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Discuss: How Do you Save On Art Supplies? | BrushBuzz by Canvoo

Discuss: How Do you Save On Art Supplies?

Submitted by lwsimons at 7/17/2012 11:37:24 AM CST

lwsimons: I've been commenting today on a post that Brian Sherwin put up - about an artist saying they couldn't afford oil paint. Over the years, I've developed ways of saving on art supplies by investigating which brands offer high professional standards and yet, cost less - and also making some of my own surfaces that perform as well as the highest quality linen canvases.

If anyone has worked out ways to save money on art supplies, substrates, framing, etc - please feel free to share here. We could all benefit (except maybe some of the art supply manufacturers) by sharing our tips and experience.

Woodward Simons
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To begin the conversation... using Windsor and Newton oil primer (comes in a can) makes an excellent painting surface whether it's applied to high grade cotton canvas, or unprimed linen.

Another way I've made a great surface is buy mixing Lead White Paint (in a tube) with Liquin or Walnut Alkyd medium and applying it onto gesso-board, over cotton canvas, or linen canvas.. works like the highest grade lead primed canvas... for far fewer dollars.

I also use acrylic gesso to reprime my 300 lb watercolor paper. Glue the paper to a panel and then paint with acrylic or oil on the paper panel. When a watercolor painting goes "bad" I gesso over the painting and use it just like canvas.

Lastly, I fix my watercolor paintings with a clear spray varnish, and then brush on a gloss UV protective varnish when the spray is dry. The watercolor paper is glued to a panel (by me - using acrylic matte medium)... and I frame it just like an oil. The acrylic varnish protects the watercolor painting - can even be wiped off with a damp rag. The color remains super vibrant, and there is no glass or matting to mess with (so it's less expensive). My collectors have raved about this process since without glass, there are no reflections. Some I've sold over 10 years ago remain in perfect condition without fading.


Debra LePage
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Thanks for sharing, Lori. I, too, gesso over unsuccessful watercolors. Adding texture to the surface before painting makes it feel like a whole new medium. YUPO is also a great way to economize when painting watercolors as you can remove the paint and start again. A bonus, fear of failure disappears! Though these works are lightly varnished when dry, I haven't tried framing without glass or plexi. Good ideas.

Brian Sherwin
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Lori -- Great idea! :)

George Servais
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I shop around the internet and use coupons for local art stores. I sign up for e-mails about specials and sales. I haven't paid retail in years. Yes, it takes some work but is well worth it. The cost of art supplies has risen dramatically in the past few years.I have done anything I could to keep things going. If someone wants to get me a gift it will be a gift card to an art supplier (I made that known). If the passion is there the way will present itself. During the past year I haven't had to pay money out of pocket for anything. I use acrylic mostly and some can be pricey but I may pay as little as $15 for a $30 tube. If one wants it badly enough one will find the way.

susan barnes
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I try to use a very limited palette and buy very large tubes for use in the studio. I buy almost all supplies online...frames, panels, easels, etc. I try to only order when items are on sale and order is large enough to get free shipping. Linen oil primed panels are inexpensive from ASW Express...their brand...Centurion DLX supposed to be archival.
Hope this helps

Woodward Simons
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Susan, I've heard good things about the Centurion panels. I'm sure they're archival. Thanks for the tip - might order some!

George, yeah! I often get gift certificates to art supply companies.




Gayle Faucette Wisbon
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I signed up for Michael's emails. