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Developing Your Individual Style

by Lori Woodward on 6/9/2010 9:57:26 AM

Today's Post is by Lori Woodward, Regular contributing writer for FineArtViews. She is also a contributing editor for American Artist's Watercolor and Workshop magazines and she writes "The Artist's Life" blog on American Artists' Forum. Lori is a member of The Putney Painters, an invitational group that paints under the direction of Richard Schmid and Nancy Guzik.  Find out how you can be a guest author. 



I was going to write about art advertising this week, but as I was looking at a site called Art Renewal Org, I was hit with the realization that before we spend big bucks on ads and competitions, we artists need to feel both passionate and confident about the style and subject matter we choose.

Know Who You Are

The main idea that hit me -- there's no sense in building a body of work that satisfies another person's or group's passion. I was talking to another artist recently, who has been bewildered by  taking a variety of classes with teachers who steered her in opposite directions. Now, there's nothing wrong with following a style of painting that a certain teacher advocates - as long as you adore that style.

We artists might be happier if we take time to find out who we are, what we love and journey down the path that will bring us the most satisfaction. I like to work somewhat realistically, and my favorite types of paintings are landscapes. I am able to paint portraiture and still life well too, but in order to be really happy as an artist, I might as well develop my skills in the area of subject matter that gives me the most joy, and work with my tools in a way that feeds who I am.

Be Who You Are


I have friends who paint abstractly. Nothing wrong with that!!! I admire artists who can intuitively create an intriguing abstract composition out of their head. In fact, there are lots of styles of art that I admire - I don't necessarily believe that there is only one school of valuable art. BUT, when it comes to my painting, I don't enjoy abstract or impressionistic painting as much as I do rendering details. I actually get bored working abstractly, while some of my friends would end up in the loony bin if they were forced to paint in the detailed style that I enjoy.

We're all different, and that's what makes art so much fun. For every kind of art, there is a collector. What I'm saying  here is find out who you are as an artist, and try not to let others tell you what style you "need" to paint in. If you like using a small brush, by all means - use it. You are not a artistic sociopath if you like whittling away at details. The opposite is also true. If you abhor detail and must attack the canvas with a house- painting brush, go for it!

Sometimes, although not always, the easiest way to find out who you are or will be as an artist is to find out what kind of art you love to look at. Your tastes will probably change throughout the years, but knowing what speaks to you deeply is a great place to start. I regularly look through art magazines and tear out pages of work that stops me in my tracks.

For Every Type of Art, There are Collectors

It's important not to let negative or judgmental thoughts creep in while you're investigating your likes and dislikes. Often, while looking at artwork, internal thoughts like, "but people aren't buying that style now a days", or "I could make more money if I just painted like 'so and so'". This kind of thinking may lead to increased sales, but not to contentment, and if an artist isn't happy with his or her process -- why be an artist at all?  Even commercial and portrait artists can develop their own style.

You can't please everyone anyway, so ignore all the worrisome thoughts that push you this way and that, and concentrate on what delights you. When you're sure of what that is, pursue it with all the energy you've got. Learn from masters of that style - past and present. Then when you've got a growing skill set, you're ready to develop  your own statement and way of working. Something that is truly yours and will be recognized as your work even from across the room in a gallery. Remember, collectors like to see a thread of continuity throughout  your body of work.

So next time you are wanting to follow your natural bent, ignore fleeting and worrisome thoughts that hold you back from doing that. We are artists, not trend chasers. It's entirely possible to make a living with any style of work, so why not let your individual preferences drive your work, not fads? You'll definitely be happier and most likely more successful in the long run.


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 61 Comments

Karen Winters
via fineartviews.com
When I paint with other plein air painters, I am always amazed to see the variety of interpretations, even when we are painting the exact same subject matter and sometimes even the same scene. Variety of interpretation is a wonderful thing - to our own selves be true - and let the collectors match up with what rings true to them.
Sarah Lacy
via fineartviews.com
Thank you, Lori. This is exactly what I needed to read this morning.

After recently admitting to myself that, yep, realistic art is what I *really* love, I've suddenly had a rash of people tell me that I should really be painting abstract art. I was feeling silly for not really liking to work abstract - just not my thing.

