

That's not for me to answer and I can only speak for myself. If those same paintings had been done by someone middle aged, honestly, I would think they were just ok and change the channel. They would even seem a bit immature. And that reaction really bothered me.

 

But then I started thinking of the Fauves, Kandinsky's Woman Series, Henri Matisse. How many times have you heard someone say, "That looks like something my 3 year old did last week", in reference to a Picasso? Yes, there are plenty of people who don't consider technique, composition, color, brushwork, etc., and their comments probably come from a lack of understanding and appreciation for a style that just isn't to their liking. You can debate technique until the cows come home but the truth is the artist's studio is the one place on this planet where there are no rules. Unless you want them.

 

Now, don't misunderstand me, there are good paintings and there are bad paintings. And an artist's tentativeness and uncertainty are just as evident in his/her work as boldness and confidence.

 

To me, good art comes from within. It's that unshakable belief in what you are creating. It's the bold brush stroke, the emotion of color, the beauty of form. And yeah, a little practice never hurts either!

 

So, to all the 8 year old Autumns, the 35 year old Helens, and the 40 year old Roberts, creativity is a gift to be nurtured. It's your voice.

 

What makes art good?

 

It's the conscious act of boldly putting brush to canvas. It's those unintended "mistakes" that turn out to be game changers that send your piece in a whole new exciting direction. It's never being afraid to experiment. It's accepting failure as nothing more than an opportunity to create something you never thought you could create. It's speaking to masses in your own unique way.

 

It's never stopping until your creation is everything you envisioned it to be.



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 32 Comments

Stephen James
via canvoo.com
The cynic in me says if you are talking about short-term sales market it's all perception/marketing.

If it's long term (100 years), the genius work will rise to the top eventually and the mediocre pieces will fall--although mediocre auxiliary work by artists who had seminal works will be lifted by the tide unfortunately.

mimi torchia boothby watercolors
via canvoo.com
an artist friend this week told me "Suck with abandon!" that is the way to grow. Thanks for your article, but I think you could have written an entire library on the subject..

Contrarian
via canvoo.com
I find it interesting that in art, unlike in almost any other field of endeavor, people are so tentative to describe bad art for what it is ... just bad. Usually you get the "eye of the beholder" spiel.

If an untrained 8 year old bellied up to a piano and began hacking away at the keys, we would all confidently describe it for what it is. We would use our critical ear to judge it harshly and would be quick to dismiss it as an amateurish effort. We would not say, "Well, music is all in the ear of the beholder!"

So, I must ask ... why is art judged differently from music or any other pursuit?

Hey Clint and gang ... maybe this is fodder for a future blog post?

- Contrarian





Sharon Weaver
via canvoo.com
I don't know about Autumn but maybe the thinking is that if she is this good at 8 imagine how great she will be at 20 or 30. I think the buyers are speculating on her talent, and yes it is a gimmick thing too. How to measure the talent of an artist will always be rife with controversy.

Michael Cardosa
via canvoo.com
Heather,

Art, like beauty is in the eye of the beholder. There is no other way to really describe it. Yes, there is definitely something to technique, brushwork, etc. but sometimes you like something and sometimes you don't. I've been to shows where the level of work was outstanding and I've been to shows where the level of work was mixed and it makes me say... "Really, why is that here?" After almost a hundred years, representational art is back on an upswing. Does that mean abstract and other forms are going to suffer, I have no idea. Do you judge one against the other for quality? Are they apples and oranges? I think you definitely hit the right note with age being a big part of the popularity of those child artists the question will be will they still sell at the higher levels in the art market when they are 30, 40 and 60 or will they be like child actors that fade away.

Bottom line, do your work, get better always and grow as an artist. Work the business side of your career and hopefully one day Matt Lauer will be interviewing you!

Michael

Tom Weinkle
via canvoo.com
So smart of you!

