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Don't Fear The Copycats

by Clint Watson on 6/29/2010 10:59:39 AM

This article is by Clint Watson,  former art gallery owner/director/salesperson and founder of FineArtViews. You should follow Clint on Twitter here.


An artist (Let's call him "Leonardo") recently wrote to me for some advice about a situation he's facing.[1]  It seems another person is painting "copies" of Leonardo's artwork and passing the copies off as original, without attribution.[2]   

This happens from time to time.  As someone who's been in the art business since 1989, I've seen it more than once.

Here's the part that surprised me:  Leonardo confided in me that,"This is one reason why there are still artists who do not want a website or a Facebook page for fear of exactly this happening to them..."

Wow.  Those artists might as well say, "Don't market your artwork because you might encounter problems."[3]

Look, let's have a honest talk.  Success is great.  But success does bring it's own set of problems.  You can't avoid those problems, unless you decide to simply pursue your art as a hobby with no ambition for marketing and selling your artwork.

When you are successful, there will be no shortage of people who underestimate the hard work you've put in.   You'll deal with criticizers, copycats, scammers, spammers, and complainers.  This is nothing new.  

Such copycat "artists" think it's some sort of shortcut to copy other people's compositions.  They've always existed.  Back in the days before the Internet it happened all the time.  The "cheaters" found images in art magazines.  They called art galleries posing as customers and asked for photographs.  They snuck cameras into galleries and took unauthorized photos.  Some even had the guts to contact the artist directly and ask for photos and/or brochures.

Things are actually better now because of the Internet for two reasons:

1.  It's easier to find out when somebody is copying your artwork
2.  You can use your Internet "publishing power" to fight back


Seriously, if you're not setting up a website or a Facebook page out of fear that someone might paint a copy of your artwork, then you are shooting yourself in the foot. That's the exact opposite of what you should do.  I suggest that the best defense is a good offense.  

If you find yourself in a situation of having someone blatantly copy your art, then do this:  

Tactic 1:  Call the person.  Identify yourself.  Chances are there will be a moment of awkward silence as the copycat freaks out that you're actually on the phone.  Then you can simply tell the person you want them to quit copying your art and that you want them to take it down.  You can come from the angle of "perhaps you didn't know what you are doing is wrong."  (some artists actually don't know that it's wrong).  I know an artist who handled it this way and it worked for him on the first phone call.

Tactic 2:  If Tactic 1 doesn't work then move on to tactic 2:  setup a blog on your website.  Post your original image with an image of the copy.  Proceed to make it clear that you are the originator of the idea and that the other person copied you. Clearly, if someone is having to copy you, they are obviously not as talented as you.  That means they will always be playing "catch-up."  Write in a light hearted, funny tone.   Then continue, in a amused tone, as if you are the teacher and the copier is a talent-challenged student, to provide a critique of the copy.  Be complete with what the copier did wrong, how they could improve in the future.  After all, copying is a time-honored learning technique.  You are obviously the master artist in the situation. And as the person who was copied, entitled to critique the copycat.[4]

Then proceed to tell everyone you know about your blog post.  You will have an opportunity to promote your artwork, while at the same time making it clear that you know what's going on.   Spread this information via email newsletters, Facebook, Twitter, and through whatever other channels you utilize.

If the copycat is lazy enough to steal your composition, chances are, he'll move on once you turn up the heat.  

But in the meantime, you'll drive more traffic and potential buyers to your own website.  And then you can send him a thank you note.


Sincerely,

Clint Watson
Software Craftsman and Art Fanatic


Footnotes:

1.  This situation is real, but names have been changed.

2.  I am not a lawyer and cannot provide legal advice.  While we, in the art world, seem to have a unwritten code of honor that condemns such behavior, the copycat artist may not be actually doing anything illegal.  Copyright law is pretty complex, but it can not be used to protect ideas (If an idea could be copyrighted, we would be having our lawyer send a letter to everybody who started an "artist portfolio website service"). What I believe can be copyrighted are unique expressions of an idea.  If the copycat took a photo of one of Leonardo's paintings and then used the photo to make and sell prints, that is likely a copyright violation.  However, if the copycat is actually painting copies, he may be able to claim that his work is simply a unique expression of the same idea.  Or even a "parody" of the same idea.   If you think your copyrights are being infringed you should definitely talk to a a lawyer.

3.  If you want to sell your artwork, you have to show your artwork.  The more you show your artwork, the more likely you are to be successful.  If you are determined to stamp out all possibility of being copied, then it's simple:  Don't ever show your art to anyone.  Period.  And don't complain when it's not selling.

