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Jewels at Your Feet

by Keith Bond on 3/29/2010 2:13:52 PM

This article is by Keith Bond, Regular contributing writer for FineArtViews.  You should submit an article and share your views as a guest author by clicking here.



Last week I wrote about setting goals and making resolutions. This week, I wish to expound on the theme a bit.

Let’s look at two common goals set by many artists:

Example 1:

By the end of the year, I will be accepted into Show or Gallery X, Y, or Z.

Example 2:

By the end of the year, I will be able to make a living selling my art.

Both goals are lofty. Which goal is more easily attainable? Which goal do you have more control over? Do you have similar goals?

Regardless of how much effort you put forth, you simply cannot control the actions of the gallery owners or show jurors. Your art might even be a perfect fit for the venue, but they still may choose not to accept you. Therefore, Example 1 is a poor goal. If certain galleries and/or shows are important to you, redefine your goals to be more achievable. Such as: “By the end of the year I will have an impressive portfolio to show Gallery X, Y, or Z.” This is an attainable goal. You may also establish secondary goals as a way to help you gain an audience with the gallery owners. With these goals, you will have succeeded regardless of whether the gallery chooses to accept you or not.

Let’s look at Example 2. Today, more than ever before, you have a lot of options and control over the outcome of whether you are able to sell your work. Of course you cannot force collectors to purchase your work. But your efforts are much more likely to result in significant progress in this area. But it requires work and determination.

There are hundreds, even thousands of other artists all trying to get into the same handful of galleries or shows. On the other hand, there are potentially hundreds and even thousands of people who will simply love your art. Some won’t have the means to purchase, but many will. So if your efforts go into finding these fans, the odds of reaching the point of making a living at art will increase. Do you want to be one of a thousand or one attracting a thousand?

Even so, you might not attain the goal in a year. Maybe you will. Perhaps rewrite the goal to be even more achievable. “To increase sales, I will begin marketing in these ways: X, Y, and Z.” Now, that is more achievable than the original goal. And it will lead to making a living at it.

Now, I would like to take these two examples one step further.

We have established that the first example is quite a bit more unattainable than the second example. Even when the goal was re-written and attained, the outcome may not be what you were hoping for. You may never get into your dream gallery. Many of the big name artists who sell at those top galleries were denied for 4 or 5 years before finally being accepted. Other artists are added to the galleries’ rosters, but are put in the back corner because of the demand for the bigger names. For those artists, is the prestige really worth it? Perhaps, perhaps not. Only they can say.

So where does this leave us? Long ago I read a proverb that has always stuck with me. I don’t know its origin, but it reads:

“He who seeks to pluck the stars will miss the jewels at his feet.”

If all of your energy is put into reaching the ‘stars’ you may pass up the opportunities that are right there in front of you. The other opportunities may indeed be the very things you need to take advantage of to attain the goal in the second example.

I think many artists are guilty of this. I know that have been (and perhaps still do it from time to time). We think that the certain show or gallery will be the golden ticket. It rarely is.

This same principle applies to many other facets of your career. For whatever you want to accomplish or attain, there will be stars or jewels. Which do you reach for?

In short, establish goals that get you where you really want to be. Not necessarily where you think you need to be. First and foremost, determine what you really want to accomplish as an artist. What is success to you? Then establish well-thought-out goals that are attainable.

As a final thought, yes, you can still try to get into those shows and galleries. But let that be a secondary priority. First find ways to build your career. If you pick up enough jewels at your feet, you will find that either you don’t need the stars or you will find that the stars suddenly want you.

Best Wishes,
Keith Bond


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Topics: art marketing | inspiration 

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 27 Comments

Casey Craig
via fineartviews.com
Very good points Keith, especially about the outcome of goals.

Several years ago I decided that I wanted to submit my work to fine art publishers. While my goal was to have my work published, I had to define it more as - will research publishers, put together packets and submit materials to x number of publishers. I was elated when my first choice contacted me to publish several of my images. I thought wow, I acheived my goal and this will change my life - my "golden ticket". While I do think it was a very important achievement that helped put my work in a global market, overall I was underwhelmed with the experience. I then had to reassess my goals based on my experience that this was not something I wanted to pursue anymore.

It is important not to make a career plan that only rests on one specific accomplishment and to have many different goals and objectives in case it is not what you expected.

Thanks for this Keith.
Michael Cardosa
via fineartviews.com
Hi Keith, another good article.

Your line about being one of a thousand struck home. I went to an art show this weekend that had quite a number of local artists. There must have been in excess of 350 paintings at this show. Some exceptional, some... OK. It might be what I have a tendency to look for because of what I like to paint but most seemed to be landscape, cityscapes and florals. The issue and the reality that I came away with is that even though most of these painting were of "different" locations they started to be hard to separate in my mind when trying to remember what a particular artist had in the show. This brought home for me something that has been mentioned here often by those that know and that's to have a recognized style.

A strong recognized style will bring collectors and collectors will bring galleries and achieving all types of goals. Strong demand brings strong distribution. The stronger the demand the better the terms of the distribution... and success.

I finally got it now I have to make it happen.

Michael


Trent G.
via fineartviews.com
I always enjoy your level-headed advice, Keith. Thanks again. I definitely think that the more "jewels" we pick up, the more "stars" we are able to see and reach. By the same token, it's really fun to shoot for the stars while we're busily gathering those little jewels. :)
Helen Horn Musser
via fineartviews.com
Keith, I think you have asked some very relevant questions and really makes us think. I have just finished Wild,Wild West which I loved the process and I think I have finally found my best way of painting. This one is in oil but, could also use same process in encaustic and watercolor. Do you advise to stay with oils to perfect this technique?