I agree, confidence in what you are doing is a big factor. Visiting Art Basel in Miami this year, I strolled booth to both, seeing great art, and awful art.

What I always found interesting was that the masters, be they modern or from another century had confidence that was overpowering. Looking at a Motherwell, and then seeing the contrast of a Motherwell wannabe in a nearby booth underscores your thinking.

I personally think it's wonderful if an 8-year old can paint masterpieces. Good for them. We're all better off for it because the fact someone will pay that much for art, no matter who does is good..in my view.

thx!

Teresa Tromp
via canvoo.com
People buy paintings horses have painted, they buy paintings elephants have painted, why not an 8 year old child? There's enough for everyone. God is infinite and art is infinite.
Art is a business, just like any other business.
If I could just get my 7 year old boxer to calm down long enough to paint a masterpiece, I would!

Carol Schmauder
via canvoo.com
Thanks for the great article! In a way it is sad if a young child makes a lot of money on paintings when they are too young to appreciate the value of work and growth. I think it is wonderful when a young child has great talent and can nurture and increase that talent. I hope Autumn appreciates the gift she has and nurtures it.

Jill Banks
via canvoo.com
While I can clearly identify bad art, good art is much more difficult. I agree with Carol that it's probably not a good thing that an 8-year old is reaping such great rewards, so soon. Without putting in the work, such stars start feeling like they are faking it. It's uncomfortable to put the brakes on, spend time experimenting and making mistakes in order to grow.

How much you get for your art should also be related to the work you've put into refining your art. I love knowing that when someone purchases one of my pieces, they are receiving something of value. They will never feel foolish or scammed. It's a fair transaction.

I think that's an important part of living ethically as an artist and being proud of ourselves. Someone needs to rein in the greed quotient here and concentrate on what is good for this talented young girl as she moves through life nurturing, hopefully, this passion for art.

Sandy Askey-Adams
via canvoo.com
Hello..
My first thought was..hmmmm, so elephants do paintings and so do monkeys and other creatures. The public think it is marvelous and rush out to buy those so-called paintings.
WHY? Perhaps because it is out of the norm.

I suppose a little girl at age 8 can be a 'painting' prodigy .... as there are those who play the piano or sing at that early age also and we are stunned by their gift.

I did not see the show she was featured on...and I am wondering what her subject matter and style was, etc.....etc... Just curious.

Teresa, I am working on getting my two cats to work in pastels. They seem to show interest because they have actually jumped and walked across a couple of my pastels when I was not looking. Who knows what I may have here within my studio walls!! I should be concentrating on their art careers rather than my own.

:)



Sandy Askey-Adams
via canvoo.com
Heather...
I meant to thank you for an interesting post. Makes one really think.

Donna Robillard
via canvoo.com
I saw that show, and for an 8-year old I thought she did really well as an artist and in the interview itself. I'm glad she has been given the opportunity to develop as an artist. She seemed to be well educated, and did not hem-haw around when asked questions.

Kelly Borsheim
via canvoo.com
I have not seen the show or ANY of these young artists spoken of here. But I am surprised that no one has remarked on the first thought that came to my mind:

ANY artist (or her "staff") who can go from unknown to selling any one work for five figures DEFINITELY needs to be teaching art business skills!

Jo Allebach
via canvoo.com
Monkeys, elephants, 8 year olds, when are they going to get around to being impressed by us old people and paying us the big bucks?

I wish the girl luck at least she will have some money to go to art school and buy her supplies to continue on her career if that is truly what SHE wants to do.

Joanne Benson
via canvoo.com
Hi Heather,
I have to admit that the cynic in me would have joined the cynic in you and I agree with Carol and Jill in their comments about a young child reaping such great rewards without an appreciation for it all.......I haven't seen the work so it is hard to comment further. But I can see someone making an investment thinking that the child will grow up to become famous. However, that can be a bit like playing the lottery as well. Only time will tell.

