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Let Your Fans In

by Keith Bond on 3/8/2010 1:17:57 PM

This article is by Keith Bond, Regular contributing writer for FineArtViews.  You should submit an article and share your views as a guest author by clicking here.

A few years ago, I read something an artist wrote and it had a great impact on me.  I hadnt heard of the artist before that, and therefore knew nothing about him.  I didnt know whether the artist did realism or abstraction or who knows what.  But his words were inspiring.  I would stumble across things he wrote from time to time and eventually began to receive his newsletter.  Most of the time, I truly valued his insights. 

I finally decided to look up his work on-line about a year after first learning of him.  I must say that his work didnt really strike a chord with me.  I recognized his talent, but it wasnt what appealed to me.  It didnt stop me from receiving his newsletter, though.  I liked what he had to say.  His posts are philosophical and usually dont include images of his work (thats another topic for another post).

Several years later, I still subscribe to his newsletter and still find much of it inspiring and enlightening.  Over the years I have seen his work from time to time.  Interestingly, as I feel that I have gotten to know him a bit (as much as you can from articles), I appreciate his art more.  The last time I looked at his artwork, I really liked it a lot. 

Did his work change that much in a few years?  No.  Did my tastes change that much in a few years?  No, not really.  So what made the difference?  I got to know him through his story and understand his art in a way that I didnt before.  The more I understand him, the more I like his art.

I have also had the good fortune of becoming friends with many fellow artists.  I would gladly own a work of art from each and every one of them.  I do own art from many of them (I am slowly building my collection).  Interestingly, the ones I know the best are often among the ones I admire the most (not always, but often). 

This is why sharing your story with your collectors is so important.  The more collectors learn about you and your story, the more they will like your work.  I dont know the psychology behind this phenomenon, but I think there is some great truth to it. 

I hear often that art should speak for itself.  Many purists cringe at the thought of needing to explain their art.  I understand their point of view.  Truly great art should be able to stand on its own.  But, and this is a big BUT, collectors purchase more than the artwork.  They purchase a bit of you.  They are purchasing a bigger idea.  They are buying into your fan club.  Let them in.  They enjoy learning about the artist who creates the works they admire.  They may purchase the work anyway, but they will be much more endeared to your work and you if they get to know something about you. 

Whether you like it or not, they want to know something about you or why you create what you create.  They want to learn your story.  They often find that it validates their opinions or decision to purchase.  Sometimes if they are on the fence, it may help them decide.  Sometimes it may contradict what they thought the piece meant.  But that often leads to enlightenment.  It helps them realize that art can have many different meanings.  Regardless of what it means to you, the piece can speak to so many different people in so many different ways.  By sharing a bit of you, this will enrich the experience of the collectors, by allowing them more than one perspective on the art.  They already know their perspective, adding your dimension adds to the experience. 

Some artists fear that it distracts or that it may persuade someone not to purchase when they intended to purchase.  While I admit the possibility is there, I am convinced that it would be rare.  I hold firm to the belief that sharing something about you or your art adds to the experience and makes the art more meaningful to the collector.

Think about it a minute.  Remember way back to art history class in college.  The more you learned about some of the artists or art movements in history, did you gain a greater appreciation for their art?  The impressionists were dismissed in their day by the salons.  But as their story got out, as people began to understand what they were saying, their work became appreciated and sought after.  They taught others how to see what they saw.  We have a rich legacy in much of the art created today that can be traced back to the early impressionists.  What if they kept silent, because great art should speak for itself.

One last thought.  If you dont share your story about your art, someone else will.  Do you want to leave your story in the hands (or mouth) of someone who doesnt really know your story?  Do you want someone else defining you or your art?  You can control your image.

Okay, the very last thought.  Perhaps there are things you really dont want to share.  That is fine.  There are some things I dont share.  I am a very private person.  But, there are also things that I find that I am comfortable sharing.  And some things I must share.  Leave out the intimate.  You dont need to give all the details.  But share something that can help your collectors connect on another level.  They want to hear it, I want to hear it.  Let your fans into your fan club.  Dont be the bouncer keeping them out.  Open the door wide and invite them in.

Best Wishes,

Keith Bond




Related Posts:

Make Amazing Art, Be Authentic, Tell Your Stories and the Art Will Sell

Finding Your Collectors

Artists: Lead Your Collector Clan

The "Thank You" Card

Share Your Stories

Share Your Gift, Share Your Art, Share Your Images

Use Your Mailing List



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Topics: art marketing | inspiration 

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 49 Comments

Stacey Cornelius
via fineartviews.com
"Don’t be the bouncer keeping them out."