Michael Slattery
via fineartviews.com
There so many nuggets to mine out of your jewels and stars. I have just begin my journey, wrote my first artist newsletter last week, and have sold my first painting. The goals you mention make so much better sense and seem more attainable than the lofty ones we set for ourselves. Thank you.

Sharon Weaver
via fineartviews.com
You reminded me to set goals that are relevant to where you are in your career, make them difficult but not impossible and be open to all opportunities. I have recently changed the way I am using color and must re-evaluate my portfolio. Even good news can cause challenges and change goals.

Donald Smith
via fineartviews.com
Keith,
Thanks for sharing your ideas for setting good and achievable goals. I was thinking that maybe a good goal, as you stated, isn’t to get into a certain show, but to at least enter your best painting. Entering a competition is an achievable goal by the artists, being accepted is out of their control.

I laugh at myself once in a while. I set a goal to sell X amount in one year, and fell flat on my face. I realized, I have no control over the buyer. All I can do is work on my art and marketing skills. You’ve been a big help in the later department.

Thanks again for sharing,
Donald

Carole Rodrigue
via fineartviews.com
Keith,another fine article full of wisdom. I used to focus on the stars too,but have realised lately that the jewels all around us can be just as,if not more, important for our growth.

I was about to send some photos of works for a very reputable auction where they pay the artist 50 percent of the sale. It's an impressive event which attracts people from over the world, but I've decided not to participate. One, I have no control over how much the pieces could sell for,if accepted, two, I'd rather save those same pieces for a local show. No guarantee they'll sell there either,but that's my little jewel that I want to work on.
Gina Buzby
via fineartviews.com
Nice sentiment and proverb. But some have noticed the jewels and picked up a few and now want to move on to the stars :)

Karen Winters
via fineartviews.com
Either jewels or stars, it's also important to maintain an attitude of gratitude toward every good thing that comes our way. Somehow that seems to invoke the appearance of more of the same.
Lori Woodward
via fineartviews.com
Keith,

Wise words and great suggestions! I agree with you totally here. So many artists try for the stars and then give up entirely when they could be making a living with more accessible opportunities.

Thanks for sharing your wisdom in these matters.

Spencer Meagher
via fineartviews.com
Keith you rock! I found alot of value in this article. Particularly getting my focus on the things that I can control. We need lofty goals, but need to go after those that are more attainable.

Poppy Balser
via fineartviews.com
Very good advice, Keith. I need a reminder now and then to help me keep my focus. Your articles always help with that! Keep them coming,please.
Angela Baumgartner
via fineartviews.com
Keith,
Thank you for a really nicely done article. I appreciate the emphasis on how our perspective shapes our opportunities.
It really is more about what we think and feel than about our actual experiences.

Being open to possibilities we may not have considered is one way to make sure we don't set ourselves up for discouragement, and like you said- miss the jewels at our feet.
K. Henderson
via fineartviews.com
This reminds me of a BIG show that I apply to every year....and never get in. I'm about to send in my 21st application. (What's the definition of Insanity? Doing the same thing over and over and expecting a different result) At first It was a goal to get into this show and I was heart broken every time I was rejected. Now it's a challenge. I put in my best work for the show and then get on with my life.
Helen Horn Musser
via fineartviews.com
K Don't do that to yourself. Probably you are competeing with top artist in the international and national realm. Known names will always take over and of course their talent is indisputable. Keep on truckin and you'll get there.

Angela Baumgartner
via fineartviews.com
Karen,
You are right, being gracious and appreciative make all the difference in the world. A positive disposition comes across in everything we do, including being reflected in our art.
K. Henderson
via fineartviews.com
Helen, I have to disagree with you. My motto is "You can't win if you don't enter" I entered a top international show recently after years of saying "I'm not good enough" and I won the purchase award. The Top artists ARE the top artists because they are willing to fail.
Spencer Meagher
via fineartviews.com
K., Excellent point, not to minimize Helen's point. But to succeed, we must risk failing. I just today, entered a show that has only a grand prize worth $5000, winner take all. A big part of me says I don't stand a chance, then the other part says I painted a good picture. I was pleased with it. And I've found that often people have really gravitated to paintings that weren't even my favorites.

So I guess my point is if I don't enter and I find that the winning picture is (in my humble opinion) subsstandard to my effort, then I'd be kicking myself all over the place.

Lucie Mori
via fineartviews.com
Great article, thank you:) !!
Denise Hall
via fineartviews.com
Keith, I came up with the same goals and I have been rethinking them for a while now. Thanks for putting things into perspective.

Denise

Delilah
via fineartviews.com
I’ve lost several of my galleries that represent me this year because they have closed due to a poor economy. One of my goals for the year has been to get into x many gallery/shows for the year, after reading this I think I will revise this to applying to x number of galleries/shows this year.

Diane Tasselmyer
via fineartviews.com
Keith, Then I MUST keep mining that mail list and local venues. My goal is to spread out further in my home state. Those are my goals this year.

Tonya
via fineartviews.com
Now that was inspiring!

Lorraine Khachatourians
via fineartviews.com
The jewels at your feet - like walking along and looking down and finding the penny, or a beautiful shell on the beach. Very practical viewpoint.

Dina Martin
via fineartviews.com
As a newbie in the art world, I find your article makes a lot of sense and I think if I abide by it, it will help me attain my goals by keeping me in the right path. My goals are all over the place, so this would help me focus-- by organizing them, understanding which ones are attainable, and keep on working to attain the bigger ones along the way...

Thanks very much Keith!











 

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