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My First Art Fair Checklist - Follow Up

by Moshe Mikanovsky on 6/17/2010 10:09:53 AM

This article is by Moshe Mikanovsky, Regular contributing writer for FineArtViews.  You should submit an article and share your views as a guest author by clicking here.


Wow! The time I had preparing and doing my first art fair was just amazing!

After writing “My First Art Fair Checklist”, I received many comments with some great tips, encouragements and well wishes. And it was well received. I felt that many of you were there with me, if not in presence, then in mind and spirit. I also had several visitors to my booth who commented on the previous blog post. That was awesome!

Ok, so now let’s get to business. Many of you were waiting patiently for my report about the show and how it went, so with no further due, here it is, my Lessons Learned:

Artwork

  • I believe that my artwork spoke for itself. I received many excellent comments, so that was good.
  • I didn’t sell anything though. Yes, I am not afraid to admit it, the same as I would not be afraid to tell you how successful I was selling million of dollars worth of paintings… I wish. Trying to understand though why I didn’t sell, I came up with a few ideas:
  • My niche art didn’t fit most of the buyers. My art is based on religious subject matter or inspiration from my upbringing in Israel. Although I have paintings of trees and of the Zodiac, the other paintings might be a turn off for some.
  • My unique style (which I did receive many comments on it) is still needs to be “understood”. Presenting for the first time, it takes time to build followers who not only like but also buy my art.
  • Work on paper. I was told that people buy more art on canvas rather than on paper. All my art is watercolor on paper. I did have 4 small paintings in watercolors mounted on panel and covered with resin, which many people really liked, so I am thinking of creating more of these in the future.
  • The show itself. Although the organization of the show was outstanding, I heard comments from other artists that were disappointed with their sales. One even told me that the show attracts many dog-walkers and baby-strollers and not the real art-buyers. But, I did see people buying art. So it might be only personal observation.
  • Not enough marketing on my part. As much as I tried to market the show to everyone I know, only a few of my existing contacts showed up. I relied too much on the exposure of the new crowds that had never seen me before.
  • Attraction of my tent. Although I really liked the end result of my tent, which you can see in some of the pictures I took, I did get some feedback from my mentor that my tent was “too clean” and not strong enough in a way of attracting people in. Maybe it’s true, I still have to think about it a bit more…
  • People like to “find hidden treasures”. I saw how everyone loved sifting through boxes of matted artwork. The art that they didn’t see on the walls but had to go through in the box was hidden from them and attracted them. I will definitely try to have some in the future.

Tent

My tent worked out really nice! We did have prediction for rain, so I sealed the seams of my roof several days beforehand. I was very anxious about it, because I didn’t know if I did it right or not, but in the end, it was great. We only had rain at night between the two days of the show and water did not leak through, so I was very happy. One of my neighbors though had water leaking into her tent and she realized that the tent was not water resistant.

Putting up the tent and taking it apart was not too bad, although in hot and humid weather it was quite steamy inside. I kind of envied the artists who came to a ready tent that they rented. On the other hand, I saved few hundred dollars by borrowing mine and putting it up myself.

Although the organizers asked everyone to bring a white tent, several artists opted for other colors. Either they had the tents already or borrowed them. I still think white is the way to go.

Very important – before going home, always make sure that not only your tent is secure with weights in all 4 corners, but also all your neighbors on ALL sides are secure. And if they are not, insist that they don’t leave before they make sure it’s secure. Otherwise you might come the next day and see that your tent is standing nicely but the tent next door just moved a bit and maybe even collapsed on yours… So do yourself a favor, don’t be shy, befriend your neighbors, and insist that they do their job to make everything safe.

Display system

Hmmm, well, what can I say? As this was my most challenging item before the show, it was also most challenging during the show… Let me tell you why. The wire mesh I used was easy to install and looked quite nice. The problems started with the overnight rains and humidity in the air. The iron mesh rusted very quickly. At the morning of the second day I had to wipe all three meshes and the rust stains on the wall of my friend’s tent will never come off (we tried CLR but it didn’t work… maybe washing it somehow?)

I still got poked and scratched by the pointed edges of the wires.

The S Hooks had a mind of their own and it was sometimes a challenge to straighten the artwork. Drove me a bit crazy all the time, especially when it was windy and each painting was a bit tilted.

I saw many other excellent ways to hang the art. My next article will be dedicated for the other great display systems. It’s a topic that needs its own post.

