Artist Websites  Artist Websites |  Featured Artists |  Art Marketing  Art Marketing |  Art Contest |  BrushBuzz |  InformedCollector |  FASO Loves You - Share Your Art, Share Life


« William Alther ~ Inspired paintings of landscapes and wildlife. | Main | Cheryl King ~ passionate use of color, light, and brush strokes. »


Follow this Blog



Subscribe to our Newsletter



Quick Links

Artist Websites and Good Design
How to Sell Art
How to Get Your Art Noticed by Galleries
SEO For Artists - The Ultimate Tip

 

Blog Roll

Mikki Senkarik's Blog

















Topical Index

Current
advice for artists
art appreciation
Art Business
art challenge
art collectors
art criticism
art education
art gallery tips
art history
art law
art marketing
art museums
art website design
art websites
Art World
artist tribute
artist website tips
artist websites
BoldBrush Interview
BoldBrush Winners
Brian Sherwin
BrushBuzz
Canvoo
Carolyn Henderson
Clint Watson
Connie Tom
copyright
creativity
Daniel Keys
Deber Klein
email newsletters
exposure tips
Facebook
FASO
FASO Art News
FineArtViews
FineArtViews Interview Series
Google
Guest Posts
InformedCollector
inspiration
Instruction
Jack White
Keith Bond
Linda Mikulich
Lisa Call
Lori Woodward
Luann Udell
Matthew Mahler
Moshe Mikanovsky
online art groups
originality
painting
politics
pricing artwork
religion
Robert Genn
Sarah Maple
sculpting
sell art
selling art online
selling fine art online
SEO for Artist Websites
social networking
street art
support local art
Think Tank
Twitter
websites for artists




 Archives:Feb 2012
Jan 2012
Dec 2011
Nov 2011
Oct 2011
Sep 2011
Aug 2011
July 2011
June 2011
May 2011
Apr 2011
Mar 2011
Feb 2011
Jan 2011
Dec 2010
Nov 2010
Oct 2010
Sep 2010
Aug 2010
July 2010
June 2010
May 2010
Apr 2010
Mar 2010
Feb 2010
Jan 2010
Dec 2009
Nov 2009
Oct 2009
Sep 2009
Aug 2009
July 2009
June 2009
May 2009
Apr 2009
Mar 2009
Feb 2009
Jan 2009
Dec 2008
Nov 2008
Oct 2008
Sep 2008
July 2008
June 2008
May 2008
Apr 2008
Mar 2008
Feb 2008
Jan 2008
Dec 2007
Nov 2007
Oct 2007
Sep 2007
Aug 2007
July 2007
June 2007
May 2007
Apr 2007
Mar 2007
Feb 2007
Jan 2007
Dec 2006
Nov 2006
Oct 2006
Sep 2006
Aug 2006
July 2006
June 2006
May 2006
Apr 2006
Mar 2006
Feb 2006
Jan 2006
Dec 2005
Nov 2005
Sep 2005
Aug 2005

 

Artists' Business Plans

by Lori Woodward on 5/5/2010 12:43:52 PM

Today's Post is by Lori Woodward, Regular contributing writer for FineArtViews. She is also a contributing editor for American Artist's Watercolor and Workshop magazines and she writes "The Artist's Life" blog on American Artists' Forum. Lori is a member of The Putney Painters, an invitational group that paints under the direction of Richard Schmid and Nancy Guzik.  Find out how you can be a guest author. 



In my opinion, artists don't need to spend a lot of time on detailed business plans. I've gone the "detailed" route, but in the end, unexpected opportunities cropped up, so a lot of what I had planned on, never happened. Rather than set my business plans in stone, I have learned to simply set some principles to follow.

Projecting Costs

Ten years ago, I rented a large space in an old factory building in Manchester, New Hampshire. The smallest space the landlords had available was 2000 square feet. My rent was $900/month. My studio space was across the hall from Dennis Sheehan's and up a flight from Ingbretson's Atelier. While good things came from the 18 months I spent there, looking back, I now realize that there was no way I could have covered the rent and other expenses associated with that commercial location, with my art sales. I did indeed use the space to teach workshops, but since the building was in a commercial district, even my phone bill had to be set up as a commercial account. I invested $20K for my time there. My monthly supplies cost me roughly $300, my art marketing adviser - $200, and phone bill $100. In addition to that, I advertised in art magazines for my workshops. Each one inch ad was $500 per issue. I did end up filling workshops, but with all the costs involved, barely broke even.

