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The 100-day Initiative and it's Artistic Impact on Me

by Hilary Senhanli on 8/6/2010 8:52:56 AM

This post is by guest author, Hilary Senhanli. This article has been edited and published with the author's permission. You should submit an article and share your views as a guest author by clicking here.

 


During the 100-day initiative, many of you have inquired about the impact of the intense work I brought upon myself. Here I will try to sum up the main artistic gains I have obtained from this effort. I have also documented the networking side of things in another blog.

The intense effort of doing so many little pieces in such a short period of time has amplified everything in the studio. A lot of future directions have emerged and I have learned that future work comes from the current work. The process is not necessarily simply an idea and then its execution. The drawing activity itself fuels the ideas. It has also taught me helpful work habits and I have become very much more focused and organized with my time and work space.

To create all these pieces, I utilized a fabulous resource of eight years worth of sketch books and visual diaries spanning all our experiences of living in Europe and becoming a family. It was very helpful to catalog these images beforehand into thirteen different series or bodies of works. Once under way, it was hard shifting from series to series, yet it did ensure there would be variety in the artworks. It’s made it very clear to me for future projects how very important it is that I keep on sketching.  Like Julia Cameron’s comment in “The Artist’s Way” that as an artist you have to “feed the well.” This means noting down all those fruitful experiences for later development.

Each piece I produce requires on-site drawings, idea development, compositional development as well as trial runs and final executions. The final pieces usually require multiple attempts because the media I use is unpredictable. Thankfully because the work for the Initiative was small I was able to sit at the desk to make them and not by standing-up at the easel!!!

Even though my current technique strips some of the details from my drawings, it is a worthy experiment to capture the essence of things. It makes me think about the gesture itself more so than the details. This way, I hope to capture the emotion more so than the motion. Amongst the happy accidents of dribbling comes the sharpened focus on the gesture. The gesture is the reflection of thought processes of the living. It therefore amplifies the reasoning behind the thought process and can make the observer of the art work grasp the feelings of the subject.

Probably the very best thing to come from doing this Initiative as an Artist is the sharing of my work with others. Exhibitions are great but way too short. As my posts landed on people’s desks every two days I felt I had a new connection with everyone. People now know what it is that I do. It has generated a lot of conversations with everyone on-line and otherwise. Whilst I am aware that I work inside a tradition, and, therefore, I am never really alone artistically, being in the studio can be very quiet. So, it’s been fantastic to discuss and share my work with others. 

I also hope that I was able to contribute to peoples' lives in whatever small ways I did. Art is a funny way of communicating but it has such fantastic rewards.



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 26 Comments

Barb
via canvoo.com
Yes, it takes a special kind of dedication to do this much painting everyday for 100 days, but to imagine all the pre work needed for those 100 days too. Great article, Thanks

Helen Horn Musser
via canvoo.com
This is a great post and you certainly did do your work. Congratulations on your success!

Sue Martin
via canvoo.com
Thanks so much for sharing your experience and your work. It is inspiring! I recently wrote an article about another artist who did a 1-year creative contract with herself to paint 300 plein air paintings. Her lessons learned were similar to yours (discipline, organization, materials, and work development). Both of you have inspired me to a creative contract: 52 figure paintings in the coming year. Thank you, thank you!

Carol Schmauder
via canvoo.com
Thank you for sharing your experience. Discipline is so important and leads to success in whatever area of your life that you are concentrating on.

Lillian Kennedy
via canvoo.com
Thank you for sharing; your creativity bursts through in your art work, your concepts, and your handling of the possibilities offered in this internet age. I too am smitten with how blogs and other on line media can create unexpected and wonderful connections and make me feel part of a greater community. Magic happens!

jim Springett
via canvoo.com
Hi Hilary,

Quite a story you've shared with all of us artists today,thank you for sharing. Today, I'm preparing for an art show tomorrow, for Summmerfest Days, in Siren,WI, called The Burnett Art Festival, a yearly event. Like you point out, an art show or exhibition is such a short moment to share your work, and your recent approach of 100 day project seems like a rather good aproach to help keep creative and building a body of beautiful work without wasting precious time.
You pointed out to me 4 things, I'll list, if you please:
1. as artists we work within a traditon
2. daily sketching feeds the idea well
3. future work comes from our current work
4. art contributes to help peoples daily lives
What a gift this list is for me as I prepare for tomorrow's show and exhibit. Thanks again.
Jim Springett

Phyllis O'Shields
via canvoo.com
Congratulations on your commitment. I can see the strong gesture aspect reflected in your work, I went to your website blog to view.. For the first time in my career I am in this yearly commitment to painting in pastel, watercolour or oil daily a coastal area as a diary of places visited. Once the habit becomes part of your daily schedule it works fine but the beginning for me was a struggle. As I am keeping up with larger works also.
But this challenge has stripped me down to gesture and feeling of the experience. Thanks Phyllis O'Shields

Margaret
via canvoo.com
Hilary...

Congratulations on completing a project of this magnitude! Hmmm...when I get my studio cleaned out, perhaps I should make a contract with myself! Thank you so much for sharing what you have learned with the rest of us. You are an inspiration!

Joanne Benson
via canvoo.com
Thanks for sharing your accomplishment! It takes discipline and fortitude to complete daily painting projects! I love gesture sketches and started doing them at the beach on our annual weekly family vacations. It was easy to throw a small sketchbook and markers in my bag and I just loved doing them. People move around so you don't have much time to capture the essence of the sketch. I actually like these sketches better than some of my more formal works. I feel they capture the motion and emotion of the scene and are not so static! Way to go!