I would be curious to see what the child's artwork looks like. Perhaps someone has a link to a website or video?

Joanne Benson
via canvoo.com
Googled several links to Autumn. At the risk of being politically incorrect, the parents are genius in the way they are marketing this child's work. She is a sweet child, poised and well spoken for an 8 year old. She is given free reign and supplies to paint huge paintings and her father is her assistant 8 hours a day according to one video. The work is clearly hers but her parents have obviously been coaching her and exposing her to various artists "who have influenced her work". They have made an investment and it is paying off. Oh if only I had that kind of support when I was 8! Good for her! Good for them! That is what is so great about free enterprise.

Kim
via canvoo.com
The title of this blog post is a GREAT question, and should really be asked more often. Representational art may be seeing a resurgence, but I think there's a troubling and disproportionate emphasis on technique over content in representational work being done today. The greatest representational artists of the 19th century understood the dangers of sentimentality and contrivance, but that seems to be lost on many contemporary representational artists, and moreover, on the gatekeepers of the current representational art world.

Teresa Tromp
via canvoo.com
That is too funny, Sandy!

It used to really irritate me when I would read about people selling paintings that ducks made walking across canvas with paint dipped feet.
Then I would get really irritated to discover elephants and horses were selling their paintings, too.
Then one day it dawned on me, that I wasn't irritated, I was envious! Jealous to the max.
When I started to sell my work, I wasn't jealous anymore. I've had to work really hard at my artwork, as I was not born a prodigy or with a golden paintbrush in my hand. My jealousy was not worth my time, and God provided for me, too.
If people are trying to outsmart the system, they will be weeded out in time. I just keep trucking along, one painting at a time. If it's our destiny, we'll get there.

Sari Grove
via canvoo.com
Be good. To make good art, first you should be good...Do something good, then paint that...See something good, then...Live something good...The appeal of the eight year old is the voice of an eight year old...her voice is still pure...People want to hear the voice of innocence and purity (at least, for that zeitgeist)...Art for many is a refuge, an escape...The grown-up masters who retain purity of heart do well...The elephant speaks in a voice that we want to hear...So does the chimpanzee who paints...It is the voice of the artist that makes a work of art good...Be good first...

Joanne Benson
via canvoo.com
Theresa,
I agree with you.....a little jealousy....and why didn't I think of that! LOL....

Jack Bauer
via canvoo.com
Yea somtimes We are Up, sometimes we are down, When we are feeling down, our arts comes into question? From our selves , Just Type This in Yahoo Artist Jack Bauer Be Good

Sandy Askey-Adams
via canvoo.com
Hi again..

Maybe you will agree or disagree with what I am going to say..but it is the way I am seeing it.

I did a search to see this little 8 year olds work. While doing that search I ran across a little 8 year boy who also paints.

In comparison, the little girl has a vibrant personality, and certainly has rehearsed what, how, and the way she is going to present herself and her work... albeit with the help of her parents...reading artist backgrounds and styles, etc.. so as to do a well rounded and professional awe-like presentation... and maybe even a manager in there helping.
The little boy was far more quiet and seemed shy, not as outgoing and his work was quite different than her work...and seemed more advanced.

It really got me thinking and wondering.....how many of us were already well on our way to drawing and painting at that age? I would say most of us...I know I was. Probably many of us at age 4 or 5. Perhaps our parents did not think the way parents do today because they would not be aware of the resources available as they are today.

In today's society everything is done differently than years ago.,,even a decade and a half ago it was not the same as today. The opportunities are totally on a different scale than many years ago. One sees things and hears things at a rapid rate in today's society and there is instant gratification.