Thanks for the reassurance that I'm allowed to like whatever I like, and that's just fine.

Sue Martin
via fineartviews.com
Lori, thanks so much for posting this advice! I think it takes a long time for an artist to find his/her voice in the form of style/subject matter. It is definitely an exercise in self-exploration. I constantly ask myself why I paint what I do in the style (I think) I like best. The bottom line - I'm still not sure. I'm still exploring but beginning to focus. I constantly remind myself that, as frustrating as the journey is at times, it is as important as the destination.

Michael Cardosa
via fineartviews.com
Lori,

Thanks again. Another good one that I think will generate a large number of comments.

Just to point to examples look at three artists who are landscape painters that are COMPLETELY different in their approaches to their composition, style, marketing, etc. and are all very successful, Wolf Kahn, Richard Schmid and Thomas Kinkade. I'm not looking to start a debate about the three, I just want to point out that each of them is very different and each has a market and collectors that they sell to on a regular basis. It would be hard to tell one of them that their approach is wrong just because they don't work like the others.

As you point out, there are plenty of collectors out there and it's our job as artists to identify the ones who like and appreciate our work.

Michael


Jill Banks
via fineartviews.com
Thanks, Lori for another great article. I've talked to a lot of people over the years about my paintings. Most appreciate it as is. (I love that.) A few want to influence subject matter or style. I'm going to continue to paint what I love ... the way that I love to paint. I need to! Just curious, what about looking at the Art Renewal site caused you to write the article?

Gina Buzby
via fineartviews.com
Great article and very helpful. I'm still trying to find my "style". I love painting in too many different ways.


Martha Inman Lorch
via fineartviews.com
Excellent post, Lori. As I visit galleries and museums, I'm very encouraged by the breadth of styles and approaches to art - from the intuitive abstract to the photorealistic. There's a spot on that continuum for all of us, regardless of our mode of artistic expression.
Marilyn Gilis
via fineartviews.com
Great article! I tend more towards abstract than fine details. I love looking at detailed paintings.
Recently I decided to paint subjects that I really like.
Jill Banks
via fineartviews.com
In a recent workshop I took, the instructor told us to really figure out why we're dying to paint a particular painting ... is it the subject matter, color combination, the beauty in the reflected light, or the rhythm of the light. Such a thought-provoking idea. It made me think harder about each painting I choose to create. I have to be dying to paint it! What a great motivator.

Esther J. Williams
via fineartviews.com
Lori, your statement, "So next time you are wanting to follow your natural bent, ignore fleeting and worrisome thoughts that hold you back from doing that." says it all in a nutshell.
Here's my advice, You have got to believe in yourself and follow that vision. Put all of your emotion and imagination into your vision, the rest just flows outward. Do not fear who you are as an artist, have the courage to chase your dreams.

Lori Woodward
via fineartviews.com
Thanks everyone for the feedback. Sarah, don't let anyone steer you in a direction away from your heart. If you change styles someday because you're wanting to, then that's different.

Jill, I was looking over paintings by Alfred Thompson Bricher, one of my favorite 19th century paintings, and I got so motivated to paint that I could hardly stand it.

Then those doubtful thoughts started creeping in. "Has been done before", "it won't go with more contemporary decor", "Is there really a market for this type of art today?", "What will Richard think?" etc...

Then I got a hold of myself and wrote the post. I identify with old style painting, and add my own interpretation to it... and that's that!

Lori Woodward
via fineartviews.com
Esther, well said! Love what you wrote.

I'll check back later for comments - am wanting to finish a painting of a river scene. ;-)

Tuva Stephens
via fineartviews.com
Lori,
I agree with you on "finding" the artist within you. After I have workshops with artists known for their style of painting, I go through a period of confusion and I have to find my way back to myself. When I receive feedback from the public, I know when I am on track with my work. What is it when you sell a work and you wish you still had it for yourself? I hate that feeling and no amount of money seems to sooth the loss. I guess it means I love my work because I share my heart with each piece. When people say they empathize with the people in my portraits or they have goose bumps, I feel so fulfilled. Well, back to trying to finishing a portrait today.
Trying to get back on track!
Tuva

Dianne Lanning
via fineartviews.com
I am so glad you changed your mind about what to write. This was a very helpful article. I had gradually come around to thinking this way just through age and experience, OK mostly age, but it's good to see it expressed more clearly and understandably than just through instinct.
I am mostly self-taught, but I find my "style" is what happens when the paint hits the canvas, so to speak. When I see something completely different in style but that appeals to me, I too tear out the picture. I find that if I try to do it too, it frequently is a mess, but I learn a lot and it enriches my own work when I go back to it.

