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My First Art Fair Checklist

by Moshe Mikanovsky on 6/3/2010 9:20:23 AM

This article is by Moshe Mikanovsky, Regular contributing writer for FineArtViews.  You should submit an article and share your views as a guest author by clicking here.


I am doing my first art fair in a few days. Yes, I have done a lot of online marketing efforts in the past, but I felt that it was comfortable enough to hide behind a computer in the virtual world, but now it was time to get out of my comfort zone, and expose my art, and myself, to the real world. So, in the past six months I tried to exhibit in as many art shows as I could; some I got in and some not. And for this summer and the season of outdoor art fairs, I was accepted to one of the shows.

But now that I am actually in, it dawned on me that I know close to nothing about the preparations for such an undertaking. I have walked many shows and saw what other artists are doing, but from looking-at to actually doing it, there is a big difference.

So the first place I looked for information was, of course, the Internet. My searches, surprisingly enough, didn’t bring me the amount of information and blog posts that I was expecting. I am not sure why, as there are many artists who participate in hundreds of such event on a yearly basis. I did find couple of good posts, and some suggestions, mainly on art forums. I also went to an orientation meeting at the Artists’ Network, the organization that runs the show, and had a chance to learn and get many excellent tips.

Here is a quick summary of what I learned. I  hope it will help other artists who are planning to do it for the first time. I am also looking to hear from the more savvy art-fair artists about their experiences. Given the fact that I am writing it before the show, I am probably missing a few things. I will write another post after the show, and see how it will differ from this one…

Artwork

*After debating how much work I should have, I opted to bring between 20-30 paintings, in different sizes. This way I hope to have enough to hang on the walls of my tent (see below), with some extra if (and when) I sell some of the work. My paintings are not very large, so I have enough room for 5-10 on each wall. Different sizes will have different price tags, catering to varied buyers’ budgets.

*One of the best pieces of advice I gotten is to keep all the art work similar. This way, the visitors will “understand” me as an artist and things will make sense to them. This made the decision on which paintings to bring easier – I picked the style I am mostly known for, and for which I am recognized, and everything that doesn't fit this style, I am leaving behind. As much as I want to sell some of my other work, I think it will hurt my display rather than help it.

*In the same logic, I framed all my artwork in the same frame profile and color. No mix and match, just one simple black frame. Looks very sleek!

*I wanted to sell also Giclee prints, but after checking with the show organizers, I realized I can only show original paintings. I was a bit disappointed about that, but I have a plan! I will market my prints, especially those that the original artwork is on display. More details below in the Marketing section… 

Tent

*The tent had to be white and 10’ x 10’. The color is very important. I have seen in the past, darker tents and the experience in them is terrible. First, they feel like a cave and on hot days it’s even worse. Moreover, the color of the tent changes the color of the art! And no one wants that, right?

*Being on a tight budget, I opted to borrow a tent from an artist friend rather than buying or renting one. If I didn’t have budget restrictions, I would probably rent one, just because it’s my first show. So I prefer to see first if I like it or not, and after that, if I decide to go to many others, to invest in a good tent.

*It was important for me to practice putting up the tent. I have about couple of hours to set everything up on the morning of the first day of the show, so I need to make sure I know what I am doing. So I asked my friend to show me how to put it together, and then I did it again at home, in my back yard.

*The last thing is preparing for rain. I hope and pray for beautiful weather on the show’s weekend, but we have to be ready for every eventuality. All tents are NOT waterproof. Their fabric is usually resistant to water, but the seams can leak. To prepare them, I have to use a seam sealer (purchased at a local Canadian Tires in the camping department). Now, I am waiting for the last minute with this… Not sure if it’s smart or not, but my plan is to seal the seams (on my friend’s tent) once I know the weather forecast.

Display system

*Here, I had the hardest time to find a way to present my artwork nicely and still on a low budget. In the end, I found on one of the forums a suggestion to use concrete enforcement wire mesh. These are sold at the hardware store (like Home Depot). I got 3 of them, each is 4’x8’. I will hang each on a wall frame using white twine. At first I thought to spray paint them white, so they will blend more with the white tent, but eventually I decided to just keep them in their original dark-gray metal color. The only thing I did was to cut their extra wire on all ends, about 2 inches on each wire. These just stick out and I’m afraid they will poke someone’s eye…

*To hang the paintings on the mesh wire, I will use S hooks. When I built the tent in my backyard, I mounted one of the meshes, and tried everything, and it works!

