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Painting Plein Air

by Deborah Ridgley on 4/18/2017 9:51:24 AM

This post is by guest author, Deborah Ridgley.  This article has been edited and published with the author's permission. We've promoted this post to feature status because it provides great value to the FineArtViews community.  If you want your blog posts listed in the FineArtViews newsletter with the possibility of being republished to our 48,000+ subscribers, consider blogging with FASO Artist Websites.  This author's views are entirely her own and may not always reflect the views of BoldBrush, Inc.


 

 

About  5 years ago, I had a post on painting plein air and recently had many requests to post it again.  With the summer season upon us, many artist like myself are out painting in the gorgeous weather.  And it's not always as easy and comfortable as painting in your studio.


Here is a list of tips and supplies that could help make your job easier:

 

1.  You do not put EVERYTHING in your painting. Select and choose what is really important. Include strong elements your landscape and let a lot of the details go.

 

2.  Use your imagination. Don’t hesitate to rearrange the elements in the landscape to work in your favor for a better composition. Obviously this does not apply if you are painting a famous or Cincinnati landmark. But you do not have to follow the scene exactly.

 

3.  Remember you are not painting a postcard scene but trying to capture the essence of the landscape.

 

4.  Give the foreground preference. Don’t paint the whole landscape in the same degree of detail. Paint less detail in the background and more detail in the foreground.

 

5.  You  are not cheating if you buy green paint. If you are using a limited palette and want to mix your green, you will get a nicer variety of greens, but it certainly is not cheating if you want to buy green paint to make your life easier.

 

6.  Get to know how to mix good greens. The variety and intensity of greens in nature is awesome. When mixing green think, is it more blue or more yellow. And the time of day will change for the same scene. The am (morning) may have more of a yellow green cast on trees and the pm (evening) may have more of a blue green cast. Trees in the far distance seem to be more blue and purple tones.

 

7.  Instant muted greens – To get a more muted green, use black with cad yellow or any yellow. But remember to ADD black TO the yellow, not the other way around yellow to black. It would take a huge amount of yellow to lighten a black, and you really only need a dap of black to a pile of yellow for a nice muted green.

 

8.  Do a Series of the same scene. Think Claude Monet. He did water lilies until he was blue in the face. If you paint the same scene a few times in different light, you will not be bored, but you will start to really see the shadows more correctly.

 

9.  Next time you are at the bookstore, pick up a copy of  “Plein Air” magazine. 

 

10. Have fun.... it will show in your painting!

 

 

 

Suggested Plein Air Painting Supplies:

  • The limited palettes are a little easier to use outside....white, red, yellow and a blue.
  • Sizes of supports – Since the light changes so fast, most smaller sizes are good. 8 x 10, 9 x 12, 12 x 16 or 14 x 18.
  • Brushes- Brights, flats, filberts or rounds. Sizes 2, 4, 6, 8, 10
  • A view finder is good for selection of your scene or two corner ends of a mat held together.
  • A field easel. I found one at hobby lobby for $13. And love it. It is light and portable.
  • Paper towels and a bag for trash
  • Hat, sunscreen, bug spray and bottle of water
  • Solvent should be in unbreakable container
  • There may or may not be shade available, include a brimmed hat in your gear.
  • A folding chair or table is nice but not necessary
  • I sometimes use a white hook-on umbrella above my easel to keep the sun off the painting. If sun shine hits your painting, the light is too bright and will confuse you when you are mixing colors. When you are working, remember to have your canvas in the shade.

 

Hope this helps and happy painting!

 

Deborah

 

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You can view Deborah's original post here

 

 

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Related Posts:

Embrace The Nature Fix To Be Happier And More Creative

Using the Paper's Texture and Dragging Dry Pigment: At the Point of JR Monks' Brush

The Limitations of Working from Photographs and How to Compensate for Them

The Unexpected Gift Of Plein Air Painting

The "Gritty" Artist

Everything Changes


Topics: advice for artists | creativity | FineArtViews | Guest Posts | inspiration | Instruction | landscape painting | painting | plein air painting 

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 7 Comments

Sally
via faso.com
Thank you for a wonderful article!! GREAT WORDS OF INSPIRATION!!

Mark Brockman
via faso.com
Great piece.

It boils down to simplicity. Keep your materials simple, keep your subject simple. Keeping your subject simple just means don't get caught up in all the details.

My outdoor painting mediums are pastel and watetcolors. My equipment, depending if I'm working in watetcolors or pastel, small folding stool, portfolio (portfolio seconds as a backing board) to hold pastel or watercolor paper (or a small sketch book for watercolors), small box of pastels, small watercolor tin, travel brushes and collapsable cup, water of course. The materials for either medium is stored in a mid sized backpack. I do not use an easel outdoors, my lap is my easel.

Dan Sivek
via faso.com
It's nice to see what other plein air artists have on their supply list. I paint standing up and my biggest enemy is the wind. If you paint with a tripod, hang a plastic bag with a few heavy rocks in it from the top of the tripod. It allows you to step back from your work without fear of a blown over easel, and it may save your painting.

carolyn lehl
via faso.com
Thank you so much for your nice article. I really need that find of inspiration right now. I recently moved to a new town 50 miles away from my home city and still have most of my art stuff packed. I haven't done any outdoor painting in over 40 years and am thinking about getting back to it.Our area is has some beautiful farms and I can't wait to get out there this summer.
Thanks again,
Carolyn Lehl


Carol Felton
via faso.com
Thank you for the article and a great reminder of things I had not thought of for awhile - makes me want to get out and try again.

Elaine Stoker
via faso.com
Ready to get outside and paint after reading this. Good information and thank you for the inspiration.

Deborah Ridgley
via faso.com
Sally, Mark, Dan, Carolyn, Carol, Elaine,
Thank you all so much for your comments. They are so helpful. I am so happy that my article was an inspiration to all of you! After I wrote the article, I should of added the value of packing things up the night before you plan to plein air paint.
I have found that if I have my supplies packed up the night before, I will be more successful at heading out early to catch the early light with the beautiful long shadows!
Please keep in touch and let me know if you have found any other plein air tips or supplies that make our job easier!
All the best, and happy painting, Deborah Ridgley










 

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