Thanks for this very encouraging article!
Carol Schmauder
via fineartviews.com
Hi Lori. I am a person who truly enjoys many styles of art, if it is well done, and I like to paint different things as well. My Shattered Reality series has been popular, and I love to paint them, however sometimes I enjoy painting traditional paintings. Abstract intrigues me also. What's a girl to do when she can't make up her mind? No answer required. Thanks for this great article.

Lori Woodward
via fineartviews.com
Carol, I decided to answer your comment anyway ;-)

Some of us love variety, and can't help ourselves. If you sell your art, it means having to market more than one body of work. However, if that's who you are, then go for it.


Marilyn Gilis
via fineartviews.com
Thanks Lri for replying and putting out examples of doubtful thoughts. I had ideas recently of paintings to do but the thought "it's already been done" seemed to put the brakes on. I really like things to be unique so I didn't recognize that as a doubtful thought.
Charlotte Herczfeld
via fineartviews.com
Lori, I'm too grateful for your writing about this topic. Sometimes I wonder if I should stop listening to my own drummer, and instead do what everybody else does. I'm slowly getting better at my chosen method of painting, but I know that quite a few people in the artworld are not thrilled by it. "Everybody" (same people as "they")says that in order to build a career one needs the respect of one's collegues, and to win awards in international shows. What's on the resume is important, they say. And my painting style is never considered in competitions.

But, then sanity returns, and I realize I can't change style. I have to follow my muse, and paint bright colours and brilliant light. If one of my paintings find a new home and sits on a wall making the owner just a little bit happier, then I'm content. I sell because I need to live and get supplies, but it is the delight in people's eyes that really warms my heart.



Lori Woodward
via fineartviews.com
Charlotte, I just took a look at your website - don't you dare stop using color the way you do! Your work is unique and well composed.

The number of collectors who like more contemporary and colorful work is growing rapidly. Some traditional art dealers are now adding contemporary and even abstract lines of art to their shows, and guess what? These are selling just as well as the 19th century works.

It seems that for the first time in history, there is a huge variety of "what's in" for art, music, and even decorating. People are less likely to go with the majority when defining their own tastes. This is great because it makes the world much more interesting.

Charlotte Herczfeld
via fineartviews.com
Oh, Lori, thank you so very much! Coming from you, it means the world to me. Especially for the word about composition, I'm working hard on trying to grasp it.

Oh yes, it is the variety of all kinds of art that delight, and you make an interesting point. Now that you say it, I can see it has started to happen in my nook of the world too. I've always admired the great variety of choice you Americans have. Seems it is rubbing off on Scandinavians too!

You write great articles, and you're a wonderful person, Lori. Thank you.





Nina Whidden
via fineartviews.com
Lori, What you wrote here is very true. There are many artists, both past and present, whom I admire. I enjoy and appreciate a variety of styles and techniques, but I cannot imitate them as it feels unnatural and forced. I learned a long time ago the importance of creating art that speaks to me. My style is just as much a part of me as my handwriting. That is not to say I can't learn from someone who's style is different. I can, but it is always filtered to what fits me, as I am sure it is with many artists.

Carol Schmauder
via fineartviews.com
Lori, thanks for your reply. I do sell from both bodies of work. Not as much as I'd like to, but I sell none the less. I'm grateful whenever I sell a painting or a print.

Nithya Swaminathan
via fineartviews.com
It took me a while to realize that art to me falls broadly into 3 categories - (1) one that appeals to me immensely, stuff that I would hang in an instant but do NOT see myself doing one in that style. (2) style that appeals to me and also the direction in which I see myself/my work in future and (3) style that does not appeal to me at all. With option 3 being out of the question as I don't want to do some work that I do not personally like, I have had a tough time choosing between 1 and 2. Extremely detailed realism as well as abstracts fall into category 1 for me. I admire artists who do type 1 work, and get inspired by artists who do type 2 work. I have a long way to go in any case.

