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How Matters More Than How Long

by Clint Watson on 6/25/2010 9:37:49 AM

This article is by Clint Watson,  former art gallery owner/director/salesperson and founder of FineArtViews. You should follow Clint on Twitter here.


An artist came into my gallery years ago to present his portfolio and was flabbergasted when we weren't interested representing him.  

"But I've got 30 years experience!" he protested.[1]

Here's the thing:  "How" is more important than "How Long" [2]

Yes, yes I know all about Malcom Gladwell and the 10,000 hours.  But practice hours are not all created equally.  

The old saying "Practice Makes Perfect" is wrong - it should be, "Perfect Practice Makes Perfect."  Otherwise you'll just spend 10,000 hours "perfecting" your bad technique.  

I should know, I play guitar well enough to impress my friends at parties, but now that I've reached a point where I truly want to improve, it's difficult to overcome bad techniques and shortcuts I learned when I was younger (and spent hours in garage bands "burning" neural pathways that reinforced bad techniques into my brain).

As you create your art, make sure you're trying to learn from each work.  Strive to improve.  Learn from the masters. [3]

Two rules of thumb so you'll know if you're on the right track:

1.  You feel less confident over time that you can ever be great [4]
If you're feeling a bit down because you realize that you're not all that good and there's just so much more to learn - that's a good sign. You've passed the "Moment of Hope" and you aren't just "going through the motions" but are actually improving.

2.  When you look at past works, you're a tad embarrassed.




Sincerely,

Clint Watson
Software Craftsman and Art Fanatic


[1]  "30 Years" doesn't tell anyone anything.  That could mean "1 painting a year for 30 years," which would only be 30 paintings. A dedicated plein air painter could do that in 30 days.  The flabbergasted artist was actually a lady, but every time I write "he" or "her" on the Internet, someone of the opposite sex invariable complains about it and I really hate writing "he/she."  So now I've suggested that it can and does happen to both sexes :-).

[2]  Obviously, the time to develop your "chops" must be put in - it just must be real learning time, not "going through the motions."  I'm certainly not suggesting that perfect practice gets anyone out of the 10,000 hours.  I am suggesting that the 10,000 hours can be wasted.

[3]  There are more resources than ever to learn.  Take workshops with current master artists.  Learn from great books.  Visit museums and study the past masters.  Ask artists you respect for honest critiques.  Be willing to accept tough criticism.

[4]  This phenomenon is known as the Dunning-Kruger effect.  Essentially it states that incompetent people overrate their abilities while highly skilled people underrate their abilities.  "In the modern world the stupid are cocksure while the intelligent are full of doubt." - Bertrand Russell


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Related Posts:

Assessing Your Time Committment

What Teaching Teaches You

What Inspires Me to Make Art?

The Gap


Topics: inspiration

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 32 Comments

Phyllis O'Shields Fine Art
via fineartviews.com
What a universal truth you convey!! Gives me added enthusiasm to continue each day after so so so many years of life drawing classes, traipsing around with my models,continuing in tropical seascape paintings that I love, never being satisfied, always thinking "Next time I can do better I've just scratched the surface of what I want to capture" Mahalo for your insights....
Angelita Surmon
via fineartviews.com
Ah yes. Every day I realize how little I know and how much there is to learn. So much to do, so little time. I question the work often and am always joyously happy when someone else has a spark of recognition about what I am intending to do in my paintings. Art making is challenging and humbling work,but I can't imagine my life without it.
Helen Horn Musser
via fineartviews.com
Good Morning, Clint, you give us more inspiration to seek a higher degree of excellence with our art. Thanks for telling it like it is.

Michael Cardosa
via fineartviews.com
Clint,

This might be the first Blog I've ever seen with foot notes! However, I think it was great!

I'm always trying to put something new into a painting that I've never tried before just so I have the opportunity to learn. Doesn't always work or come out the way I'd hope but if I don't try I'll never learn something new.

Thanks again for the good post and the great services at FASO.

Michael

Paula Christen
via fineartviews.com
The more I think I know, the less I know I know!

Starting my second month of a 3 month "painting a day" challenge, I'm discovering that unless it is a focused lesson on something I want to learn, it is so easy to slip back into the same habits that produce the same results. My collection of art instruction books is finally getting the workout it deserves!