I was incurring debt at an alarming rate, and eventually, I asked to break my lease in order to get out of a financial black hole. While having this wonderful space was a thrill and even a boost to networking and sales opportunities, my lack of financial planning (and banking on big dreams which cost a lot of money) in the beginning led to losses in the end.

Low Overhead Expenses

Fortunately for artists, today our overhead expenses are lower than ever. With a website, blog, email newsletter and studio in my home, my expenses are easily manageable. When I teach, I rent a space or else teach at a workshop location where everything is set up, and all I have to do is show up. I don't need a $100 commercial phone account and 800 number, and I know enough about art marketing to counsel myself.  I hardly ever buy art supplies that I will not use within the course of a year.

Count The Cost

The first part of any good business plan starts with an accurate projection of the annual cost of running that business. For an artist, this generally means assessing how much you will spend on supplies, framing, education, self-promotion, advertising, showing and reaching your "Collecting Clan". I advise that you carefully consider each expense you will have. Try to spend realistically:  avoid spending emotionally in "big dream" mode. If you don't plan out what you will need logically to conduct business ahead of time, you run the risk of overspending. The IRS does expect you to make a profit sooner or later - preferably sooner.

Looking Professional

We artists are fortunate in that we need to spend very little on overhead. When compared to other types of businesses, our upfront costs are minimal.

When I decided to "go pro" as an artist, I registered my business with the state I live in. This means I had a tax ID number, which in turn meant that I didn't have to pay sales tax on art supplies I bought locally in my state. I also could buy some items at wholesale prices. Then I opened a business account at my credit union.

Because my current studio is one room - separate from the rest of the house, I can deduct a certain amount of utilities on my income tax. I am not a tax expert, so I'm not well versed in this topic. I hire an accountant whose specialty is in small business. Still keep in mind, that you'll need to make enough income from your art business to exceed all your costs, so don't spend frivolously.

Well, I could write 20 pages on this topic, but for now, I'll divide it into small, easily digested bites. To sum up this post, I'll reiterate: Plan to spend wisely - don't run up huge debt - and remember that as an artist, you don't have to invest a lot to get started.


[Services:
FASO: Want Your Art Career to Grow?  Set up an Artist Website with FASO.
FineArtViews: Straight talk about art marketing, inspiration - daily to your inbox.

InformedCollector: Free daily briefs about today's finest artists in your inbox.

BoldBrush Contest: Monthly Online Painting Contest with over $6,000 in awards. 

Backstory: About Clint. Email Editor.  Submit a guest post.  Twitter. Republish. ]


Related Posts:

Taking Care of Business

Ten Steps to Extraordinary Success in Your Art and Business

Generating Creative Business Ideas


Topics: art marketing

What Would You Like to Do Next?
Post your comment Join Email List Follow via RSS Share Share

 32 Comments

Karen Winters
via fineartviews.com
Good advice, Lori. I found when I was building my business that I could also find art supplies less expensively from people who were getting out of the art business - things like flat files, easels, etc. There are ways to keep the costs down until you're making enough in sales to reinvest it into the business.
Helen Horn Musser
via fineartviews.com
Thank you, Lori, for this revealing post. I have never gone out there and rented a studio; it is in my home, and taken on debt to maintain a place for workshops. I've done demos but, not workshops. You were very brave, indeed, to do this and I will likely find from your experience I should just do my website and home studio.

Lori Woodward
via fineartviews.com
Karen, what a great idea - buying supplies from artists who no longer use them. In fact, I have many good supplies that I no longer use because I've narrowed my focus.

Stuff other people can use is just taking up my working space.

Lori Woodward
via fineartviews.com
Karen, where did you find those supplies?


Helen Horn Musser
via fineartviews.com
Lori, I hope you will continue to tell us about the business of art.

Karen Winters
via fineartviews.com
Lori,
In the old days I'd look through a local publication we had in LA called the Recycler. Nowadays, I look on Craig's list. It's not too useful for the expendables like paper and paint because beginners who give up art as a hobby usually buy cheap stuff that I couldn't use professionally. But when you find larger items like a paper cutter, easels, flat files, a drafting table - bonanza - you can save a lot. My husband found me a $1500 studio easel for about 100, as I recall. Deal!
Lori Woodward
via fineartviews.com
Helen, of course I will continue to talk about marketing art. This blog is the first of a series on artists' marketing plans.

It's a lot easier for artists to sell on their own than it was 10 years ago.



Carol Schmauder
via fineartviews.com
Lori, it is nice to hear that you work successfully out of your home. I am trying to build a business and find that there is no money in the budget to rent space anywhere and so it is from my home that I work.