I was pursuing realism but was always very discouraged seeing the works of outstanding realists. Always bogged down by self doubt on whether I can do that well ever in my life. I used to fall in love with a lot of abstracts, and whine endlessly that I cannot for the life of me paint without a reference, completely from imagination. I now paint in a loosely realistic style with a lot of texture, and I love it. I have a hard time fighting all the self doubts, but have decided to anyway and just focus on what excites me.

My preference of subject matter was also discovered accidentally. I chickened out from painting flowers because I don't have a delicate hand and had decided in my mind that I cannot render them delicately as other artists. My husband pointed out to me that if everyone rendered the subject in the same way the fun was lost. I did give it a shot and I now almost exclusively do florals with a lot of texture. Far from delicate, but what's important to me is they look consistent seen together. I might have just found my style! Or it has found me! :)

Excuse me for the page long comment, I might as well have blogged it! :) Thank you for the greatly encouraging article Lori.

David Forks
via fineartviews.com
Lori,

I agree for the most part. Paint what you love but I also believe, at least in my case, to continue to develop as an artist I must push myself to paint different subjects and in different ways. Every style has something that can be pulled and stored from it. I learn from everything I look regardless of amount of detail or style. I would love to be able to paint a very realistic cow with a single brushstroke. It is that pursuit that keeps me hunting styles and techniques and continually modifying my own approach to a painting.

I love your writing, keep it up.

Lori Woodward
via fineartviews.com
David, I hear ya! Believe it or not, I want to paint realistically with few brushstrokes.

I have marveled while watching Schmid paint a life-like flower with 4 or 5 strokes. However, he sat and mixed color and filled his brush over the course of several minutes for each stroke.

Thanks for saying this because it reminds me to think longer before putting the brush to canvas. I'm more apt to daub the painting to death.

Joanne Benson
via fineartviews.com
Hi Lori,
Excellent post! I am still searching for my individual style. Friends and fellow artists tell me I have a style but I do so enjoy dabbling in different media that is is hard for me to stay focused on one thing......too many things to paint and too little time.....However, I totally agree, you have to follow your joy! Thanks for sharing all your wisdom and encouragement!
Diane Hutchinson
via fineartviews.com
You are absolutely right, Lori. As one of my favorite artists once said, "Paint what you love and love what you paint". That was Will Behler.

Kathy Jurek
via fineartviews.com
Lori,

I always look forward to reading your articles and your wise insight. This one is timely and very affirming as I recently came to a similar conclusion for myself.

Angela Sullivan
via fineartviews.com
Thank you for posting this. I enjoyed this article. I remember when I entered an art competition I was ask about my style. I didn't even know what they were talking about. Now as I have painted more and more I can see my style emerging. I paint daily and have for a year. I can look back on my previous works and can definetly tell a big difference.
Lee McVey
via fineartviews.com
I enjoyed your article, Lori. Earlier on in my painting career, various painting teachers told me to be more painterly, loosen up. But I wanted realism with detail. As the years passed, I did start to loosen up, but it came with more understanding of the art principles and elements. It was a natural evolution. My paintings are still quite detailed compared to many other artists, but much more painterly than when I started.

I tear out magazine images of paintings which inspire me, too. Sometimes, I will tear out one because I love the composition of the subject matter, even though the method of handling paint may not appeal so much.

Ned Mueller
via fineartviews.com
Thanks for the great article. I have been painting for over 55 years and certainly have developed "a style" as most of my artist friends tell me. I paint in a traditional/impressionistic manner due largely because that is the kind of work I love the most. My doubts have come in the manner that, sure I have my own style, but it is quite similar to many others and not really unique like some artists. I have pretty much accepted all of that, but still envy those that have a particular strong style and done in a very "mature" manner. I also teach and well aware that one cannot really teach the "art" or style part, and so concentrate on teaching the principles of painting which usually applies to whatever style one works in. As a tdraditional painter, I think in an "abstract way" when I am getting ideas, doing studies and blocking in each work and then carry it forward with a more traditional/impressionistic style. It is a big, wonderful world of unique individuals and to have faith, confidence and trust in oneself comes easier for some than for others for all sorts of reasons.