Marketing

I handed out many business cards and postcards, so I am happy about that. I am sure I will have some returning clients for my paintings and/or my Giclee and licensed products (mainly the Ketubahs).

Many people looked through my portfolio, so I was happy to have it.

My little “marketing surprise” was the shirts my wife and I wore during the show. That goes to one of the discussions in the last article’s comments, regarding what to wear (professionally vs. fitting the crowds). I opted to do it like in trade shows – wear a white shirt with my logo and name, and my website on the back and sleeve. I also had a 3rd shirt on the table, which I put out for a drawing for all the people who signed my guestbook for my newsletter.

And speaking about a logo – the image of the Leo from my Zodiac painting was everywhere – my business cards, my tent’s sign, my shirt, the cover of my portfolio, and online it’s on my blog , newsletter and my avatar as well.

Other supplies

In addition to the list I published last time, I got some new items: 4 weights to secure the tent, work or garden gloves, first aid kit with band-aids and Polysporin, business cards’ and fliers’ holder, pouch for money and other valuables, bungee cords, camera, paint-pen to fix scratches on frames, measuring tape…

I want to thank everyone for their support. As a way of appreciation, I put together a checklist form, “My Art Fair Packing List”. Feel free to download it and use it for all your future events. And be nice, play it forward, and share with others.

Cheers

Moshe



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Related Posts:

My First Art Fair Checklist

Evaluating Opportunities Part 2

Dare to be Different

Evaluating Opportunities

Selling Artwork on Your Own


Topics: art marketing | sell art 

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 45 Comments

Lisa Kretchman
via fineartviews.com
Thank you for posting your art fair experience! I will be showing work at my first art fair at the end of this month, and it is very helpful to get so many tips. I hope that despite the sales at the fair, you come away with new customers through your website and blog.
Helen Horn Musser
via fineartviews.com
Moshe, You must have had a terrific time with this; so glad for your successes. Thank you for sharing with us step by step your weekend. Your list is greatly appreciated and the sunshine of your article is inspiring. Happy for you

Terry Rafferty
via fineartviews.com
Moshe, these have been great articles, and, as my first art fair will be in 2 weeks, very timely. I really appreciate the downloadable checklist you created - I know it is going to make my weekend much better!! Thanks:-)
Barbara J Carter
via fineartviews.com
Hi Moshe, welcome to the wide world of art festivals! You did a great job with your first show.

No sales - we all have "zero" shows. It happens to the best, especially during a recession.

Some things to look at: whether the show is good enough to support fine art sales. Some shows are just lower-end craft shows where $3 toe-rings sell but art over $100 won't move. Visiting the show beforehand will help you determine this. The ratings on ArtFairSourceBook.com (paid subscription) are also very helpful.

Your prices could be a factor (I don't know what your price range is). To sell well at outdoor festivals you need to be priced really low. Only well-established artists with huge followings seem to be making the over-$1000 sales these days.

Subject matter - I say go for the custom Ketubah market, that's a terrific niche for you.

Artists like to complain! Don't listen too closely to the grumbling. Keep your eyes open and see what's really happening for yourself.

Hand out as many business cards as you can, and get people to sign up for your mailing list. Even if you don't make immediate sales you're at least growing your mailing list.
Jill Banks
via fineartviews.com
Moshe, Thank you! Love the list on what to pack. That will stop me from "thinking up" a new one from scratch each time!

Thanks for sharing your insights as well. You will succeed at this ... no doubt ... because of your analysis.

Barb
via fineartviews.com
Hi, I have never had the opportunity to do show like this, it was with great interest that I read about all your qualms. I would love to see an article on your observations of what others as well as yourself found most helpful. Including what not to do and what to do in the way of getiing the most out your time and best things to do for getting those sales!
Esther J. Williams
via fineartviews.com
Moshe, it's tough to keep smiling when we have zero sales and lots of lookie-lous. I have had my share. It may just be the crowd in this case.
I am going to bring some prints like you said since people were looking through bins. I noticed that in an opening night reception in a gallery I am in. Many people were rifling through the small original art that is unframed bin. In fact, a lady bought one of mine. I was grateful. It was also a scene of the local area and that lady wanted a reminder of it. Good thing to paint local scenes.
My 2 day outdoor art fair is next weekend and I will download your checklist. I wish you much better fortune next time! Thank-you

Carol Schmauder
via fineartviews.com
You bring up some interesting points, Moshe, especially about weights. I am participating in an art in the park in July and my tent has holes for pegging to hold it steady. Do you think that is enough? I like the idea of the shirts also. I am currently having one made for my husband, who will wander around the park but perhaps I should have one made for me as well. Lots of things to think of. Thanks for this follow up.