4.  If you do publicly critique the copier, you better be darn sure that you are truly being copied, preferably with a way to prove it, if possible.  A good way to prove it is to be able to show that you posted your images online first.



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Related Posts:

Share Your Gift, Share Your Art, Share Your Images

Protecting Copyrighted Images Revisited

How do we protect our copyrighted images on the Internet?


Topics: art marketing | art websites | artist website tips 

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 49 Comments

Karen Winters
via fineartviews.com
I haven't caught any blatant copiers yet but I do get a lot of students who usually inform me that they have selected one of my paintings to copy. They may be phishing, who knows? I always politely remind them that although I appreciate their admiration that I do not grant the right to copy my work to anyone and suggest that if they want to copy, they should select an old master or a work that is in the public domain.

Clint Watson
via fineartviews.com
Amazingly people don't always know it's wrong. The artist I mentioned in the post who made the phone call told me another story about an artist who called him to boast that she had copied one of his paintings AND WON A BEST OF SHOW AWARD with the copy.

She honestly didn't know it was wrong and had no malicious intent.

Karen Winters
via fineartviews.com
That's outrageous! Yes, people really can be ignorant about the rights and wrongs of doing this.

I do think that some of the "students" are using the "I want to copy you" approach because they think the artist will be flattered (and softened up) so that they can then start to ask them personal questions for the purpose of identity theft. I just can't believe that of all the artists on the internet to approach that I get this many "students" who have decided to do a report on me and copy one of my paintings.

Terry Krysak
via fineartviews.com
Another option is to file a DMCA (Digital Millenium Copyright Act) takedown notice (In the US) that forces the ISP of the copyright infringer to take down the image or face the consequences.

Here are a couple of links that explain how to do that.
Wikipedia
http://en.wikipedia.org/wiki/Online_Copyright_Infringement_Liability_Limitation_Act

Google
http://www.google.com/dmca.html

This is one method that avoids the expense of hiring a lawyer.

lori mcnee
via fineartviews.com
Clint, thanks again for another great article.

This exact thing has happened to me via Twitter, Facebook AND my website. I appreciate your level-headed thoughts on this subject because it is a bit unnerving to have it happen!

I am compiling tips for an upcoming blog post for artists who have had to deal with this growing issue - I will be sure to link to this article.


Phyllis OShields Fine Art
via fineartviews.com
Good balanced insight with your article. Having taught many workshops and private lessons I just let it go with a short minute of discussion along the lines of what you said. Just so the students are aware of copying anyones work other than public domain and I encourage copying masters to explore style and design. One can easily get so caught up in this worry that to many precautions take over and hinder the art. One has to keep giving freely of creativity.... Phyllis OShields

Judy Crowe
via fineartviews.com
Hi Clint,

This also happens frequently when you teach. I used to teach and have found that former students post on their websites and blogs paintings that they did in my classes which can be a problem if they do not acknowledge where they did the painting. I try to tell students to make sure that they do their own originals at home in their own studios with their own still life objects. It really makes the student look bad if they show class work in a setting where they should be doing originals. I know of two that are showing similar works on their websites because they did the same still life set up in the same class.

Thanks for your newsletters.



Michael Cardosa
via fineartviews.com
Clint,

Good post! We should all be good enough to attract copycats and be forced to deal with problems like that!

Michael

Helen Horn Musser
via fineartviews.com
If copycats can reproduce my work I would be surprised. Sometime I look at it and wonder how I did it. Ideas can be stolen but, copying the work would be hard. Especially if the artist did not have a good grasp of color. Now that I have put this on the web I may have copiers everywhere just to prove me wrong. How can you know when a person across the pond takes your art and copies?

Kathy Chin
via fineartviews.com
Hi Clint,
Thanks for the great article. While at this time I don't have "copycats," (or at least I don't think I do,) some day I hope my work is good enough to warrant someone wanting to at least do something similar.
Appreciate the reminder that while the images look large on screen, they are in fact rather small and would not translate well as large prints!

Kim
via fineartviews.com
Wow! This is hard to believe, because it seems to me that it would be more of a hassle to copy someone's work than to just come up with your own compositions, but truth is stranger than fiction. I've spent a lot of time looking at websites on the internet over the past several years and while I did come across one artist's website who posted a very strong warning to potential copiers, I never did actually see anyone blatantly posting a copy of someone else's work. I suppose if they're doing that and they know it's a questionable practice they wouldn't post it. The only way I can think of to establish that you did a work first is to post an exact date a painting or drawing was completed, along with the title of the work, the medium and the price on your website.