Teddy Jackson
via fineartviews.com
Lori:
What a great article!!! Thanks for reminding us to follow our heart. Sharing our passion is the gift and the responsibility of all who call themselves "artist".
Like Tuva, I have sold pieces of artwork that will always live in my memory. I am honored that someone else enjoyed my view of the world enough to purchase it. I recognize that they love the work for their own unique reason, which is different than the reason I was compelled to create the artwork.
I love so many different types of art but I am most drawn to realism, landscapes, and equine art.
I shall continue to fine tune the tools of the trade, while appreciating who I am and creating what I enjoy most.
Thanks again for your encouraging and inspiring writings.
Teddy
Tuva Stephens
via fineartviews.com
Ned,
I really liked your comment. I relate to your quote, "have faith, confidence, and trust". I would like to add "determination" in your art journey whomever you are.


Tuva Stephens
via fineartviews.com
Teddy,
I also appreciated your comment about "Sharing our passion is a gift" and I think that is why we have such an attachment to certain works. I am always in awe when someone purchases a painting of a portrait of a stranger. It is like that painting touched them in a personal way.

Tuva Stephens
via fineartviews.com
Ned,
Your expertise of painting for 55 years id remarkable. I especially like your portrait of Jasmine and your seascapes are wonderful!

Jill Banks
via fineartviews.com
Tuva,
Your paintings are terrific. I love your portraits! (That's a passion of mine, too.) I'm amazed also when someone purchases a portrait of a stranger. They are so intrigued with figuring out that person's life story. I tell them as little as possible so they can form their own thoughts/relationship with the subject.

Kim
via fineartviews.com
This is exactly what artists need to hear, as there is *a lot* of pressure to bend one's self to this or that exemplar, coming from proponents of both abstraction and classical art, and I find it can be very demoralizing. I've often thought I should do this or that, paint this type of content or that, but I always conclude that if I don't feel passionately about it, it simply wouldn't work. I do what I do, and let the chips fall where they may.
Tuva Stephens
via fineartviews.com
Kim,
Do your thing, your own way and let the chips fly! Be fearless with an attitude that you are being true to yourself! "Art is fickle." Don't try to paint or be like anyone else.


Tuva Stephens
via fineartviews.com
Jill,
Thanks so much! Your work is beautiful!

Joan Jonas Jakonic
via fineartviews.com
With ref. to Sarah worrying about style..abstract or not. All painting is abstract because it is impossible to render 3 dimensions on a 2 dimensional surface with paint. I always call work figuritive or nonfiguritive accordingly. So Sarah go ahead and paint and enjoy. Then make a choice on the most apt catogorie for your work. Your painting will always be abstract. It is about paint not necessarily the subject. Joan.




Kim
via fineartviews.com
Tuva, thanks! I just keep focused and keep working!

Interesting point, Joan. I myself have come to think of the distinctions as 'objective/representational' and 'nonobjective/nonrepresentational,' rather than abstraction and realism. The former terms encompass a pretty wide range of styles and techniques, I think.

Adelaide
via fineartviews.com
To Lori,
Thank you so much for this great article Developing Your Individual Style. I have been a painter for years and if I go a day without some kind of creating, I feel my day has been wasted. I sometimes get caught up in peoples opinions about my work and I feel I should pleased them, I am not talking about people that would buy my work but people like the gallery director where I have my work, my daughter, my husband, or friends.
Your wonderful article brought me back to the real reason I paint to please me, and when I do my work seems to take on a life of it's own, most likely because I am really enjoying myself. Of course if it is a commission piece then I feel you need to satisfy the paying person.
I thought about your article all night and now I feel I can go into my studio and paint what I love and really enjoy.
Thanks again,

Adelaide
max hulse
via fineartviews.com
Lori Really good commentary about developing
your style, finding out who and what you are,
and then sticking to it.