Marge Heilman
via fineartviews.com
Moshe,
Congratulations on a very great endeavor and the ability you had in assessing its demands. Art shows are a challenging venue and only strong spirits survive them! Your marketing was wonderful and very valuable because I have had people call me after show about a certain piece. I haven't done one in a long time but I know the feelings you described and I applaud your enthusiasm. Markets are down right now, but I bet lots of people have your images in their heads and thinking about the messages you imparted in your works.
Sandy Askey-Adams
via fineartviews.com
Hello Moshe:

I commend you for writing about your first outdoor art show and sharing your experiences from beginning to end.

I am not sure what that one person or artist said when he or she said that your tent was too clean???????
But, may I suggest that you change your display panels to better enhance your your work?
There are wonderful display systems available for artists doing outdoor art shows. It is worth the investment.
Also, I want to warn you about the tent that you are using. Yes, it is easy to set up, but in a very heavy and serious rain storm, it could collapse. I have seen many, many of those type of tents collapse. About a year ago, there were about 7 tents like that set up in a row and all but one totally collapsed. That one, partially collapsed. Leaking? Yes, but collapsing is also a good possibility. WHY do artists continue to buy those type of tents? Because they are cheap and easy to set up. They are fine if the weather predicts an all sunny forecast.
I have been doing art shows for well over 28 years...I could write a book. I started doing them in the late 1970's. (Maybe you were not even born yet.)
I have seen much, heard much, experienced much and have used many different set ups and tents since back then. They were not yet making the kind of canopies they now make for artists. Someone got very smart and started to make an all weather, sturdy canopy with skylights, and awnings, etc..etc..
But anyway, I think for the first time doing an art show you did a great job on research of what to do and how to prepare for the outdoor shows.
You have some good ideas. Love the shirt idea too. But, the best investment is in your display system and canopy for proper protection of your art work,as well as a great professional and attractive looking display. I love the type of display panels that many of the artists are now starting to use for their outdoor shows...you have probably seen them. They look like they are covered with carpeting almost. Those I do not have, but I do have very professional displays of another type that are covered with fabric. Can see them on my web site on my art show schedule. (My web site needs changed and updated which I have been trying to find the time to do.)
Well, wishing you the best and thank you for sharing.
In the meantime, I am getting ready for an art show in Wickford, R. I. that is the beginning of July which was one of the first art shows I had ever done back in the Late 1970's. Still do the show. Great show! My husband and I travel up from Pennsylvania now.
:)Sandy
Kathy Chin
via fineartviews.com
Thanks for the follow-up Moshe,

Glad you had such a positive response to your artwork, I'm just sorry you didn't have more sales. At least you got out there and tried it so you will know better what needs to be done next time. It's all a learning experience, and many of us can say for a fact that we understand that shows can be disappointing. But you made it through and will do better next time!
Thanks again for sharing!
Charlotte Herczfeld
via fineartviews.com
Moshe, great update! May the next one be financially successful. I *like* your clean white tent, it lets the art speak. I don't have experience from art fairs, but from shops, so I'd like to offer a thought about "tent accessiblity". With a table and a chair by each entrance pole, a psychological barrier is created, marking the turf as yours. Placing the table deeper inside the tent would draw people in, and then you can have a chair outside of it. Customers want open spaces (I guess so they can escape easily :-). You can be in a corner behind a table, then *you* are the one who's caged in and they are free.

Beautiful paintings, they will find an audience.

stede barber
via fineartviews.com
Hi Moshe,
What a great sharing, thank you! I love your work, and am thinking that an online business focusing on the market for your work could really work for you.

Figuring out display is a big challenge for outdoor markets, and I look forward to another article from you about that.

I have had calls after shows following up on work, and collecting the email list and using it is another key aspect of building your business.

In speaking with artists who've been doing the Fair circuit and are successful, I'm told that it can take a couple years to build up your reputation. I think that every bit of energy you put into sharing your work and making it available builds up momentum that will eventually pay off.