When a child had shown wonderful artistic talent back when, it was not capitalized upon.
The parents may have told their family about it if other family members had not already noticed, or they may have quietly sent their child to some art lessons, those that were fortunate to get those art lessons.
People just did not usually say, "Hey, my kid has talent and I am going to market her/him with that talent and show her/him to the world and make her/him a star and make a lot of money"

It could be in any art-related field from performing arts to the fine arts which we have all witnessed. The young dancing couples, the young singers (who I hope will watch over their voices while young, or they will not have it as they mature.)...those with musical talent at the piano, guitar, what have you,,,,and those who draw or paint. (We may be more familiar with the true child prodigy at the piano.)

These children and their gifts are not all that rare, but what is rare is the fact that some parents feel it necessary to put their child in the public eye like that...to capitalize upon their talent.

I am not saying that there are not exceptional children born with extraordinary talent and indeed, those children are rare. We have seen them too.

It is a mattter of parents using good judgement when they see their young child with talent. Are they going to encourage and send that child for further (quality) training,,,,or are they going to encourage and exploit that childs gift for the wrong reasons before the child is even ready???

:)


Sandy Askey-Adams
via canvoo.com
OH, and Kelly...you are so "with it" when you say anyone who can go from nothing to making 5 figures really should be teaching marketing/business skills.

Joanne Benson
via canvoo.com
Hi Sandy,
I didn't want to sound too negative in my earlier post about the parents marketing efforts but I really do agree with your final paragraph discussing fostering talent vs exploiting the child and the whole rest of your post for that matter.

Sandy Askey-Adams
via canvoo.com
Well Joanne...

I think many of us have seen young children with artistic talent,,maybe in our own family, or a neighbors child or somewhere along the way... a child who is quite talented and perhaps with more talent than what this little 8 years old shows. But, she is out there in the public eye now.

There certainly are art teachers out there who have seen those with talent, more so than this child has. When I use to teach art to children, I had two very exceptional young 8 year old children (a boy and a girl) who left me in awe. I could not believe their incredible and natural ability. I speak the truth here without any exaggeration. Their ability was beyond their years...and drawing was important to them.
AND I know without a doubt there are other artists or teachers of art who have seen this.

...AND, Stay with me...to tell a little story here.....Unfortunately, the little girl got cancer in her right arm and went thru chemo, etc...lost her hair....she was a dear child. She loved drawing and painting and without doubt, was an exceptional little artist. Her talent was there.
While she was going thru her chemo, her parents asked me if there was some way I could help her with her art because it was so meaningful to her. Since she was right-handed, I told her parents she could learn with her left hand because her talent was in her mind, her heart, her spirt. Her right hand was part of how she expressed what she had inside her. I knew she could do it with her left hand also..and it helped her thru the rough times with the cancer.
She won her battle with cancer and as she grew older, she was an amazing artist, an amazing person far older and wiser than her years.
When we moved from Massachusetts, I continued to receive letters from her, but eventually as she went off to college, I lost touch with her. I so wish I could tell you that she is an outstanding artist today or even tell you what she is doing right now ,,, I cannot; but whatever, she
was a true artist in every sense of the word...and she was grateful for being able to draw, to paint .. and did pray and thank God for her gift as well as her life... AND she really was an outstanding little artist.
AS was the other student. These two children had what I truly call talent. I taught several children's art classes and these two stood out above the rest. Although, I can honestly say, there were other students who had talent also.

SO, what exactly makes art good? You know what they say....It is in the eyes of the beholder, or is it?
There are Masters of Art in every art medium. Ask them. Ask them how they became a Master of Art. Do you think they might say through MANY years of hard work, dedication, discipline, determination, study and learning by their mistakes...picking themselves up again and going on and on.

:)


Joanne Benson
via canvoo.com
Hi Sandy,
That is a touching story. Did the child lose her arm or was she able to then paint with both arms? Have you tried googling her to see if she is actually using her artistic talents as an adult? I would sure be curious. She obviously made a tremendous impression on you.