Marketing

*There are a few things I printed for the show: Business cards (with my logo image, all contact info and websites), postcards, and a sign for the tent with my logo.

* I prepared few clear acrylic free standing frames, bought at the dollar store, with some images of my prints, licensed products, commissioned work, etc.

*I made a portfolio with my CV, artist’s statement, printed articles from local press, list of printed work, images of all my licensed artwork and prints, and all other art related services I offer. I also included a blog post that details my inspiration for the style of artwork I am into. This is a full package that anyone interested can browse, and get more details about me. I could have done it also with a laptop and have my website and blog on, but no access to power supply, and a short battery time on my laptop, will make that a problem.

*I have another marketing idea I am playing with, but I am keeping it a surprise for now. If I end up using it, I will tell you all about it! 

*I also got a nice guest book, can’t forget that! Good advice is to put titles on each page, directing people for the information I want them to fill – their name, email address, and comments.

Other supplies

Wow, there is so much under “other supplies”… My packing list is quite long. A few of the things I have in it are:

*Comfort – hat, sun glasses, sun block, hands sanitizer, headache medicine (hopefully I won’t need that!), water, snacks, change of clothes, high chair (don’t use a low one, better to be high to keep eye contact with potential buyers), Kleenex.

*Paperwork – sales permit, receipts pad, credit card processing paperwork (luckily, as a member of the Artists’ Network, I can use their service for Credit Card processing), some cash money, calculator, price list and price tags, pens, notebook.

*And some more: table and table cloth, trolley, bubble wrap to wrap sold paintings, duct tape, masking tape, scotch tape, scissors, cutting knife, safety pins, garbage bags, Windex and paper towels.

Did I miss anything? Probably. Quite a lot of things to arrange!

So wish me luck! And share with me your tips from your experience. And if you are in Toronto, I would love to see you at the Riverdale Art Walk.

Cheers

Moshe



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 59 Comments

Helen Horn Musser
via fineartviews.com
Hi Moshe, it sounds like you have covered all bases.Thanks for sharing your information and good luck to you for the show. Hope it is a great experience and very profitable

Pat Stoddard Aragon
via fineartviews.com
Such good timing! I am getting ready for my first event, also. Your list was very helpful.. some things I hadn't considered! I am anxious to hear your post on how your Art Fair went.
cindy McKenna
via fineartviews.com
Moshe Thanks for all the good information, I think one of the best things to also remember is that just as your art is individual in style so should your tent and display area be unique to your style and taste. It will be a reflection of you and people will be drawn to it - love your work - Blessings
Kim
via fineartviews.com
This brings back memories--it's been 23 years since I did my last art fair! I most strongly recall needing several plastic tarps to throw over everything during a sudden cloudburst, and strong metal clips to hold the tarps in place. My apparatus was cruder than how things are done now; I didn't have a canopy or tent and my dear brother made my display stands for me. Be prepared with an answer if someone likes a painting but wants to haggle over the framing. I had someone buy a painting, but they wanted me to either remat it or switch the frame and I had to make a split second decision on it, if memory serves. I didn't expect that so I don't think I really thought it through, just said "Sure!"
Helen Horn Musser
via fineartviews.com
Kim, Ditto on memories; did outdoor exhibits many years ago and my rig was wooden panels connected with bolts which served as walls and art could be hung for the day. It was always a very busy day and lots of traffic. Sales were not good but, I came away with lots of contacts and it got my work out to the public. In later years our group exhibited in a bank; much better way to do this and sales improved. I quess you could say that is the way an artist pays their dues. Was a happy time.

Barbara J Carter
via fineartviews.com
You've got a good start. I'll be very interested to hear how it goes!

There is a lot of information available online on art fairs. Forums on sites like WetCanvas, ArtFairSourceBook, and Sunshine Artist are a good place to look. These are especially good for finding other peoples' show packing lists.

There are also lots of online articles about doing art and craft shows. Here's a few:

Maria Arango's definitive book and website:
http://www.artfestivalguide.com/book.html

Howard Alan's art festival booth requirements:
http://www.artfestival.com/items/index/reqmts_artist

Beginning craft shows:
http://www.craftshowplace.com/for_beginners.htm

Several articles on starting craft shows:
http://www.sunshineglassworks.com/articles/articles.shtml
Carol Schmauder
via fineartviews.com
It sounds like you are ready Moshe. I am doing an art fair this summer and had to buy my own display things, as I have borrowed or rented them in the past but none were available for me to use for the date of the show I am in. It is interesting you purchased the concrete enforcement mesh and that it works well. Someone suggested that to me and I opted to buy grid panels instead. Best of luck to you. I hope you have little or no paintings left to take home.