Stede Barber
via fineartviews.com
Perfect timing Lori, thanks for distilling down what might have become a more complicated project. Profit is, indeed, the key word, and keeping a balance between whats invested and what comes in is actually sort of fun...the trick for me is to also keep a balance with my studio and marketing time...so much to learn and do in both areas!
Lori Woodward
via fineartviews.com
Carol, I love working at home! I was much too social to be in an environment where other artists enjoyed my stopping by.

Speaking of working... I'm logging off for a while. Need to get started on my article for fall issue of Watercolor, and don't want to panic about it at the last minute.

Plus... I save on gas, time commuting, clothes, and having to pack or buy a lunch. I'm inspired by our art collection too.

Helen Horn Musser
via fineartviews.com
Yes, Lori, it is easier, thanks to Clint and his fine team of workers and the Artists Network. So much to learn out there and more visibility for artists

Nita Leger Casey
via fineartviews.com
Hi Lori , I sure remember your studio, I was one of those artist who used to come to visit you , You were also nice to let me hang some of my paintings there , It was a beautiful space but way too large and expensive, I still think sometimes a place away from home is nice so the kitchen and the garden does not call you every five minutes.
But you are right about not spending so much money on your marketing like it was before , the internet has been a savior ,and thanks to you I became a daily painters four years ago after you mentioned it at our breakfast club meeting , went home and did it, almost a 950 post later and still doing it . Thanks Lori , we missed you today! Nita
Esther J. Williams
via fineartviews.com
Lori, I have discovered that on eBay there is a lot of used art supplies, especially oil paints. Some of those vintage oil paints are really incredible. I haven't won any on eBay, the bidding gets a little fierce for the good ones. I bought and still do buy old art supplies at estate sales. I used to be able to pick up large amounts of oil paints, art books and easels, it got me started ten years ago in oils. Now I have too many of those table easels and old frames. I had many other art supplies from my years of buying a little at a time since I was very young. I have an old Italian brand of Cerulean Blue oil paint in a large tube that I use sparingly. Got that from an estate sale. It's pure pigment and I need very little.
So, look at estate sale ads and see if it says art supplies. I haven't been going to them for awhile, but I will again.

Judy Mudd
via fineartviews.com
Useful information and an eye-opener for me. I can see how going full-steam ahead may not get you anymore than a controlled, steady progress with starting an art pro career. Thanks for revealing this information. I'm painting from home now (in a corner of a room) and considering either finishing an area in our basement for a studio or renting outside. I've been reluctant to move outside the home due to convenience. I love working from home, too, and I'm not sure I would get any more accomplished outside, than I do now. Your story parallels my reluctance to make a move. I'm wanting to take "baby" steps and this appears, at least for me, to be a good way to go.
Lori Woodward
via fineartviews.com
Hi Nita,

Thanks - wow, the years have flown by. you've done very well with painting a day, and you have the skill and energy to keep up with it!

I had a lunch appointment with an artist friend whom I don't see often today. Wish I could be in two places at once! Next week, I'll be in Putney with Daniel Keys' workshop... maybe after that I'll get down to breakfast - always a fun time.

Barb Stachow
via fineartviews.com
so sorry to hear of your debts re: getting out there, this is something a person must be aware of, whether in art or otherwise, you must always be aware of the past, not to redo your mistakes, your present, not to overspend your budget and your future, sometimes you may have to get that 2nd job to make ends meet. Hugs,Barb
Lori Woodward
via fineartviews.com
Thanks Barb for the recommendations.

Fortunately for me, those debts are long past and I'm making a profit now. That was almost 10 years ago. I've enjoyed less stress by having my studio in my home.


Diane Tasselmyer
via fineartviews.com
Lori,

Staying out of debt as an artist has made a huge difference in having staying power when sales are slow.

Sharon Weaver
via fineartviews.com
Keeping your overhead low is good advise for any business, especially now. I am always looking for bargains and there are some great ideas in the comments. Thanks everyone.

Gina Buzby
via fineartviews.com
Great advice Lori. Thank you. I have a file now of all this great advice...if only I could carve out time to implement some of it!!

Joanne Benson
via fineartviews.com
Hi Lori,
I love this post and I'm looking forward to the future installments. I still work my part time "real" job and have my studio in what used to be my living room. I also have an area in our finished basement for matting and framing and pastel work.....My husband tells me I'm taking over the house and all the wall space! I really wish I had the guts to quit the "real" job and go full force with the artwork. For now I do a few commissions, a few shows and sell a few originals....Waiting for your next installment!
Spencer Meagher
via fineartviews.com
Artists are passionate people relying heavily on their emotion to create. This point of strength can also be a point of weakness as it can pull them in the direction of making poor decisions as you mention happened in your own life when you over extended yourself to get your "dream studio".