Your spirit of sharing is wonderful, as is your art. Best of luck as your career unfolds.

scott
via fineartviews.com
Moshe:
This is an outstanding review of the results of a show. Nicely written, informative, and entertaining. You're reviews of you're paintings are very interesting. Keep posting this great work!
Sandy Askey-Adams
via fineartviews.com
Hello Again Moshe...
Continue to do the outdoor art shows.
Why do you think so many artists have been doing them for so many years?
Yes, it is very hard work physically and mentally and also tending with the varied weather conditions...
BUT, one of the reasons that artists do the shows is because they do pay off. It is possible to make $10,000 on a one day show before noon time. It is possible to make over $20,000 on a weekend show. (OF course it was easier when the economy was decent.)
Don't worry, you don't have to wait to get a following either as some may say. When someone sees you work and likes it, they will usually purchase it. IF not right then and there, they will come back or see you another time or call your studio. Getting their names, addresses and emails is a good thing which I know you are doing.
Some people LOOK for new artists on the circuit.
Just post your background so they may read it.
Make your display system as presentable and inviting as possible. Hang up photos of yur working process.
I do hang up a lot of my art work because I have a lot of work; and I do this for a living.
Some say hang work sparingly...well, you follow your 'gut feeling' of how and what to hang. Do not listen to anyone who tells you to hang less work. It depends upon HOW you present the work, be it a lot or not. You do what works best for you.
Just keep everything in similar frames, etc...for a consistant look.
You are amazing and very smart and wise in planning your first outdoor show, etc.. You have helped many and given great advice for a new-comer on the circuit.
And, as far as a table goes inside your tent, I think Charlotte gave you good advice. But, I would try to avoid even having a table inside the tent. IF there is room to have it outside the tent on the side, etc. then do that. I put mine on the side outside the canopy that I have and when a sale comes, at times I jokingly tell them to step into my office.
I could write forever about the outdoor art shows. Gads.
:)Sandy


Helen Beacham
via fineartviews.com
How well I remember first starting outdoor shows. I'd suggest one item to your list of supplies: a propane lantern. I hang it from the highest part of my tent with wire. I fashion a "shield" out of cardboard wrapped with foil and insert it above the lantern, behind the tent "spine" that holds up the roof (with the foil part facing down). I punch two holes into the cardboard (ahead of time) and insert wire which I also tie to the spine to hold it in place in case of wind. This lantern serves as light (which reflects off the aluminum) and as heat on cold days. I also agree with your mentor that your tent looks too clean (and by that I mean too blue). I have canvas panels that I hang my paintings from with drapery hooks (which keeps the paintings straighter, especially if you use 2). I've "washed" the canvas panels with diluted warmly-colored acrylic paint that I kind of dripped on and scrubbed on in an alfresco fashion. Feels like you're in a cocoon inside the tent and it glows when the sun shines. I like the T-shirt idea a lot. Good job on just starting out and good luck on your next one!
Moshe Mikanovsky
via fineartviews.com
Wow!! So many great comments! thank you everyone, I would write each name but to keep it short, I would just keep it to "everyone"! I do appreciate all the kind words and advice. And I do feel like I got so many new friends here.

One thing I reminded myself throughout the show, especially at the last hour, when a new visitor came into the booth, I told myself "treat him/her the same exact way you did with the first person that came in. Smile, welcome them, strike a conversation on the art, be helpful, don't expect them to buy, and just enjoy it". And that's what I just did.

It is also encouraging to hear that art festivals (yes, I just learned that couple of days ago, that I actually participated in a festival, not a fair. An art fair has galleries represented. An art festival has individual artists) do work!

And Sandy, I was born by the late 70s! :-) Actually, 1971 to be more exact.

Cheers
Moshe


Jan
via fineartviews.com
I have had the same experience as you at the last three art fairs that I have participated in. I really think that a lot of it is due to the economy - people are really afraid to spend for anything that might be considered trivial or non-essential. I found that this was also true when I participate as a member of an art group in the Cary, NC Lazy Days festival. This is one of the largest arts and crafts festivals in the south, drawing over 100,000 people in 2 days. There was a lot of looking and not a lot of buying. People from booths around us said the same thing.

I think it's time to look at marketing in a different light, to hit the internet more - people are traveling less, but internet usage is on an upward trend. My art group is now looking at exhibiting at local restaurants and local government buildings. Art just doesn't seem to be in the mainstream consciousness as much as it used to be. So our job now is to make people see art as needed and necessary.
Sandy Askey-Adams
via fineartviews.com
LOL Moshe...1971...I wondered if I would get a comment out of you about that.