It is a real pleasure to have people say
"I recognized your work immediately when
I saw it".
'
max hulse
Joan Jonas Jakonic
via fineartviews.com
Kim, thank you so much for a speedy acknowledgement.
I like your objective/representational and non representational/non objective description. I agree with the wide encompass of the former i.e. the objective. This must have the widest scope. It is what we see and live in all the time. Lots of choice. Our conscious world. But we also live in our feelings, emotions and thoughts. You have described my work. I have attempted to paint both seperately and both in one painting. Taking the idea from painting and into sculpture and wire sculptures. I used colour and banal shapes for expession. The figurative work expressed in oils, household and waterbased paint. Unconscious v conscious and how one affects the other. Thank you so much for your interest. This is the first time that I have written anything. I just love looking at other peoples work and reading the comments. I learn so much. Joan.
Kim
via fineartviews.com
Joan, your work sounds fascinating and I wish you all the best with your art! I like to think of what I heard in a great DVD art series by the Columbia University art historian Simon Schama ('The Power of Art'); he said something to the effect that "The very greatest painting isn't bound by time or taste," and I think that is so true for all art, not just painting. We must all keep that in mind when we feel we're swimming against a very strong current...or maybe just feeling like we're treading water!
Esther J. Williams
via fineartviews.com
Joan Jonas, your position on where you delve from consciousness into the inner self while painting or sculpting hit home with me. Yesterday I wrote a long passage in my journal about the ability to tap into our inner self as an artist. I could write a book about it. I am very intuitive and rely on those inner hunches to guide and inspire me while creating or just looking around me before I decide to paint. We have a deep well of information within our sub-conscious mind that taps into the soul, we just need to see and listen carefully, be sensitive. This has been my life approach and it is working very well.


Esther J. Williams
via fineartviews.com
So very sorry folks, I keep getting a pop-up window from Fine Art Views that say something went wrong and please try again. I changed a few words in my previous comment and then hit the okay button. It still came up with the pop-up window. So I hit reload and I saw 4 of the same comments!
This is annoying, sorry again. I have consistent problems in posting on this blog. I do not have problems with Blogger, what gives here?

Joan Jonas Jakonic
via fineartviews.com
Kim, what you say is facinating. Maybe the very greatest painting is bounded by the imagination. Thanks for your encouragement and words. Much appreciated.
Esther, you are so right. I would love to read your book. Can you find the time to produce one. I notice many artists are writers. I write a daily journal. Stream of conscious writing is also very rewarding. Sometimes I think subjectively, maybe about childhood or objectively what is in the room or the view out of the window. There is also rational/irrational which I try to illustate, made visible as opposed to known and felt. Picasso said that painting is like writing a diary. What we experience in our daily lives, around us and in us will become our style. Joan

Adelaide
via fineartviews.com
This is not mine.
Adelaide
via fineartviews.com
You sent the comment to the wrong e-mail.
Donna Robillard
via fineartviews.com
Thank you for the wonderful post. I started oil painting four years ago, and am hooked on the medium. I had always been afraid of it, mainly because I didn't understand how people could paint. I didn't understand the painting process. A subject matter I was leery of was portraiture, and in a class I took, the instructor had a model for us to paint. He explained all the steps to drawing it and then painting it and now I love painting portraits. I took a few college art classes with some excellent art instructors after I retired from teaching. I have found that my style is definitely realism, because I love the detail work. In any piece of work I do, it's that style - even if it realistic abstract!

Adelaide
via fineartviews.com
Your e-mail to Kim was sent to the wrong e-mail address.
Do keep up painting sounds like you really enjoy. I know I do.
Adelaide
Elayne Kuehler
via fineartviews.com
This is a great article! It takes courage to paint in our own style. Why? Because everyone does not like it and they will tell you so. But I have learned over the years to develop a thicker skin when someone makes a comment that I paint too tightly or "you need to loosen up". Those comments always amaze me. They should be able to realize that artists (most artists, I hope) paint from their guts, they paint what means art to themselves. They create a message from what makes them a person, who they are, where they come from, what's in their hearts. Art is a form of communication and the artist is hoping to connect with viewers with their message. Yes this is a great article and it takes a lot of soul searching to find out what "knocks your soxs off" in fine art. For me it is realism in the beauty I see in life. I feel very deeply about it. But we must also respect each artists' individual style. They have something to say in their own style.

Lori Woodward
via fineartviews.com
Elayne, thank you so very much for your lovely and true comment.

I have a friend who is so good at abstract that when she showed me her representational pieces, I immediately said, "Your abstracts are incredible, why are you doing faces and beach scenes?", and she replied that she preferred to do the abstracts, but that she didn't think they'd be as popular.