You don't need me to tell you, but, you are not alone! I have to keep my artistic purchases in check. Making sure I only purchase what I really need.

Michael Cardosa
via fineartviews.com
Hi Lori,

Very interesting post as always. I've written and reviewed lots of business plans over the years. I can state categorically that once you have a good "product" the next important thing is to exploit your uniqueness into the market you've chosen. I don't think a detailed written plan is always necessary but "a plan" would certainly be helpful. As art at the professional level is no different than any other business at it's lowest common denominator it has to be treated as one if positive results are expected.

Michael



tom weinkle
via fineartviews.com
Thanks Lori, this is good advice for me. I am at that doorway, and my wife and i are tempering our decisions about expense with our years of experience in graphic design.

There is a great OLD humor book written about business....and one of the philosophies is that the size of the entry foyer of any company's offices is in inverse proportion to the the size of the bottom line. I am butchering the prose, but you get the idea.

Spending money is important, but you have to be wise about how much and where. Investing more doesn't always get you more in return.

tom

Kim
via fineartviews.com
I was just vividly reminded of another truism: 'Expect the unexpected!' I was in the process of setting up a day and time for a studio visit with an interested first time collector and she showed up *early* today without warning, before the appointment was set up. I was dealing with the studio clutter and cleaning up this morning, so the vacuum was sprawled on the floor, I didn't have the artwork ready for viewing, I hadn't considered prices, and I was in the middle of painting a watercolor sky on a new landscape when there was a knock on the door--whoops! I abandoned the painting and had to wing it because we all know when the collector is right there and ready to buy you have to go with the moment or it may pass by. I improvised and she ended up buying 3 pieces, and wants to get another through the gallery where I also have work as well. I can fix the watercolor sky that dried prematurely, but I think I solidified the relationship with this collector--yay!
Gina Buzby
via fineartviews.com
I like this and am happy to have this option now. But, I think Fine Art America was doing it a while back.


Marian Fortunati
via fineartviews.com
Hi Lori...
I think setting annual or regular goals is important, but I would imagine a detailed business plan is not really the best use of time.
Tuva Stephens
via fineartviews.com
Thanks Lori for this post. I enjoyed reading all the entries.

Nancy Pingree Hoover
via fineartviews.com
Great article, as usual, Lori! You reminded me that I have a tax ID #, and do you think I have used it to save myself from paying sales tax in my state? NO! Completely forgot about it.

I have a studio in my home, but have wanted to rent some space elsewhere instead. Too many distractions and interruptions at home. However, I haven't done it because I know that with all the overhead, I couldn't afford it. So I will make do with what I have at the moment.

I have been looking for a flat file that I could afford and to no avail! Any suggestions on what kind of kind of businesses to look at Lori and Karen??? I would prefer one that is used and from a business that is closing down.

Thanks again for a great article Lori!!

Nancy
Karen Winters
via fineartviews.com
Nancy, I see by your blog you live near the outer banks of NC. I don't know if Raleigh is too far a drive for you, but Craigslist shows there are flat files available there. You could also go to Craigslist.com and post a "wanted" ad and you might find someone who wants to get rid of theirs. Architect offices, design firms, printers, blueprint service bureaus often use these pieces of furniture and sometimes upgrade to classier stuff and unload the older models.
Helen Horn Mussser
via fineartviews.com
Great advice Karen, thank you for pointing all of us in the right directtion for furniture

Nancy Pingree Hoover
via fineartviews.com
Thank you Karen! That helps a lot. I had been looking for military close-outs but was never fortunate enough to find a flat file at one of them. For some reason I never thought of architects offices. Duh! Lol!

I'm actually a good three hours from Raleigh, and that's a long way to go with a big heavy flat file. A ton of gas too, especially with all that weight. I'll look in the Virginia Beach/Norfolk/Chesapeake area. That's only an hour away.

Thanks again! Appreciate the help.









 

FASO Resources and Articles

Art Scammers and Art Scam Searchable Database

 

FineArtViews, FineArtStudioOnline, FASO, BrushBuzz, InformedCollector, BoldBrush
are Trademarks of BoldBrush Technology, LLC Licensed to BoldBrush, Inc. 

Canvoo is a registered trademark of BoldBrush Technology, LLC Licensed to BoldBrush, Inc

Copyright - BoldBrush Technology, LLC  - All Rights Reserved