Embarrassed about past works - you bet, but I don't have time to dwell there. The studio calls.
Jill Banks
via fineartviews.com
Such a timely post.

I'm dedicating this year (and future years) to learning as much as I can and improving my work. I've worked hard up to now but at the beginning of this year, I felt my work was at a standstill. So, I thought about/wrote down the steps I would take to take my art to the next level. And, I'm pushing myself to take each step.

I can tell that it's working ... albeit slowly ... as always. There is so much to learn.

I'm also in the process of moving (staying local) which means I've been looking back at old canvases. Ones that I thought were good at the time. Boy, was I wrong. Slightly embarassed about it. Yet, I learned by making those mistakes and getting guidance from modern masters -- my teachers -- along the way.

Robert Redus
via fineartviews.com
Good Morning Clint,

I think you have some valid points, yet overall the idea that "Perfect practice makes perfect" is a rather idealistic notion. To think that by learning, training, studying, painting everyday with legitimate "masters" is the answer, it is but a small one at that. Much like your guitar playing, there must be some creative ability to start that can be transformed by intensive instruction, repetitive process and honest critique. Everyone is not capable of doing what there is out there. We all are very much designed for particular purposes and when we find those, pursue them, we tend to excel at them. Education, Brutally honest critique, and stepping outside of one's comfort zone are the keys to transformation for a painter.

My mentors tell me one thing consistently, "It's always about the work, just keep painting".....

Japanese potters say that the first 10,000 pots...are just practice....

Thank you for your newsletter, always enjoy it....

Robert Redus
Marilyn Gilis
via fineartviews.com
Good post Clint. It's harder to "unlearn" bad habits than it is to learn new "good" habits. To get the new habits to really sink in it takes practicing it for 21 days in a row.
Stephen Filarsky
via fineartviews.com
"Practice makes perfect" is wrong. As a music teacher told me years ago, "Practice makes permanent"
Practice and learning are two different animals. You have to learn to how throw a ball before you can practice throwing a ball. The same applies to music and art
Judy Mudd
via fineartviews.com
I couldn't agree with you more. I've been painting for almost 10 years, self taught with doing the studying you've suggested and paint everyday. I am just getting to a place where i'm generally happy with my painting, certainly not always. But I've only been able to grow and improve because of constantly pushing, stretching and changing my goals. I don't want to be painting at the same level every year and make a goal of improvement in certain areas of my artwork each year. So, yes my previous paintings are hideous and I have begged my friends to return my older paintings to no avail. Bribing is next.
Max Hulse
via fineartviews.com
Clint Another good article. Short but
succinct and several insightful points. An
analogy was the teacher complaining not getting
enough recognition from the administration because she had thirty years experience. No,
the administrator replied, you had one year's
experience 30 times.

Max Hulse
TeresaMaria Widawski
via fineartviews.com
Clint, there is another book that I've enjoyed and found supportive. It is called The Talent Code - Greatness Isn't Born, It' Grown by Daniel Coyle. 10,000 hours of practice is key but it is HOW you practice that is the real key. Plenty of examples to relate to art and 'ah ha' moments.

Thanks for the insightful article.
TeresaMaria Widawski
Carol Schmauder
via fineartviews.com
I think I might finally be on the right track and rules of thumb 1 and 2 apply to me. I appreciate the great article. It gives one pause to think.

Sharon Weaver
via fineartviews.com
I am so glad to read this since the last few months I have been feeling rule of thumb #1. You feel less confident over time that you can ever be great.
I have been experimenting with new colors but have not received the positive response from the buyers that I was hoping for. I know I just need to continue on and work through it but that is always easier said than done.



Clint Watson
via fineartviews.com
Stephen - your music teacher told you that "practice makes permanent" - the idea that "perfect practice makes perfect" is essentially the same idea.

You can practice a scale "perfectly" but SLOWLY to make it permanent. Over time the practice makes it permanent and you can get faster and faster till you reach full speed.

OR you can do what I did and take "shortcuts" which make the imperfect method permanent (because practice makes permanent rather you do it right or wrong).