Robert Redus
via fineartviews.com
Good morning Clint,

Nice article. As teachers it should be expected some copying of the work is going to take place. I teach jewelry making and for a beginning jewelry student they know nothing more than what I've taught them...it is expected they are going to produce work similar to mine...less the technical visibility.

As a non-objective painter, I frankly don't care if people are copying my work, much gets lost in the brain to hand translation anyway. As you mentioned you will be steps ahead...or at least you should very well be steps ahead. Everything is about the work, and chasing down people who are copying your work takes away from time better spent in the studio, as they will tire of you and move on to someone else.

Also as you have mentioned, copyright is a very tricky road, one that takes a great deal of money, has stipulations for alterations and in many cases is more work than the results are worth...

As artists we've all taken ideas, techniques, from other artists, people that copy have just realized....there is nothing original.....

Helen Horn Musser
via fineartviews.com
Robert, You are right about taking others ideas and using them to our advantage but, this should all be on a subconscious level; not aggresively copying other artists work. That behavior is not honorable among artists.

D
via fineartviews.com
Imitation is the most sincere form of flattery. I would be flattered if someone wanted to copy me but I do see the problems it could make. So I will stop laughing for those it has happened to.

Robert Redus
via fineartviews.com
Helen, I agree, I think most honorable artists see an idea and realize that the idea is going to be translated in their voice....something so far removed from the original it looks nothing like it...

Carol Schmauder
via fineartviews.com
Thanks for the interesting and informative article, Clint. I agree that if we want to market our work we have to be willing to take the chance of putting it out for the public to see.

George De Chiara
via fineartviews.com
Interesting article Clint. I think as artists we all "copy" from something, it's how we learn. The difference is in showing the copies as your own without giving credit to the original artist. Or worse, trying to sell them.

Helen Horn Musser
via fineartviews.com
Thanks for the response, Robert, as I thought about this I recall some of the old masters had duelling brushes. Picasso and Braque painted to compete with one another. It was a friendly relationship. It is said many others did this to entertain themselves and see who could come up with the best painting

Carol Schmauder
via fineartviews.com
My mother did a painting once for a neighbor and the next time she visited with her (which she seldom did) she noticed that in place of her signature was that of the neighbor. She didn't even bother to copy the work, she painted out my mother's name and put her own on the painting. My mother was flabbergasted and didn't even know what to say so she said nothing.

Helen Horn Musser
via fineartviews.com
That is astonishing Carol. I don't know how your Mom put up with that. Unbelievable someon would do that!!!

Karen Winters
via fineartviews.com
Carol,

Unless the neighbor had mental frailties or senile dementia or some other condition that made this behavior excusable (in a way) I think I would have simply asked "why is your signature on my painting?"

I'm going to guess that since the neighbor had paint to cover the signature that she was a painter, too. Maybe she changed one small thing and therefore rationalized that now the painting was "hers" because she touched it last.

If the neighbor wasn't incompetent in some way, how totally bizarre!

Margi Lucena
via fineartviews.com
Wow, Lori! I looked at your website and was stunned at the blattant nerve of the copier! Natasha Isenhour and I have recently had a not so funny little incident happen in our studio/gallery when a local artist came in to inquire about selling his art work, and left me his buisness card. After he left, I was floored to see that he had used one of the paintings of an artist, Skeeter Leard, who is represented in our gallery, to decorate his card! There it was, a group of running horses across the card, which had been copy-written by Skeeter years before, photocopied from the image.
Another time, a good friend and fellow New Mexico artist (in fact, Skeeter Leard, the same artist whose work had been copied on the buisness card) went into a truck stop/gift shop to pay for gas while on a trip. To her shock and amazement, there was a rack of tee-shirts with her art on the front of them! She confronted the owner and left with several boxes of teeshirts! True story!!

Carol McIntyre
via fineartviews.com
When I read all of these posts about copying, I now realize how frequent a problem it is......WOW! I had no idea it was this rampant. I must be spending too much time in the cave.

Years ago I painted a unique concept, and friends would come up to me and show me reproductions of artists copying my concept. They were upset, whereas I figured since I was my own "factory" no one could create as I could. I just kept a file of these reproductions and no one ever did a huge body of work like I did.

Do you think some people copy because they hear the instruction "Go and copy a master painter?" Somehow they miss what is actually being suggested?