My youngest daughter is an art major. I knew she had talent when at 3 she was drawing people that were more than stick figures. However, she is multi talented and unfortunately doesn't realize the gifts she has. You can talk until you are blue in the face but children have to make those decisions and want to achieve and create from the heart. She is very smart and good in math, languages, graphic design, computers, music....whatever she tries....I guess it must be confusing for her.....so she will graduate this year with a degree in studio art...no specialty....and who knows where she will go from there.....

Sandy Askey-Adams
via canvoo.com
No, Joanne, she did not lose her arm, but she came close to losing it.
You can just imagine the humility and the grace that little girl possessed from all she had gone through.
I sometimes get scared thinking of her and hoping that the cancer NEVER came back into her life. I tried years ago to reach her again and could not. Her parents had moved. But, I think I will try again.
Times have changed and is easier to contact people today.

Your daughter sounds like an amazing your woman with many gifts. I think one can get confused when they have so many gifts.

Sorry everyone, when I began writing up above, I remembered these two art students and especially thought of the little girl I had taught many years ago... What exactly makes art good?....someone with a soul like hers.


Brian Sherwin
via canvoo.com
Part of this is due to our culture. We like to see young people-- and others facing great odds-- rise above. I remember a few years ago I read a story about a homeless man who ended up gaining gallery representation in Chicago. He went from selling drawings on the street for a few bucks a piece to selling for thousands in a gallery setting.

The selling point was the idea that he was a homeless genius. However, his work-- though good-- was not any better than what you might find in a college art studio. The market for his art was based on the fact that he was homeless when 'discovered' -- and that experience struck a nerve with viewers.

Sometimes your background or where you are at in life at a specific time can be a selling point for marketing art. The same can be said for music-- think of the number of rappers who still sing about the environment they grew up in even though they have been living a life of luxury for a decade or longer. Many have spent more years living in luxury than they did on the streets-- but that past experience is something they can continue to draw upon and markt themselves with.

If it works-- go with it. With child prodigies the selling point is their age. It will be interesting to see if these children continue to demand high prices once they reach adulthood-- or how they draw upon that youthful success to market themselves in the future.

Spencer Meagher
via canvoo.com
I've often wondered myself why someone's creation is called art. As I study it and am unable to find anything of value in a given piece of art, and yet others are willing to pay thousands for it.
I think all things being equal, a large part of it is marketing. Someone, somewhere along the line began the process of selling an artist and his work as something truly great.

Perhaps it isn't so much different than many of the modern day singers. With technological capabilites, mixers can take an average or below average voice and create something great to listen to.....on a recording. But the truth comes out in a live performance.

In the end, it's all in what people are willing to pay for.

Brian Sherwin
via canvoo.com
Spencer, I think marketing personality is probably more important than people want to accept. Think of the famous living artists of today-- most have quirks and eccentric behavior that interests people beyond the artwork itself. Think about the movies detailing a famous artists life-- most don't focus on the art at all... They focus on the addictions, illness, and affairs the artist had-- and often increase those factors 10 fold.

Meltemi
via canvoo.com
My Art Soul.

As a visual artist I'm able to express my: mind, soul, visions, emotions, memories, spiritual and experiences on a canvas. It is a blessing being able to create and transform an abstraction from my mind and soul to canvas. I leave the viewer of my art with an opportunity to interpret what I have created and perhaps to make it part of their own. I hope to leave my mark on the world.

My paintings are always about something and not the painting of something. If I want a picture of something in every last detail I use my camera. For me my artworks are always an impression of something that has stirred my very soul and may have eaten away at my imagination for a long time, so to speak.

My passion continues though my approach to the fascination of both representational [or traditional art]and non-representational art [or abstract art]. The use of acrylics gives me the medium to express my inspirations and understandings of my art experience on canvas.


The non-representational umbrella I use is not representational of our world. Through geometric form, shapes, powerful colours, I place my paints on canvas to perhaps explain my series of thoughts.

Whether I make good or bad art is for the art critics to decide...but then I trust the faith shown by my collectors.










 

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