Jerremy Browne
via fineartviews.com
Hello,
I thought I would give a few ideas/suggestions on the world of outdoor art fairs. Over the past 5 years, I have done between 2 - 6 outdoor shows (in the Toronto area) each year. One thing that I have noticed is that visitors don't want to have to ask what your prices are. I have a price tag on every single painting. I have the title, size and price right there, just on a printed white paper (maybe 1" x 3"). I stick it to the frame with that blue/yellow puddy like material you can get from the craft stores. It leaves no marks on the frame, nor does it pull anything off the frame (but do a test anyways to be sure). Second, I always bring a few extra paintings, having your booth looking empty is worse than having a few extra paintings in the car in my opinion. A measuring tape is always a good idea as well, people very often ask what the overall size is, deciding if they can fit the painting in a certain space in their home.
As for sitting, tough call. I have always remained standing, normally just at the edge of my tent. I find it a little more inviting, and I don’t give the appearance of hanging over people. People also tend to seem more willing to talk with me this way. Again, tough call, but a personal choice.
I use a very similar set up for display, using O hook chain, hung from the bars at the top of the tent, then “S” hooks for hanging the work. I have found the following:

a. Tape the top of the chain, this helps them to stay sturdy and not slid down the bars.
b. I use 2 chains for each painting, hanging say 6 chains across one wall, with 2 paintings on each set of chain, giving me 6 paintings on that wall. This allows me to use two “S” hooks for each painting. This accomplishes two things. The first is the paintings tend to stay much more level and not shift to one side. Secondly, the wind will be a factor. This system does then to move with the wind, and two “S” hooks keeps them much more sturdy and safe.

Hopefully these ideas will help you out a little bit, and having done the show a few years back I can say it is well attended. I wish you all the best, and most importantly with these shows, don’t forget to have fun!
If you have anyother questions you are more than welcome to send me an email and I will do my best to answer any questions you may have.

Jeremy Browne
Sharon Weaver
via fineartviews.com
Good luck with the show. I hope it is a great success. Getting people to sign in is always a problem. I try to get an email if they don't want to leave an address.

Michael Gillespie
via fineartviews.com
You mentioned being a member of Artist Network provides credit card processing services. I went to their website and didn't see anything about that, or becoming a member.
Barbara
via fineartviews.com
Good luck at your art fair! Your list is very comprehensive, however I missed seeing a comment about using a lockable cash box. Some people will pay cash, so this is important.

Now, about those art fair logistics:

At my first art fair two years ago I also learned from the other exhibitors that we should have placed the $$ transaction items (card swiper, cash box, etc) at the back of the tent, with one back flap up and opening out to a table for wrapping items. Since my husband and I both did the tent sitting, it would have made sense to have the $$ items at the back, rather than the front of the tent.

Another idea is to use the recycle-able shopping bags from your local grocery store so that there is one painting fitting into one bag. We made the sad mistake of wrapping each painting in its own bubble wrap to transport...when it was time to pack up the unsold items it wasn't pretty. I tend to only place smaller paintings at art fairs, so this works out just fine.

In addition to sealing the tent seams, it also doesn't hurt to place a water proof tarp over the top of the tent at day's end, in case of torrential rains...that can happen here on Cape Cod. The comment about strong clips for the tarp also is valuable.

Good luck and thanks too, Barbara Carter, for the definative books about art fairs! I need all the help I can get this year as I am doing 5 in 4 weeks!

Moshe Mikanovsky
via fineartviews.com
Thank you everyone for the comments and wishes for the show, it means a lot!

Some weather news - there are some showers expected both days... I am quite anxious because of that! So I sealed my tent’s seams, but I have no idea if I did a good job of that or not... Also bought lots of different plastic materials/bags and such. Hopefully it won't be too bad.

Thank you also for all the links and additional ideas. Jeremy - I just added a measuring tape to my "Other supplies" box.

Michael - It is the Artists' Network in Toronto. The site is http://artistsnetwork.ca

Cheers
Moshe

Durwood Coffey
via fineartviews.com
Don't worry about the small stuff. Thgere is another art fair around the corner
Diane Tasselmyer
via fineartviews.com
Moshe,
This is a good list.