I do not think the outdoor art shows are going to go out of style for quite a long time. It is still one of the best ways of getting our art work out there to the public, AND the public knows that. They look for the shows and like to know when those shows are coming up. They want to be contacted about them. At least the majority does. While doing the art shows, I always have people thank me for sending them the notices about the shows. ALWAYS. The economy is slow right now, but they are still buying art work. Maybe it is one piece rather than two or three at a time, and maybe it is smaller and not as high priced. Sometimes, there will still be those who can afford that larger, more expensive painting too. The outdoor art shows also build a bridge to any art galleries you might be exhibiting your work. They will then go there and buy too.

BTW, There are also benefit art shows that you can try to get your work into..each artist is first juried. They accept so many artists. They are usually held by schools, colleges, charity places, etc..and they are very popular. They have receptions and the work hangs for a week or two depending upon the charity event. There can be 100 or more artists participating in the show. Each artist is told how many painting to submit in a particular size..for instance, 4 main peices and 5 or 6 miniatures and then a portfolio bin of maybe up to 15 pieces. As for sales, a low percentage goes to the benefit which may be about 30 percent or 35 percent.
Not the same as the outdoor shows, but it is another way of getting the work out there to the public.

Yes, I agree, of course, that art is needed. The following is something I often include as a reminder to my clients on my art show notices...Don't remember where I first read it. I have changed it around a bit.

"Art has communicative and healing powers. It is always pleasurable to walk into a room and 'feel' a connection, have a 'feel good' experience when seeing a beautiful original painting hanging on a wall. It may be a peaceful, blissful feeling and uplifting whatever the subject matter, style or medium.
Perhaps it stirs good time memories of a time and place you know. It will also complete the mood and add life to a room. It is always nice when guests come for a visit and see your special art work. It certainly can make a wonderful conversation opening."

:)Sandy

Sandy Askey-Adams
via fineartviews.com
Here Goes again....

Some web sites to see Display systems/Panels for hanging your art work at an art show.

http://www.armstrongproducts.com

http://www.graphicdisplaysystems.com
If you need the name of the place that makes panel covering for this system, let me know. I have their web site too. Just do not have it in front of me right now.

AND the place I got my latest canopy from with skylights and awnings in different sizes.

http://www.flourish.com

:)Sandy
Moshe Mikanovsky
via fineartviews.com
Thank you Sandy for the invaluable info. As it was my first show, I didn't even know if I like it, and if I will want to do it again in the future, and I had a limited budget. I guess the recession doesn't pass on us purchasing equipment and thinking twice about it...
I don't think that my art didn't sell because of the display system. Maybe it "helped" people to think I am not as professional as they would like me to be... but, like I will write in my next post, I have seen many different hanging systems, lots of them are made-in-home-depot, and many of the artists who used them, did sell quite a bit...

In any case, it will be wonderful to have it all professionally done... hopefully sooner than later. :-)

Cheers
Moshe
Moshe Mikanovsky
via fineartviews.com
Hmm, did I forget something about 1971? ;-)
Like I say, its never too late to start living your dream...! and I am refering to myself here :-)
Sharon Weaver
via fineartviews.com
Many artists are very successful with theses shows but as you now know they are a lot of work. Evaluating the pros and cons can help to decide if and how many of the outside art shows you want to do.

Sandy Askey-Adams
via fineartviews.com
Oh Moshe,
I agree with you about making sure you will want to continue to do the art shows before purchasing all the better equipment. I still believe a professional looking display helps sales.

It is hard to tell in this economy what is going to happen right now. But, I have already seen at the shows so far this year and last year when the economy began to sink, that people are still buying art work.
FIRST TIME Starting to do the outdoor art shows right now is scary. It is like opening a brand new business downtown and not knowing what is going to happen becauses of the economy.
But, I still think you are off to a good start with all the knowledge you have already collected and experienced.

Just so you know....There are shows that JURY your set up too (besides your art) which includes the look of your display system and canopy. Do keep that in mind. You will eventually need the right panels, the right look to get into those type of juried shows. Those are usually the shows with the biggest crowds and the most sales also... Hmmm, and the highest entry fees. AND very, very professional looking display systems. You will not find home depot stuff there.