Nicely said. A meaningful connection with an artist makes the experience of viewing, buying, and owning their work so much better.
Judy Mackey
via fineartviews.com
We are billboards for ourselves. So yes, letting collectors, future collectors know a little about us is a good thing but along the same line we need to project a good image of ourselves as well. Not to be a fake but always strive to put our best face on, I think.

Dreama Tolle Perry
via fineartviews.com
Keith--I really loved this article. You put into words what I have intrinsically known for a long time. It's interesting how things seemingly always circle back around to just truly being ourselves. That is what we connect with in another and that is what people connect with in us. Letting people in also denotes a level of trust in humanity. Thanks for defining this so well!
Maria Soto Robbins
via fineartviews.com
Thanks for that great post, Keith. I too am a very private person and feel funny giving too many details. But I'll try to remember to give them a bit more information to "help your collectors connect on another level." It makes a lot of sense!

Carl Purcell
via fineartviews.com
Keith, you are right on. Knowing something of Beethoven's life and passion helps a pianist respond with more sensitivity when playing his music.

It helps complete the picture (pun intended) to know something about the artist. We don't create art in a vacuum, hermetically sealed off from life's experiences, and we encourage people to "get into" the art, to bring something of themselves to the experience. The more that flows between artist and patron the deeper will be the experience.
Linda Wilder
via fineartviews.com
Inspiring read Keith, thanks. I find it very difficult to 'let people in' as I usually can't find the right words to express myself. Putting it in writing is a slightly easier.

I'm surprized it took you over a year to look up the work of the artist whos words you connected with.

Sharon Weaver
via fineartviews.com
The collector is buying a little piece of the artist when he buys a painting. Personal stories add to understanding and increase the chances of making a connection. All this helps to familiarize the collector with the artist and everyone is more comfortable with the familiar.

Esther J. Williams
via fineartviews.com
Keith, when we allow ourselves as artists to open up to the world and speak what`s in our minds, it breeds familiarity to our fellow admirers. Familiarity is associated with family and that is a close connection with another person. As social creatures, this is what we gravitate towards naturally.
I enjoy talking to people I do not even know and tell them stories about my personal life or art. Writing it down in a newsletter is a little challenging, I just have to think that these people who are receiving it are sitting around a large table listening. Then it is easier. I am about to write up my monthly newsletter, it`s a few days late since I had a very busy social schedule last week.

Jill Banks
via fineartviews.com
Thanks, Keith for a great article. I am a firm believer in letting fans in -- sharing inspirations, works in progress, discoveries, process, etc. through my blog and on exhibit cards during shows. It's amazing what a difference it makes! In a recent solo show I had brief notes on the majority of the pieces in the show ... little stories. I watched visitors go around the exhibit looking at the paintings, reading the cards, and then looking back at the painting. If there wasn't a story attached to the painting ... they just moved on. To them, there obviously wasn't anything special about it. I left a guestbook on site and many comments were about how much the visitors loved the paintings and the stories. They couldn't breeze through the exhibit. They had to think about it.

Karen Winters
via fineartviews.com
Keith, I find that writing down details about a plein air painting on the day that it's done really helps me hold onto those stories that my collectors enjoy so much. This is a good reminder to sharpen our memories when we paint.
Jean R. Skipper
via fineartviews.com
Well said on all accounts!
Leslie Saeta
via fineartviews.com
Keith,
I loved your article and i have a few questions about the next step. There is no doubt that an art blog is a great way to communicate about yourself and your paintings. I fear however, that collectors don't spend much time on my blog. So, should I add a small written description on my website about each painting?
I also send out a monthly newsletter and think that might be another excellent venue to "tell the story". In the past my newsletter has been more "newsworthy" and less personal.
Your thoughts?
Diane Tasselmyer
via fineartviews.com
Keith, Thank you for more insight about the stories of our lives as artists.
I am getting ready to take some work to a gallery and I think I might create some stories to go with them. Perhaps the owner might like the idea too!

Jill, I really like your idea and I'm going to do it.

Helen Horn Musser
via fineartviews.com
These are wonderful ideas to put into practice. I do, most usually, put a text with each painting telling a little about it. Why I painted it or where the idea came from. In my Basics Series I created paintings as metaphors for relationships,basic needs for sustaining life and so on. The titles of the paintings, hopefully, gave the veiwer insite to my thoughts. Thank you for helping us remember our patrons need to know more about us.

fprewitt
via fineartviews.com
Keith

You are absolutely on point. My wife is an Alaska wildlife and portrait artist. She writes a thoughtful, personal paragraph for each new piece. They are tastefully posted alongside at exhibits of original and Giclee prints and people camp out reading, smiling and wanting a word with the artist. They are also posted with her images on her site at FineArtStudio. I don't know if it's appropriate, but you can see examples of her communication style at www.vraeart.com I cannot overstate the connection these glimpses into the artist have with her collectors (and impact on sales).

Forgive the intrusion.

Frank
Helen Horn Musser
via fineartviews.com
No intrusion; it is a pleasure to have a spouse as a No. One fan. Thank you for your comments

Lorraine Khachatourians
via fineartviews.com
This is an interesting post. I am particularly curious about Jill's comment about putting a short story by a piece of art. I have heard both pros and cons of this - i.e. giving something with the story, or taking away what the viewer thinks or imagines. I have thought about trying this but wonder at others' experiences.

Carol Bailey
via fineartviews.com
Great post! I've thought about this quite a bit lately as I've put my website together, I agree 100 percent that the collector needs to connect in some way with the artist and the work.

Donald Smith
via fineartviews.com
Keith,
I think you’re absolutely correct! Buying a painting IS buying a piece of the artist. We pour our hearts and souls into our art. We are expressing ourselves visually and letting the world see how we see the world. So it does seem like a natural progression, that if someone learns more about us, they would appreciate our art more. Maybe that’s why close friends and family members are the first people to want our art, then later as our skills improve, and our art starts to stand on it’s own, that people become interested in buying it. Getting to know the artist only increases that desire.
What better way for people to get to know us than through sharing ourselves through our blogs or emails.

Thanks for a great suggestion! I’ll be sure to write more about my inspirations for painting.
Donald

Jill Banks
via fineartviews.com
Lorraine, I know you're asking for other experiences ... but one of the things I've found fascinating about making the stories part of the exhibit is how well they sell for me. I've done the same thing at outdoor shows and it has helped drive people into my booth and keep them there. It also helps when I'm busy talking to someone else ... my potential collectors can gather some of the stories before we meet. People came in because they saw other people looking carefully at the paintings ... some people sitting on the ground, etc. It was intriguing. I don't tell them "everything" about the piece or its inspiration. In one case I told a little bit about the piece and wrote that it was packed with meaning for me. (It was.) That sparked more conversation.

Jill Banks
via fineartviews.com
Diane, I'm glad you're going to give it a try.

Helen Horn Musser
via fineartviews.com
Me too, Diane, putting it in writing will help you gel the forces that cause you to choose your subjects

Tonya
via fineartviews.com
The timing of this article could not be better. The email I opened just before this one was a collector asking for this type of insight into my work. It is a wonderful message. Thank you.

Rhonda
via fineartviews.com
Within the next couple of days my current email newsletter will be emailed to my "fans". This edition opened with two paintings and briefly addressed the how and why behind these two paintings.

As I stated in my newsletter, people ask me why did I decide to paint a certain painting and what did I do first.

This allows the viewer a look inside of us and enables a connection with us.
Rhonda
via fineartviews.com
I really enjoy writing a little story or comment about my paintings. I am in the process of creating the same bit of "prose", if you will, for the gallery. Customers always ask about the paintings...how and why. I guess I am not the only person with a desire to know the why and the how.
Rhonda Gauthier
via fineartviews.com
A painting I created titled "The Vineyard Oak" has this story. Driving down a two lane road, convertible sports car, California central coast, wine country, beautiful day...great scene. Painted exactly..no...but it was the inspiration.
Carol Schmauder
via fineartviews.com
Keith, what you have said in this post strikes a cord with me. It always seems I sell more art when I am with my art at the time of sale. People like to talk to the artist and be able to ask questions about the artist as well as about the work. Some of them feel a greater connection to the piece they purchase if the personally have met the artist. Thanks for a great post.

Sheryl Knight
via fineartviews.com
Keith, I loved your article and agree with it completely. I do think people love getting to know you and your work becomes much more meaningful to them when they do, or even if they know what inspired you when you painted the work. On my plein air works (because I do them on panels) I always write on the back of them what it was like when I painted it, what spoke to me, how I felt about the scene, etc. Thanks for the good reminder though to stay in touch often and be more transparent!

Keith Bond
via fineartviews.com
Leslie,

Each of those: blog, newsletter, and accompanying the images, are all great places to share a bit about your story. Some entries may be longer, others shorter. Sometimes you may share anecdotes, sometimes your philisophy on art, other times you share about the process. There are many different aspects to your story and your art. Share different aspects all along the way. Share them wherever you can.

Keith Bond
via fineartviews.com
Jill,

Thanks for sharing how you use stories at your exhibits. I think it's a great idea.

Lorraine,

I understand your concerns with the cons. In my opinion, the pros outweigh the cons. As mentioned in the post, I think it add another dimention.

Most people view the work first and formumate their opinion of the work before reading the text. Whether the text confirms or contradicts their opinion, it adds new insight.

I think that few change their mind because ot it. They can now connect in the way they did naturally, AND also in a new way with new insight. It makes the experience that much better. At least, that is my opinion.



Keith Bond
via fineartviews.com
Lorraine,

I think I should clarify my comment I just made about few changing their mind as a result of reading about the art. I think if someone likes the work and connects on a certain lever, but finds that the artist's intention contradicts what the viewer saw - I think few will suddenly decide that they no longer like the work. Rather, I think they will see it now in multiple lights.

On the otherhand, if someone doesn't necessarily connect, but then reads something that adds meaning they didn't notice, then they may indeed change their mind and like it more.

Writing does have the power to change the mind, but usually in a positive way.

If the text is offensive or vulgar, then there is a great risk in turning off the viewer. But that's another can of worms altogether.

Jill Banks
via fineartviews.com
Thanks, Keith.
Here are two sample "stories" from a recent solo show. (Both paintings sold.)
“Limoni”
Oil
Florence, Italy
This is the first painting in my market series. I absolutely loved painting it… a sign that I am onto something that really defines who I am as a painter. Obviously I’m attracted to the fantastic colors and textures of produce… but there was something about this market in Florence that said more. The size and arrangement and signage were so generous and beautiful. I’d spent the week looking at magnificent art in museums throughout Florence … and this market also seemed like art to me.
And, the second one:“Rainy Day Market”
Oil
Part of my new Market Series, this painting is my husband Randy’s all-time favorite.
The setting is a market in Boston that the two of us ducked into to get out of the rain. I love the juxtaposition of warm and cool colors, reflections, and sense of “being there” this painting provides. The process of painting transports me back to each place I’ve visited … with all of the feelings, senses recalled.

While these aren't examples of this, I also try to teach through my descriptions with hints on colors, the process, various experiments, etc. That appeals to a good group of my fans -- who also happen to be artists.


Helen Horn Musser
via fineartviews.com
Jill, Your stories are wonderful and I will go to your website to see. Did you paint plein air in Italy? Photos in Boston?

Helen Horn Musser
via fineartviews.com
Jill, Your work is outstanding; full of life and cheerfulness. Loved your figures. Well done











































































Jill, Your work is outstanding; full of life and cheer. Love your figures. Well done.









Esther J. Williams
via fineartviews.com
I am shipping out a small work of a seascape on linen over board right now to a customer. I always send a one page biography with a certificate of authenticity with each work to shows or exhibits attached to the back of the painting in a acid-free sleeve. Since this small 6X8 was on board, I just typed out a small statement of inspiration for the piece and printed it out, trimmed the edges so it fit the back and glued it on with neutral ph adhesive. I signed it and dated it. The bio and COA will be in a separate plastic sleeve for them to file. Hopefully the customer will love this, he already asked for the bio, but the personal note is special to the work of art and to the person who owns it. The customer is giving this to his grandson who is too young to understand right now, but he said later in years he will appreciate it. It might serve to teach art and how we artists see things to the next generation.

Helen Horn Musser
via fineartviews.com
Esther That is a good thought "to the next generation". That is partially why I painted the Basics Series; I'm deeply concerned about our children and grandchildren. Will they have the same liberties we have enjoyed for so long? They need to know what is valuable and what is fluff

Jill Banks
via fineartviews.com
Helen, thanks for your comments. You turned a lightbulb on for me. I will add minimal comments to my web pages. I've just been using them on my blog and on exhibit. My web site's next.

Frank, I love your wife's web site with comments. They are beautiful, poetic, humorous, thought-provoking. Bravo!