Helen Horn Musser
via fineartviews.com
Carol, You have a benevolent heart; which is a great thing but, who ever copied your work and put their name on it is dishonest to say the least. Just a word to the wise

Kim
via fineartviews.com
A suspicious incident that happened to me years and years ago also fits along these lines. I was fresh out of college and doing my first art fair. I was naive and when a woman who claimed to be a gallery owner approached me with a very professional looking business card and asked me if I wanted to be part of an overseas art exhibit, I was flattered and took the bait. I met her (at "a friend's gallery") and she gave me instructions to pick several of my paintings, take them out of the frames ("for ease of shipping overseas"), and to bring them to her home, which was where she said she operated out of. I did as instructed, brought them to her home, and noticed that she had piles of unframed work around her house. She said the work was going to be shipped to this wonderful overseas venue and she would stay in touch. Well, about a week later she called and said the overseas exhibit was "canceled," and would I come and get my work. To this day I suspect she actually had all the artists' work photographed to sell as repros somewhere where none of us would find out or take any legal action, and that the "overseas exhibit" was really a ruse.

Judy Mudd
via fineartviews.com
Well, I guess if you are good enough that people want to copy you, you can't look at that as ALL bad. Seriously, your suggestions on how to handle a copycat is right on. Nothing should stop them quicker than seeing their copied work next to the original and being called out on it over the world wide web.

Sue Martin
via fineartviews.com
I guess I've been fortunate, so far, not to have encountered copy cats (or maybe no one likes it well enough to copy it). But the more I paint and develop my own style and approach to subjects, the more confident I become that my work would be difficult to copy and it is easily recognized as mine. I'm not worried.

Nancy Cupp
via fineartviews.com
Thank you for that timely advice. I have been concerned about people lifting my art also. I found an awesome place online that I can register all my fine art. It is called http://fineartregistry.com/portfolio/nancycupp.

Basic membership is free. For about ten dollars a year, you can register all your work. IT is done by buying holographic seals that you stick to the back of your canvas, or sculpture, etc. Each seal has a unique number on it, registered to the artist. You take a photo of the back of your artwork with the seal on it along with your © information, write the information about each piece, take a photo of the front of the art work, and then they keep all the information on it at your website. You can prove then to the world, the date you painted it, when it was registered, all the info on it, etc. It is an extra history record off site, to show to insurance companies, buyers, etc. about your art. You can print out certificates of authenticity to give to the buyers. You can transfer ownership, to keep a running history of who legally owns the original, prints, etc. It makes the piece more valuable. They really did their homework in developing this service. It is very inexpensive. It only cost the ten dollar yearly membership, plus the cost of the ID tag seals. So to register one work is only $2.25 per work. I love it and they send out your seals very promptly. They accept paypal. The new owner can register their piece online for free. It really impresses the owners when they realize I did all that service for them to protect their newly purchased work of art.

Judy Crowe
via fineartviews.com
Thanks Nancy for that great info.

Marilyn Gilis
via fineartviews.com
I've received several emails from people in a particular foreign country letting me know they are copying my work. Flattering yes. Nothing can be done to stop them though. I like to dream that someday I'll get to visit that country and see my art all over the place.

Helen Horn Musser
via fineartviews.com
Marilyn, Could that country be China?

Mike Barr
via fineartviews.com
Great article Clint
Ive had a few people copy my work but they were so bad I didnt bother about it.
I post nearly all my paintings on my blog as a matter of reference and it has come in handy for that.
The fact is that if good artists were really worried about people painting like them, then instructional dvds and books would have died out years ago!
cheers
Mike

Marilyn Gilis
via fineartviews.com
Helen,
Yes! LOL A lot of us have probably gotten those emails.

Max Hulse
via fineartviews.com
Clint

The old Chinese proverb says there is nothing
new under the sun. It is very difficult to
paint a scene that has not been done many times
previously, but the trick is to put your own
personal art into and on it and make it your
own. "Imitation is the sincerest form of
flattery", but copying is not acceptable.

Max Hulse

Mike Barr
via fineartviews.com
Max
Nothing new under the sun is quote from the bible - perhaps Old Chinese Proverb writer did a copy-cat!
cheers
Mike

Judy Ferguson
via fineartviews.com
To my surprise one Sunday morning, I picked up our local paper and there on the front page of one section was a promotional article for a book by a MS. author. The book jacket pictured was almost exactly like a painting I had done a few years ago. I staged the composition for the painting myself so It made me wonder,HMMmmmm!

Nancy Cupp
via fineartviews.com
Did you know that if you have PhotoShop Elements or PhotoShop to edit your photos of your art, that you can put a copyright right into the photo?? In PhotoShop Elements, you simply go to FILE, scroll down to FILE INFO. A pop up window opens where you can fill out all the information about your artwork, along with the copyright emblem, owner or artist, name of painting, etc. click SAVE and voila, your art image has a copyright file info in it.