You can do well at local small shows that are not jurying your set up though. They have far lower entry fees and are more festival like with some even having kid rides, music, etc... and they often attract the whole town.
Some of the artists I know are doing many of those type of shows right now because of the economy. I just did one last weekend. They are not as high as an investment as far as entry fees go and gas fees, hotel fees, food fees, etc..(Travel expensives). They are usually only one day too.
However, the weekend before, I had done one of the largest and the oldest outdoor art show in the U.S. at Rittenhouse Square in Philadelphia. It is high professional, juried work and displays. Tough show to get into. That display system means a lot in the jurying too. Points are deducted if not right and those points that are deducted can keep you out of the show.
(I have also helped jury outdoor art shows.)

Anyway, best of luck to you. Do not be discouraged. You have great work and people will buy it. You just have to hit the right market. Remember that you are starting this with a bad economy...although I say too..people are still buying, but thinking twice.

:)Sandy


Marilyn Gilis
via fineartviews.com
All kinds of art displays are acceptable. Whatever is comfortable for you. People will give all sorts of excuses for not selling. I always got lots of compliments and people asking me to donate my work for various causes.
Don't get too wrapped up in why you didn't sell anything. Just keep moving forward and putting your art out there until you find the "right" audience (collectors).
Sandy Askey-Adams
via fineartviews.com
I have to disagree with all kind of displays being acceptable at the shows.
Those "all kind of displays that are acceptable" ARE NOT all acceptable at highly regarded Fine Art Juried Shows. It depends upon the art show and the jurying system.
Granted, if one has very good work that is appealing, they could hang it on barb wire and it would probably still sell.
It is just that in many of the better outdoor art shows, the organizers of those shows usually want and expect a consistent professional looking show throughout.
A poor looking display will keep you out of a juried art show.
:)Sandy
Joanne Benson
via fineartviews.com
Thank you Moshe (and Sandy) for all the great information. Moshe, I love your checklist and downloaded it in case I need it in the future! Sorry you didn't make any sales. I'm sure they will come soon enough!
Joy Neasley
via fineartviews.com
This sounded like an adventure as much as an artshow. I enjoyed the article and between both articles they seem very helpful and informative. About those rust stains. check it out on the internet first, but I do believe that if you soak the tent overnight in a mixture of water and distilled vinegar, they should come out.
Trish Booth
via fineartviews.com
It is true about the "hidden treasure." My husband and I have a small gallery in the front two rooms of our home, here on the High Road in New Mexico. We have plenty of work on the walls but the first thing the gallery visitors do is head for the card boxes or the print bin. They love to put hands on and flip through things themselves. My next goal is to make a lot of smaller pieces that they can sort through, both to provide the "hands on" experience, as well as to stack work in front of other work to enhance the "discovery" experience.
Jill Banks
via fineartviews.com
I use the hidden treasure idea often. It seems that art collectors are like hunters. They enjoy the experience of discovering something ... in a bin, "hidden" way up high, just leaning (instead of hanging) on the ground in an art festival. They realize they have to look everywhere for the piece they need to take home.

Such great information in this post and the comments. Thank you1

Phyllis Tarlow
via fineartviews.com
Wanted to suggest that you look into indoor holiday shows at Jewish synagogues and temples. I did one a few years ago and although I didn't sell well, a dealer from Israel who had Jewish related art work both framed and matted in bins was selling like hot cakes. The nice thing about indoor shows is that you don't have to worry about the weather except if you have a snowstorm and no one can get there.

Marilyn Gilis
via fineartviews.com
All the wonderful advice about displays, etc from the seasoned artists is something to keep in mind if you choose to continue to do art fairs.
Juried shows are another matter and they usually set the parameters for how things should be displayed during their shows.


Trish Booth
via fineartviews.com
For juried shows, FOLLOW THEIR RULES. There is nothing more important than offering your very best work and following every rule exactly.

Do not be disappointed if you do not get in, try and try again.

Even if there is a theme, there is no way to second-guess a jury, (and realize that jurors change from year to year and show to show) and NEVER TAKE IT PERSONALLY if you don't get in.

Size up your own work and if it really is good enough--keep trying. You will get in a show.
Sandy Askey-Adams
via fineartviews.com
Hi..
Just wanted to mention weights for holding down a tent in bad and/or windy weather.
Carol Schmauder had mentioned about weights as to whether or not she would need them and asked if the holes for staking into the ground at the bottom of her tent set up would be enough. (whew, long sentence.)
It is best to have weights on each corner of the tent/canopy. I use both methods at times when the weather is suppose to be especially bad. Just staking into the ground is not always enough because the ground can get saturated and the staking might come up out of the ground. However, if you do stake, buy the curved or twisted (curly like) pegs to go into the ground. NOT THE STRAIGHT.