Learning to throw a ball - better to learn slowly and deliberately the correct technique and the practice that until you have mastered it. That's what I mean by "perfect practice"

I'm not saying that imperfect habits CAN'T be overcome, just that it makes it more difficult down the road, like that wrong note that I always seem to hit.......


Kim
via fineartviews.com
Have you heard about the related Dunning-Kruger Paralysis Syndrome? Where a doesn't trust how to evaluate their own competence or incompetence because he or she doesn't trust his or her perceptions about the competence or incompetence of others? Just kidding--I made that up ; )
Donna Robillard
via fineartviews.com
I really enjoyed reading the things you had to say. According to the two rules of thumb, I must be on the right track!

Kathy o'Connell
via fineartviews.com
Dear Clint,

Thanks - this is the most encouraging thing I've read or heard in a while! Maybe there's hope after all.....

Kim
via fineartviews.com
Thanks, Judy--I'm sooooo confused!!!!!!
Kathy O'Connell
via fineartviews.com
P.S. The apostrophe function doesn't work - it comes through as a quote mark.

Kim
via fineartviews.com
Kathy, by some kind of cyber magic, the quote marks morph into the proper apostrophes!
Seriously, with experience, time and deliberate work and effort, it should be possible for an artist to eventually reach the point where he or she is able to objectively evaluate his or her own work relative to their own progress, and to the work of others, both past artists and present.
Cynthia Hillis McBride
via fineartviews.com
Clint, you just gave me an AhHa moment. I seem to never think my work is really very good. I am seldom satisfied. Now I know the name of the malady which affects me "The Dunning-Kruger Effect"! Conversely, it also explains why some folks who are technically poor artists have such a high opinion of themself.
I'm going to rededicate the last of my 10,000 hours to intense and introspective practice.
Thanks!

Kathy O'Connell
via fineartviews.com
Thank you Kim ! I'm relieved to know about the miraculous apostrophe morph - a welcome result for those of us with Irish names.

Also, I appreciate your elegantly stated comment. For me, Clint's post today is perfectly timed.

Kim
via fineartviews.com
Judy, there is also the Overcompensating Pseudo Dunning-Kruger Effect, whereby an artist deliberately assumes a self-deprecating posture out of fear of appearing to have delusions of superiority and grandeur.
This is what happens when artists have to think too much about what they....

Kim
via fineartviews.com
I should probably explain to everyone that instead of painting artwork, today I'm wall painting our bathroom--the 80 degree heat and paint fumes may be affecting my brain.
Esther J. Williams
via fineartviews.com
Clint, thank goodness for hope, artists need to progress and naturally do if they are never satisfied. Looks like I am fitting into your speculations of being on the right track.
There is an auto-suggestion by an French author, Emile Coue, "Every day in every way, I am getting better and better". It is an excellent self suggestion when you are feeling self doubt.

Joanne Benson
via fineartviews.com
Hi Clint,
This post hit home....especially the footnotes! I used to tell my very talented violin playing daughter something very similar to the Bertrand Russell quote! She was always full of doubt about her ability even though her teacher told me that she probably had the best "musical ear" of any of his students....she never did go into music but is studying for her doctorate in psychology! One year for Christmas she gave me a little framed version of the very same Bertrand Russell quote! How true it can be.....I'm full of self doubt so perhaps there is hope....hehehehe!
Robin
via fineartviews.com
you've pegged me. It drives my hubby crazy when I gesso over 'perfectly good' paintings because I find them so embarrassing. I have kept a couple of early ones, just to remind me of how far I've come.
The down side of this is that I don't enter competitions because I don't think I'll ever be good enough, in my eyes anyway.
Barb
via fineartviews.com
There is nothing as humbling as being a new painter newly juried into a local art club. When ever we meet I see the masters are definitly seperated from the wanna bees!
Linda Ferreira
via fineartviews.com
Thanks for excellent advice. The article most definitely shows the artist how to handle art when entering a contest. I do however believe that the judges also takes into consideration their own personal liking when evaluating or do they clearly only look at the quality of the work and will reward even though they don't like the work at all. Art stays a personal thing. Some you like , others just don't appeal to you but might appeal to others. Though any feedback on art is good. It gives you an idea of what others might think. I have been following the Ray Mart contests, though it seems they are only for people that has easy access to buy from the shop. Is there any contests to enter for outsiders from other countries?









 

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