Any high quality art is going to appeal. Here's the link to her site.

http://patriciaawalker.com/


Adelaide
via fineartviews.com
A few days ago I posted a comment about Developing Your Individual Style, since then I have recieved 7 to 8 messages in my e-mail ment for you and some comments from different people. Is there a clitch in the system?
David Forks
via fineartviews.com
Adelaide,

No one is sending emails to the wrong address. The reason you are getting all those email updates is because when you posted your first comment there is a box checked at the bottom of the form you used that reads "Check this box if you want email updates when people comment on this post". That box must have been checked. It is right above the submit your comment button. Hope that clears that up for you.

Angel
via fineartviews.com
Thank you for such a great article Lori. I've been having trouble defining my style and choosing what style to concentrate on.

Your article sang to my artistic heart. I realize that I can just spend time on what I really enjoy and since that is different from moment to moment and day to day, what I choose to create will change (what's new?).

But now when I'm choosing what to work on I will be asking myself "What will I enjoy doing today?"

You've made a difficult decision so easy!

Thank you.
Leslye
via canvoo.com
Dear, Lori
I have to praise you for this article, because years ago I have approached several art galleries with my portfolio, although their statement was they would accept all kinds of art and emerging artists. Their statement drew me away from approaching galleries ever again, unless of course I'm invited. It was sadden to me, I was told and mislead by these galleries to paint what they wanted. Although now I love to paint in all media and love al styles of art that makes sense, even the ones that does not, I still try to place my own enjoyment to it, but I refuse to let anyone dictate what I should or should not paint away from my comfort zone. You are so right; we are artist, not trend chasers. I feel some gallery owners do not understand this about artists. In my opinion, gallery owners should break the rules, just as artists do (as the saying goes: rules are made to be broken) and allow once in a while a different taste of art to showcase, who knows lighten may strike.
Lori Woodward
via canvoo.com
Leslye, thank you for taking the time to type your wonderful comment.

As time passes, more of the power to sell is falling into the artist's hands, and this allows us to develop out own voice without constraints.

Lori


Leslye
via canvoo.com
I understand the selling situation is falling more into the artist hands, but my point is what ever happen to the development/relationship and understanding of the artist style with the gallery owners, this should be instated to allow artists more time to develop skills these days, especially with information technology kicking buts with changing trends every second of the minute with the artists these days, it is too time consuming. Myself I have become a bit stressed with dividing my time between selling and developing painting skills, and I'm sure, I am not alone on this one.
Meltemi
via faso.com
As an artist you hear many times. “paint what you know.” But I would expand it to "paint know and love.” This second phrase is more easy for me to follow. We can all gravitate towards the know and love, if you’re a writer, you know that no one else can write the way you do, if you are a photographer no one else can take pictures like you do and if you are a an artist no one else can paint like you do. In the end how is my art really all that different? How did I create a niche for myself that unique style that's all my own? For me it goes something like: Niche Style = Being an Artist.

My Niche: Physically I live on the edge of a City and The Fens in the UK. So should I paint: Landscapes? Floral Artworks? Portraits? Animal Portraits? Still Life's? All of these are done by other artists in a way that I never will be able to do in the time that I may have still available. There are master's in each field of artistic endeavour, I would never be in that category in the time available [the down-side of returning to art late in life]. I travel a lot. I take lots of photographs mainly of city-scenes and buildings [I'm city to the core] I paint some of them in acrylics on canvas. This is my 'Traditional Art' niche. Finding my niche took some time but with every painting I made it became clearer to me what being an artist is about, its just doing what I enjoy. Its the memories captured in my photos.

My Style: Finding my style was not hard. I have a simple direct approach. It has clear colourful shapes. This shape fits alongside that shape, there is a sharp boundary. The building is the subject, it fills most of the available space with a hint of sky, background and foreground. They are simply subordinate to the subject. I do not wish for them to detract the viewer of my colourful near technical-drawn subject. It is art cut-down to the essence of the subject. This is my 'Traditional Art' style. Itis instantly spotted by my fans around the world.

I also have an 'Abstract Art' niche but the style again is mine alone. Here its about colour, brush marks, metallic and iridescent paint finishes.










 

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