BTW, most shows are rain or shine and you are expected to be there, especially the larger juried shows. If you are not there, you stand a chance of never being in the show again. Sometimes an organizer will call a show if the weather is especially seriously bad and dangerous. (Lightning/thunderstorms. The police at a local art show last week that I was in shut down the show due to lightning. That was a first that the police got involved. Safety issue.)

Anyway, back to the weights....you can make your own weights also. Maybe that was already covered somewhere and I missed it.
My husband (Rick) and I bought long white tubing at home depot. Cut it to the size we wanted, then mixed up cement and poured it into the tubing with an open rounded hook inserted at the top before the cement set. We then put a rope or tie through the hook and connect it to bungee cords that then go to the top of the tent in each corner. The heavy tubing hangs down with the tube bottom touching the ground. They might be about 2 feet high or long.
Hope I explained all that right.
Some exhibitors use cement blocks too.

Awnings that come with tents work really well also when it is raining. They help prevent the rain from coming straight into the front opening of the canopy. People can stand under the awning also when it is raining. Just tell them to please put down their umbrellas before entering the tent. They do not realize that just one drop of rain can fall onto art work and ruin it. Funny thing... when it is raining, people will rush to get under those protective tents and end up looking at the art work.
There are canopies that have doors too for protection from the rain. You put the front side down and zip up an opened doorway for entering while protecting both front side corners.
Be careful of the sun on art work that is especially under glass. Condensation forms.

Hope at least some of the above is helpful.

:)Sandy

Sandy Askey-Adams
via fineartviews.com
Pricing your work at an art show....

I think someone had said that you need to price your work really low to sell at an art show. NO YOU DO NOT. Although your prices have to follow the market and be reasonable. (You are paying entry fees and other expenses...possibly room and board,,,.traveling, etc..)
I am not sure what was meant when stated 'really low' ...but, be careful when you price your work.
Look around to get an idea of what others are pricing their work for that might be similar to yours. I think you said you did do that.
You will get other exhibitors angry if you price your work really low...or too low...or undercut the other exhibitors.
Do you want to do that? Do you want to get that kind of reputation? Do you want other artists or exhibitors to see you coming to set up beside them and them think..."Oh No, I hate to be set up next to that person because they undercut their prices."
Use integrity when pricing your work.
Check out the market. You know the cost of your supplies also. Don't give your work away either. ALSO, If you start out too low, and the cutomers get use to those prices, they will protest if you find that you need to raise those prices. Too low is too low. Respect your work and your time and price it accordingly.
Sure, maybe you cannot expect to get the price of a seasoned artist who has been doing the show(s) for many years, but you do not have to give your work away or price it too low to sell. People recognize why some art is priced at a higher price also.
AND the same size does not have to be the same price. Some say it does. No, it does not always. There are some cases where it does not. Although, often a particular size is priced around the same price.

Remember...You do not have to price your work really low to sell at an outdoor art show, unless you want to cut corners or give it away and lose out in the long run.
BUT, always, always Examine and re-examine the quality of your work and put the best out there.
One bad piece can bring the whole look of the display down. Like one rotten potato can destroy a whole bag.
You can give discounts though to people who have bought before.
AND with the way the economy has been, you can think of clever reasons or ways to give discounts besides to those who have bought before. Be careful here too though.

I guess I have gone on far too much. Sorry.
Just trying to be helpful.

:)Sandy



Michael Cardosa
via fineartviews.com
Moshe,

Thanks for sharing both sides of your art show experiences. I'm sorry to hear that you had no sales but as many people have said here venue is very important for this type of show. Thanks for all the tips.

Michael

Jeremy Browne
via fineartviews.com
Hey Moshe,
Great article(s), and thanks from everyone for taking the time to write these. I wanted to give you a heads up on a few shows in the area you might be interested in... may be past the dead-line this year, but think about them for next year.

July - Toronto Outdoor Art Exhibition
August - Oakville Art in the Park (just a one day show)
September - Cabbagetown
September - Queen West Art Crawl

Not sure how many you are thinking of doing, but I thought you might want to look at these ones. If you are questioning your pricing, there was a blog a few months back with regards to this topic, and I would definitely read it, a lot of good ideas on this, especially on the "size and price" question... you will see where I stand, and where other artist stands and most of us explain why we fall on one side or the other. The only thing I can say (don't really want to open this topic up in your tread) is don't underprice your work, if you need to hit a lower price point, paint smaller... just a thought.