I am not sure if it is embedded or not. There is a company that puts a digiamarc into your photos,so you can track it on the web.

Go to www.digimarc.com and check it out.

Jana Parkes
via fineartviews.com
A thought provoking article, Clint. I love the way you turn it into something positive, and point out the downside of acting from a place of fear.
I sometimes feel like Helen Horn Musser when she says "Sometimes I look at it and wonder how I did it". I'm not sure that even I could copy my own work. I believe there's something energetically to an originally inspired piece that can't be copied, but many do not see that.
I also appreciate everyone else's thoughts and sharing along with the info on the fine art registry!

Donna Robillard
via fineartviews.com
There was some wonderful, practical information in the article and in the blogs others posted. Thank you all for sharing the valuable information.

Helen Horn Musser
via fineartviews.com
Jana, it is comforting to know I'm not alone!

Phyllis OShields Fine Art
via fineartviews.com
Just had the occasion to forward this newsletter with positive information on copy cats to an artist friend who administers an on line gallery - we have had one of the artists members leave and copy the site and text in a new project. Very hurtful, but glad to have this article to forward. Thanks Phyllis O'Shields

Sharon Weaver
via fineartviews.com
Picasso is quoted as saying, "Bad artists copy. Good artists steal."
I think this quote has been very misunderstood and many don't like it but I see it a different way. I think Picasso was saying that if you take an idea and make it your own, you are a good artist. Direct copying shows no imagination; bad artist.

Delilah Smith
via fineartviews.com
As a daily painter we have it happen all the time.If they are using the copying to become better artist I think its a good thing but if they are copying to pass it off as their own work and sell it how will it make them a better artist? A question I think they need to ask them self. It would be better if they took something away from the artwork, what was it that drew them to the work how could they make this into something new that would be their own work. Something new,more interesting,a twist that they have made their own.

Anita
via canvoo.com
Carol, a similar incident happened to me once. I did a picture for my friend at her request for free(let's call her R). Few weeks later when I was visiting a college mate, along with some other friends (R included), there was my picture on the wall of the bedroom with R's sign on it! Apparently, it was R's gift to her. I was too stunned to say anything. Wish I had. It wasn't that R didn't know it was wrong - she knew, she just chose to cheat.

Karen Winters
via canvoo.com
That's truly outrageous, Anita. She didn't just copy, she stole your work and affixed her signature.

I had someone just the other day write to me and in the course of conversation let me know that he had done a painting from "a photo of mine on Facebook." Since I have very few real world photographs posted there (they are mostly photos of paintings) I assumed this meant he copied one of my paintings. I didn't engage him in future conversation, but have quietly blocked him from seeing my work. The next step will be un-friending. The nerve of some people!

Judy Mudd
via canvoo.com
Wow, Anita. That is a heart breaker. Can't believe she would do that. Especially knowing you would eventually see it. What a fraud. Don't know if I could ever trust her with anything again, no matter how trivial.

Aniita
via canvoo.com
Thanks Karen and Judy. This happened 9 years ago - to an extent I have forgiven R. I am even tempted to think my work was that good for her to do that! I lost touch with her since graduating and I don't think I'll want to renew the friendship if I got a chance.



j packard wright
via faso.com
I find that totally accurate copying of someone else's work is not a problem for some of my acqaintances; they simply project the photo of the image onto a support and trace it! Of course they have to mimic the color, but they get really good at it. I don't mind if they choose to work that way if its' purpose is for anything BUT competition. However, judges don't seem to be able to tell the difference between those "shortcutted" works and those done by artists who take the way of blood, sweat, tears and finally, the feeling of accomplishment that comes when I feel my work is ready to hang. Those projected or cast works quite often get Best of Show. I don't know of anyone who has used my work, but I know it would be very easy with today's technology to make a copy.

M.L.Pappas
via faso.com
"A good way to prove it is to be able to show that you posted your images online first."

My Lawyer told me this last year. I tell this to everyone now. Create a twitter, Facebook, pinster, flickr and so on. When you complete a piece of artwork., Publish that work on all of them. The dates of your post will be burnt in. Those sites dates that are stamped in when you post can never be altered. Criminal case's have used social network dates and time as proof of whereabouts and time of a crime to prosecute. Those dates can not be disputed and will hold up in court.

Truth is the internet is the artists friend, if your willing to use it to your advantage.

M.L.Pappas
http://pappasarts.wordpress.com/











 

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