Donna Robillard
via canvoo.com
Thank you for sharing your experience with us. Making a contract with yourself seems to be a good idea - something to make yourself accomplish a goal.

Hilary Senhanli
via canvoo.com
Thanks everyone for your acknowledgement and warm wishes. I am really pleased that by sharing this experience, so many of you have found some benefit and perhaps inspiration.

Jim, I think you have summed up the main points perfectly. All the very best for your Burnett Art Festival.

Another important aspect I think I missed in the above blog is that I discovered how important the supporting stories are for the pieces. People seem to be a lot more interested in a piece once they know how to start looking at it. This little clue seems to go a long way in people's imagination. Very interesting indeed!


Jennifer Edwards
via canvoo.com
You have received some lovely responses from artists to your article. It seems that you have inspired many to think about what you have achieved with your 100 day initiative as described so succinctly by Jim Springett (above).

We are so pleased that your "Initiative" has been the source of gaining more knowledge about yourself and your artwork. Very well done !!

max hulse
via canvoo.com
Hilary
The two things that seemed advantageous to me
is the rhythm of the plan-getting back to the
easel each and every day. You are not starting
"cold" each morning.
The next thing is the ease with which you would be starting-it is actually a continuation of
yesterday's work.
Max Hulse

George De Chiara
via canvoo.com
Hilary,
Congratulations on finishing your initiative. It can be a real struggle to keep up with the demands of doing something like this and something I can totally relate to. This year I started my attempts at daily painting and I know how demanding it can be on you. I have noticed some of the same things you did especially the management of my time and workspace. I went to your blog and read your post on networking as a result of this initiative. Another interesting post for anyone attempting this.


Daggi Wallace
via canvoo.com
Hilary, I just made a creative contract with myself, too. I have some vacation time from my day job and am painting 30 portraits of children from Haiti ( the proceeds will provide aid for the kids). I plan to make this a yearly project with kids from different destinations. I just returned from Haiti ( quite an experience!) where I photographed the kids. Now comes the daily challenge of getting into the studio and producing the portraits! I have about 3 months before I have an opportunity to show them at a fundraiser. What I love about this challenge, is having 30 paintings planned out, the reference photos done, no need to agonize over what to paint. Also, no interruption from my day job ( funny, how it can get in the way of our real work!), so I hope this builds momentum to keep me going, keep me enthusiastic and "in the zone". The fact that I have announced this non-profit project, started a blog about it and told the kids I will be back in a few months to provide some things to better their lives, is an added incentive to follow through and get my butt to the easel! Today was the first day actually back in my studio and it's been difficult, because I have been sick since I returned from Haiti. So, I am prepping painting surfaces, editing and printing the photos and have at least the underpainting of the first portrait done. Let's see if I can keep this up for the mext 29 pieces...

Hilary Senhanli
via canvoo.com
George after having done this Initiative I now feel part of a special fraternity of artists who have made a similar effort in some way. We share similar experiences and a mutual respect for the effort involved, looks like you have tread this path as well.

cheers, Hilary

Hilary Senhanli
via canvoo.com
Daggi, What a great Initiative you have built yourself. You seem on top of the organization and planning. All you need to do now is to "step up to the plate" or canvas so to speak. I found once I got myself to the page, did a little exercise to warm up and temporarily suspended any kind of judgment of the work, I was into it and the work flowed on from there. Its getting started every time that was the challenge for me. Make sure to really look after yourself. You're attempting a big thing here and you deserve some pampering.



cheers and good luck,



Hilary

Daggi Wallace
via canvoo.com
Thank you, Hilary. Yes, the hard part is to get started! I did make myself a daily schedule which includes time for computer time ( my biggest procrastination tool!), exercise, family and just loafing. I tend to burn myself out by working too long when I'm inspired, instead of taking regular breaks even if the work is going well.

Joanne Benson
via canvoo.com
Great initiative Daggi! Good luck with the project. I just went to your site and your pastels are wonderful!

Daggi Wallace
via canvoo.com
Thank you, Joanne! I like your work, too, and admire that you work in more than one medium. That's quite a challenge, too!
I ended up getting sicker and unable to paint for a few days ( or do anything else for that matter!), but am on the upswing now. As Max mentioned earlier, it does help not to start out cold every day, to know what is next up on the easel, so I hope that will help me find the groove again and get back to the 30 portrait challenge.

Helen Horn Musser
via canvoo.com
Happy you are feeling better, Daggie, keep on working!

George De Chiara
via canvoo.com
Good luck with your project Daggi! About a day into my daily painting project I got the flu and couldn't paint for a week. It must be the bodies way of asking, "Do you really want to do this?". Of course the answer is YES!
I just subscribe to the RSS feed on your blog so I can get all of your updates.





Jeremy Mckay
via canvoo.com
My initial 100 painting project was to do 100 paintings of the same scene. I would love to say I painted everyday, but it took more than 100 days to complete. The exercise is invaluable. It is the best thing you can do for yourself. For your artist. Thanks for the super article

Joanne Benson
via canvoo.com
Thanks Daggie, Hope you are feeling better now and making progress on your wonderful project!

Daggi Wallace
via canvoo.com
Thanks, George! Funny how you got sick at the start, too! I am better and back at the easel.
Still pretty overwhelming and hit more snags, but I'm hanging in there. Thanks to Helen, Hilary and Joanne for their supportive comments as well. It's great to have a cheering section especially when trying something new.

Helen Horn Musser
via canvoo.com
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