Best Regards,
Jeremy
Carol Schmauder
via fineartviews.com
Thanks for the instruction on the weights, Sandy. The rest of your post reminds me of the first outdoor show I was in. My booth at that time consisted of three walls with a canopy that was like a room. It rained buckets off and on the first day and people crammed into my booth to escape the downpours. There were so many people in the booth no one could see anything. We all survived and I had decent sales that weekend.

Sandy Askey-Adams
via fineartviews.com
Good morning Moshe:

So glad Jeremy emphasized the price part again. I think most artists agree that you do not want to underprice your work.

It is true that many artists are painting smaller so they can price lower which still means according to the size of the work for the outdoor art shows.
Painting smaller does not mean putting those "really low" prices on your work either.
Think reasonable.

:)Sandy


Sandy Askey-Adams
via fineartviews.com
You are welcome Carol.
Because it is elongated in a tube, it is easier to carry and manage. They can fit nicely under the seat in a van, especially if using one of the regular large vans.
Many artists use that type of weight system.

Carol, I have experienced that scenario you mentioned many times. Too many times with the weather. LOL
People do buy in the rain. Maybe a panic sets in or something...like at the end of an art show when you start dismantling your display. People suddenly appear or run up to your booth saying wait, I want that painting!! But, we do love that and are most obliging.
Then, of course, there are those who wait for the end of the show hoping they can get you down in price.

Thank you Moshe for sharing your art show from beginning to end.
It is a topic that many can learn from.
Thanks everyone for sharing. It is all so interesting hearing what others have to say about the outdoor shows.

Happy painting, Happy and great sales everyone!

:)Sandy
Moshe Mikanovsky
via fineartviews.com
Thank you again for all the additional comments.
Regarding prices - I didn't mention it on my list, but it might have been a reason, although I don't think my art was overpriced at all, nor did I have only high-ticket paintings. I had 4 different paintings sizes, starting at $75...

Thank you Jeremy for the shows list. I am preparing a list of GTA shows, so I will probably put it on my blog one day...

Cheers everyone, and have a wonderful weekend!
Moshe
Donna Robillard
via fineartviews.com
I enjoyed so much reading about your experience at the art festival, and all the insights and suggestions you shared. Thank you very much.

max hulse
via fineartviews.com
Moshe good article as a follow up to your
first and very fine article.

Shows are necessary to get your name and your
art known, but they are a lot of work, and it
is such a downer to work hard, keep smiling,
remain optimistic and yet sell nothing. All
of us have been there and it is no fun, but
it is the price that must be paid by most of us.

Max Hulse
Maureen Sharkey
via fineartviews.com
Thanks for the great info!

My first art fair is this August. They are supplying the tent. I have to figure out a way to hang my art up. I see you found some wire grid. I guess you hung it on the metal of tent support? I guess I could get that grid at a big hardware store, and figure out how to hang my paintings on it--I guess some kind of hooks--'s' hooks?

Also---if I get a nibble, I don't have a wireless little gizmo to take orders for giclee's with pay pal. Well, I have some time til August to figure that out. Maybe take their order down, go home and complete it on the internet, deliver art later. Or just get their phone number to call them later and get their credit card number over the phone.

Yes, I have the -before the show optimism- but I won't count my chickens before they hatch. I don't really expect to see anything, but I will be making a step in the right direction.
Jennifer Moore
via fineartviews.com
Moshe, thanks so much for sharing your experience! I'm sorry you did not have any sales, but when one is just starting out, that's fairly normal. I have been doing shows (mostly handmade, but also photography) for several years, and it's a real mixed bag.

There are other benefits to doing shows. You said people are enthusiastic about your work, which is great news! At least you know the market is there for your work (which, by the way, is lovely.)

I thought your display was very nice-looking, and I appreciate you going into detail about that. As I am also operating on a shoestring, my own displays are in transition. I can do a lot better, and I will over time.

I wish you much luck going forward! Always do a cost/benefit analysis for every show. There may be some shows where you do well financially, but there are so many headaches that it's ultimately not worth it. There may be others where you don't sell as much, but the experience is so positive it ends up in your yearly schedule. It's up to you do decide what kind of a return you're looking for.

Cheers!
Jennifer Moore
JenniferLynn Productions, LLC









 

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