Will you please do a follow up for us when you are done with your first show?

Judy Mudd
via fineartviews.com
Good luck to you, Moshe! And thank you for sharing this information. I have not done a show yet, so don't know the ends and outs. Let us know how it goes for you!
max hulse
via fineartviews.com
Moshe You are to be complimented on your
planning. Very thorough and well thought out
it seems.

I'll be interested to read your report after
the show.

Max Hulse
Zina Chmielowski
via fineartviews.com
See you at the show - Booth 12.
Hope it won't rain badly...
Zina
Joanne Benson
via fineartviews.com
Moshe and all,
Thanks for all the informative tips and information. I have only done 1 outside fair and it was in a slot in a large tent provided by the organizers. My 2 friends and I shared 2 10 x 10 spaces between the 3 of us. We borrowed grid panels from our plein air society and they worked well. We were able to set up and hang paintings on 2 sides of some of the panels. The wire mesh sounds like a good idea and easy solution provided you can fit the panels in your vehicle. It is alot of work to set up and prepare for. I'm not sure if I will do it again. However, it is good to hear all the tips in case I ever decide to do a fair needing my own tent. I don't have much to add as most bases seem to be pretty thoroughly covered. Good luck to you and please fill us in on the results! A pouch you can tie around your waist works well for cash and then you always have it with you and don't have to worry about theft, etc...
Moshe Mikanovsky
via fineartviews.com
Thank you for the new comments.

Few things I learned since yesterday, and which I forgot in the initial post:
- weights for the tent. I bought 4 water gallons that will be tied to my tent to keep it grounded.
- Joanne - I actually have the pouch for money and other important items, thanks for reminding me about it.
- The wire mash I bought is very light. It can be fitted in the car, but already made that mistake when I bought it (bought 1 initially to test it), and it scratched my wife's minivan interior! So I will just tie them up to the roof of the car.
- take a measuring tape

I will definitly update you all about the show in my next post, so stay tuned.

Barbara - good luck with your 5 shows in 4 weeks! That's amazing!!
Zina - see you tomorrow at the RAW :-)

Cheers
Moshe


Helen Horn Musser
via fineartviews.com
Moshe, It all sounds so exciting; wish I was going. You will be a smashing success and can't wait to hear about it when you get back

Cheers

Delilah
via fineartviews.com
Moshe,

You will get lots of new ideas when you get to the show and see what others do. Put a check list on your computor to print off and then you will not forget anything next time.

A clear sheet of Plastic or a small tarp if nothing else is available may come in handy if it rains. I use rubber maid totes to carry small paintings to and from.

I keep all of my marketing,bags,billing,tap,and sales slips in a pink tote ben it is easy to spot and keep track of. I also suggest a large fanny pack to keep your cash and sell phone in.

This is something I didn't learn untill I done several shows, be kind to your hands and wear gloves for set up and take down. Also bring some waterless hand cleaner or wipes.

I keep a little tool box in my art trailer it seems to always come in handy for something.

Have a great time drink lots of water and smile, you will do great! Because you have already done the hardest part the art.

Ellen Yeomans
via fineartviews.com
Sounds like lots of good ideas.
I always bring a small table with a plain cloth that hangs to ground level--the guest book/card/bio etc go on the table and the messy-looking stuff that I need right there at hand hides under the cloth, where it won't distract from the work.
Also,if you do ALL your packing the night before it'll help you arrive serene.

Good luck!
Ellen Yeomans
Zina Chmielowski
via fineartviews.com
All comments are extremely helpful.

Jeremy Browne
via fineartviews.com
I wanted to add one more comment with regards to these shows, and it has to do with dress. I have always been one to dress "professional" when I am showing at these shows. I tend to wear khaki's, a golf shirt and casual dress shoes. I know many people tend to dress in shorts and t-shirts, but I feel that I take great pride in my work (as I'm sure you all do) and I want to come across as a professional in all manners. If you were to say attend a trade show with a business company you worked for, and you were working a booth, you would not dress in shorts and a t-shirt. I know this is one of those thoughts that will have many people on both sides of the fence, and this is just my opinion.

Best of luck this weekend!
Helen Horn Musser
via fineartviews.com
Scott, I tend to agree with you; dress sends a message as to the seriousness of the situation and the artist's character. Very important.

Helen Horn Musser
via fineartviews.com
Oh my! my mind plays tricks on me; I meant Jeremy, please excuse.

Carol Schmauder
via fineartviews.com
I agree with you Jeremy. I am more impressed with those who dress professionally when I attend art shows than with those who dress in shorts and tee shirts. Although it would never stop me from buying from one of the more casual dressers, it just leaves a better impression when one is dressed professionally.

Barbara
via fineartviews.com
There is a saying, "Dress for the job you want." In a tweak, I'd say, "dress for the customer you want..." On Cape Cod, art fairs are often frequented by folks who have just come from the beach, their pool, tennis, or fishing on their (large) boat. They may be VERY casual in their vacation dress, but you should look the professional part they are accustomed to seeing (1)on corporate casual Fridays, (2)at their club, (3)at upscale casual dining spots...so yes, dressier khakis and golf-style shirt works very well. The gals should consider earings and a nice necklace to round out the professional look. Yes, I know, after schlepping all your gear, this may not be at the top of your list, but put all in another of those RubberMaid containers, along with some wipees to clean up, and you'll be set to hand out your business card and wrap that sold painting with some real flair.

Michael Gillespie
via fineartviews.com
For us guys, could one of you gals explain what rubbermaid containers and totes are?
Donna Robillard
via fineartviews.com
Thanks for taking the time to share with us all the details of getting ready for an art fair. There really is a lot to it! Unless you are actually in one, you don't realize all the "millions" of things that need to be done. Hope your experience at the fair is a good one.

Helen Horn Musser
via fineartviews.com
Maybe I can help you with rubbermaid containers; they are plastic, good heavy, plastic, with tops that fit perfectly on top to keep air out and everything fresh. There is really no substitute for these as you store your art supplies away for further use. you can find them in a variety of sizes. Hope this helps!

Barbara
via fineartviews.com
Hmmm, Rubbermaid totes and containers are best if clear, or nearly clear, with snappable tops. You can find them at office supply stores like Staples and Office Depot. They can be small enough to hold a meatloaf or those wipees and the jewelry I suggested for the female artist contingent (find at the grocery store) or they can be large enough to stow a couple of pillows, a blanket and sheets (try one of the big linens and towel stores), and various sizes in between. Home Depot carries the bigger ones, but if they are too big, they get too heavy to tote. I tend to get mine at Staples, here in MA. You can probably carry 4-5 paintings in each, carefully separated with cardboard or paper or recycleable bags so the frames don't get chipped.

Helen Horn Musser
via fineartviews.com
Micheal, Totes are usually made of soft or very strong cloth and will help you carry anything in an organized way. some are made of vinyl but, I prefer cloth. A painting can be moved from place to place within a cloth tote with safety for frame and painting. Happy painting!

Barbara
via fineartviews.com
Helen, thanks for the clarification. My description is of the Rubbermaid bins or containers sometimes referred to as totes. But the recyclable totes that hold an 8x10 or a 9x12 painting nicely are what you describe, and come with handle/straps to make them easy to lift out of the RM bins, and also to keep the frames from rubbing on each other and inflicting chips. One painting per recycleable tote, properly labeled, and 4-6 paintings per RM bin.

Helen Horn Musser
via fineartviews.com
Barbara, your descriptions are very accurate on plasticware and will be an assett to anyone's closet for transporting art suppies and paintings. I do prefer cloth for carrying my work; gives a soft environment for the painting Hopefully Michael will be helped with this

Michael Gillespie
via fineartviews.com
Good ideas for protecting and transporting artwork and other stuff. Thanks!
Tonya
via fineartviews.com
What a help bunch you are!
Good luck on the show.
Interested in hearing how it goes.



Joan A Hamilton
via fineartviews.com
Excellent article Moshe! Sounds like you covered all the bases! Wish you every success and a sunny day for your first art fair experience!Be prepared to have a great time meeting people and talking about your art!
Moshe Mikanovsky
via fineartviews.com
Thank you everyone for all the comments and additional tips.
The art show went very well! Weather was much better than everyone expected, and I had lots of fun meeting many people, talking about my art, and getting excellent feedback about it.

My articles are published on FAV every other week on Thursday, so my follow up article will come out on Thursday, June 17. I will put some updates on my blog before that, so feel free to visit me over there. And stay tuned for the follow up post. I also have another post in the works for hanging systems... seeing the many different ways people hanged their art just made this post a must!

thanks again for all the encouragements,

Cheers
Moshe

Sue Kouma Johnson
via fineartviews.com
Hi Moshe,
I got some great tips from your article. I looked at your art and I love it. I mostly do Catholic art and use a lot of symbols as you do. I like the way you take a simple image and enrich the background with the little squares of texture and color. My question re: the article is, "what is wallframe?"
Helen Horn Musser
via fineartviews.com
Moshe, Congratulations on your art fair and meeeting your goals for it. I look forward to your next post!

Rob Kinsey
via fineartviews.com
Check out a company www.flourish.com for their art specific nylon mesh display panels designed to work with easy up's. great way to display work, creates a professional image and in summer the nylon mesh panels allow breeze in keeping your booth cool.
I used one for my Rob Kinsey Art display at Motocross des Nations event in Maryland in Sept 2007, really impressed.
Russ Potak
via fineartviews.com
Very informative and useful information here. Such a wealth of hands on experience to draw from. I'll certainly use some of this info. for my next show. In reference to having portfolio material, and such, I have found so far, in the last 6 years, that no one has ever cared, or much less asked to see any biog.info on me as an artist. That usually comes about in a pleasant casual by the way kind of conversation. When directed to such information, people usually have replied to me, " I'm really not interested in that, I just want to see your work". I think a lot of what artists will encounter, and how and what they need, differs drastically, depending on the geography of where you live.
Metropolitan, definitely has a different clientele than some seaport town off the coast of Maine, or a mountain village in the northern Adirondack mountains. What's good for one art goose, is not good for the gander. It all depends. Everything depends. On where you show, the type of people that will come, and what kind of art you are presenting. About the "professional" dress appearance, I disagree. When in Rome, do as the Romans. And that goes for dress too. I would look utterly ridiculous attired in a corporate dress scheme, if I were showing along a arty funky beachy village somewhere where sandals and Ray Bans are the order of the day. You don't want to look like a Wall Street Broker to these kind of people. Fit in. Laid back. Go with the Flow.
You are an artist. Look good, but no phony. People will respect you for being you.
Anyway,, for what its worth.
Happy Showing.
Break a paintbrush~
Helen Horn Musser
via fineartviews.com
Russ, Love the "break a brush" add on.

Russ Potak
via fineartviews.com
Thanks Helen.- Actors have their legs, .. we have our brushes. And we certainly need a blend of talent, timing and luck in our profession. Not to mention, our legs to lug all of our heavy show equipment to the fairs. A broken brush is a safer bet. :)
Jo Castillo
via fineartviews.com
Moshe, congratulations on your show. I look forward to your next article.

susiemermaid
via fineartviews.com
I think you have most everything Moshe! I would add a couple of sharpies and be sure you have more than one pen (because of pen thieves like me!) Also a couple of bungie cords - you have no idea how useful they are - sometimes you just have to MacGyver stuff. Perhaps one of those small baby staplers.
When I've done shows, I've found that the small shoebox size RM makes a good "office" box. The scissors, tape, pens etc. go in there and then a larger one (12x18x6ish) for the roll of duct tape, bungies, WIndex, paper towels - bigger stuff - the "work" box. Keeps everything organized before during and after the show and you won't get frantic looking for something.
And you have a tablecloth - don't forget the table!
Previous planning is key - I think you're well on your way.
Russ Potak
via fineartviews.com
Just a question.
I did take a look at Home Depot for those cement retention mesh screens you mentioned, and what they showed me were these metal wire (square grid pattern) screens that I thought were okay, but they were covered in a dusty rust that the clerk said come like that, since they are raw metal and subject to rust by just being exposed to the air. You couldn't even touch them, let alone put anything against them without it staining horribly. What you talked about as dark grey metal color didn't exist.
You didn't say where you got yours from.- I sure would appreciate it!
Thanks
- I seem to be looking in all the wrong places.

Moshe Mikanovsky
via fineartviews.com
Sue - by the Wall Frame I ment the tent's frame... The metal frame that expands and on which you hang the roof and the walls...

Russ - I will write about this in my next post, because I learned some of it by trying... But I believe it is the same product you looked at Home Depot. I bought mine at Home Depot in Toronto, and each cost me about $11 CAD. They were just a bit greasy, but didn't not have any rust on them... I had to handle them with gloves, and they did not stained my paintings at all... Maybe in different Home Depot around North America they have different products? Or maybe its the moisture in the air??