Helen Horn Musser
via fineartviews.com
You are welcome Jill; so happy I helped

Carole Rodrigue
via fineartviews.com
Keith, great article as usual. I'm in agreement with writing little stories about my pieces or telling some when people drop by and view my art. Some will come with friends and get all excited and ask me to "tell'em the story!"

But how far do we let someone into our personal lives. We marvel at past musicians and artists even more when we delve deeper into their real lives. How much do we share while on earth? Or do we save for that other time when someone will speak of us after we're long gone. We all have issues that might make us even more interesting, but just where do we draw the line? Those are questions I'd like to know the answers to because honestly, if I don't have art to post on my blog, I've no idea what to talk about!

Thanks for any wisdom you can throw my way.

Jill, as the others said, your art is just marvelous!
Jill Banks
via fineartviews.com
Thanks Carole.

I let people in ... but a little bit at a time.

Just being an artist is revealing so much of yourself. I share the "personal" parts that I believe many will relate to or the ones that are driving forces of what I do.

I make sure that what I tell doesn't involve another party (kid, friend, spouse, etc.) in a negative way.

Show you're human. Don't talk about folding laundry.

Involve them first with your art.

Keith Bond
via fineartviews.com
Linda,

It took so long to look up the artist, mainly because I try to spend as little time as possible on line. It was several years ago when I was much better than I am now. Back then, I had dial-up, so the slow connection made it easy to get off the computer after the critical work was done (probably out of frustration).

I also kind of enjoyed reading the words. not knowing what the art looked like. Kind of like hearing the voices of your favorite NPR host. You can imagine what they look like in your mind, but once you see their picture, it isn't the same. All the imagination is gone.

Keith

fprewitt
via fineartviews.com
Jill et al

My wife is out of town, so I was charged with monitoring this site.

What a privilege to read the heartfelt sense of community you all have toward your gift. I am a recovering lawyer and only wish that those in the social and natural sciences could convey life, as it was intended to be, in the manner artists freely toss about in non-threatening dialogue.

I find my wife's artistic expressions a delightful thread in the protective covering the community of art weaves for those who truly seek and believe there is abundant future.

If headed to Alaska, drop us a line...we've been known to sail artists beneath glaciers and alongside magnificent life-forms just to experience how life was intended.

And, yes, the stories behind your art stimulates a connection to you, the artist, in a way only fans and collectors understand. You all truly enrich life and it amazes me that most of you (including my wife) don't realize it.

Your Humble Fan and V Rae Go Boy

Frank


Linda Wilder
via fineartviews.com
Thanks Keith,
I didn't mean to sound so nosey, I knew you probably had a good reason...and you did.

Carol McIntyre
via fineartviews.com
Absolutely Keith! And let's not forget the other half of the equation. By establishing relationships, that can sometimes turn into friendships, with our buyers, they inturn enrich our lives. I love going to them for feedback, suggestions, etc. With many of my collectors, I feel a special bond and I know they do also.
Carol Schmauder
via fineartviews.com
I have a woman who has purchased six of my paintings as well as having me do a piece she commissioned. She has also purchased prints. I have become quite good friends with her over the years and we share much from our personal lives now. What a great way to make friends.

Helen Horn Musser
via fineartviews.com
Thank you Frank; you are welcome here any time

Carole Rodrigue
via fineartviews.com
Thanks Jill. And thanks also to Frank! Sailing beneath glaciers sounds like such a thrill!
Tuva Stephens
via fineartviews.com
Without a doubt it is so important to tell the stories about artwork. It is easy to share with friends especially. In pieces that are abstracted we should not rush to tell others because we should let them experience and see for themselves. Recently at a reception were I was the featured artist, it was great to share stories about my work. Even though I had written a description. People still ask me to tell the story. This usually leads to more questions. Why do people always want to know how long it took to paint a particular subject?

Karen Winters
via fineartviews.com
Tuva,

I think that they ask that question "how long ..." because they don't know how to ask other questions for fear of sounding unknowledgeable about art or they are concerned that they will offend the artist in some way. It's a safe question. Also, many can't conceive of creating a painting themselves, and it may seem to be an impossible task. They wonder how long it takes an artist to paint a piece. Some people may think, cynically, that they are only trying to figure out a cost per hour, and to calculate a painting's worth in dollars and cents. But I think "how long did it take" is primarily an opening line, a way to start a conversation.









 

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