In any case, after using them, I am NOT recommanding to use them... Although very unexpensive and easy to install, I had issues with them, mostly rust issue after a very rainy day! So you can guess what happened....

Anyway, I will write all about it in my next article. In the meantime, I will upload some photos from the show on my personal blog (www.mikanovsky.com/blog)

Cheers
Moshe
Russ Potak
via fineartviews.com
Thank you Moshe for the prompt reply to the grid question. You've been a real help in putting out so much usable information.- I think I now know why the metal mesh grids has an oily film on the ones you spoke of, and apparently, the ones I saw either didn't or it had worn off. Because they are so susceptible to rusting, they must have coated them with a oily finish. I think the best way to use those would be to wipe as much rust off, or oil, and paint them to prevent further corrosion. But, I'm sure there's more than one way to hang a painting. If anybody out there has any novel ideas, sure would love to hear them.
Moshe Mikanovsky
via fineartviews.com
That's probably it Russ,

As for other ideas - stay tuned for one of my future posts here. In the show I was in, which had 90 people in the part in tents, and another 10 in stores, coffee shops and restaurants along the streets around the park, I looked and took pictures and notes of about 10 or more different systems. So right then and there I had enough material for a blog post just on that!

Stay tuned,
Moshe
Carol Schmauder
via fineartviews.com
Hi Russ, you can purchase grid panels that are 2' x 6', 7', or 8'. If you google grid panels several sites come up or you may have a display business in your area that handles them. You can purchase hooks that are used with the panels that hold you art work quite secure. These panels come in black, white, or chrome and work quite well.

Carol Schmauder
via fineartviews.com
Sorry Russ, that read inches instead of feet. It should be feet.

Russ Potak
via fineartviews.com
Moshe, -Good to have an art and craft show correspondent on the scene like you. Can't wait to see the pics. I guess that item is one that every crafter should also carry. A camera. Good for documentation and idea recording. So many ideas to put into operation.- Its a craft jungle out there! ~
Russ Potak
via fineartviews.com
Hi Carol, thanks for that info. I'll get myself into online grids as soon as I get this finished. I figured it wasn't inches, since that measurement would bring my art down to dollhouse scale. Not that I haven't painted that small, but 2.5 x 7 ft. would be just great.
And already painted too.
Sound great!
Sandy Askey-Adams
via fineartviews.com
AND Hello Again:

I just read Jeremy's comment about dress at an art show. I do agree.
When you dress successful,,,, look successful, you become and are successful. A successful look breeds success and look much more impressive than a white t-shirt and shorts thrown on.
Although your t-shirt with your name, etc.. on it is great. It would be better to wear something else and not so overly casual. I still like what you had put on the t-shirt, but you could wear a nice short sleeve slightly un-buttoned shirt with the t-shirt underneath, or a blazer overtop on the cooler days. I have seen men artists at shows dressed very well and they really have been among the most successful. It carries through.
AND your chair again... I say, use a high director's chair so you are eye to eye with the people. Very important. I have one and even my husband who helps me at the shows has one. Have a neutral color.
I still say again that the color of your tent doesn't bother me. It's the display system you are using that bothers me. It does not look professional, and screams first time doing art shows. Once you replace your display system with a professional display system it will be fine. AND whatever the color is on your display racks, make the chair the same color and also the tablecloth on your table. If you go to Armstrong products, you will see different ideas for set ups. I think that is the name they are still called. Some of my racks are from that company. AND there is also Graphik Display Systems. Think that is the name. Just do a search.
Since you are just starting out, I doubt if you are prepared to pay the kind of money I paid for my canopy with the skylights and awnings, but if you are interested, I can let you know where to buy one of the very best canopies you can buy. AND sometimes you can find one of those type canopies for sale at a good price by an artist who is no longer wanting to do the outdoor art shows. Keep an ear open.
With all the years that outdoor shows have been happening and all the artists that have been doing them since forever, you will get plenty of advice. Some to use and some to discard.
Have sent too many messages as it is. LOL
Good luck to you.
:)Sandy


Ed Dyer
via faso.com
I would strongly suggest that anyone interested in outdoor art fairs should read the excellent articles written on this subject by Mona@wildfacesgallery.com. Having many years in doing art fairs, she outlined in detail what you will need and can expect with many, many helpful suggestions, plus do's and don'ts.

Ed Dyer










 

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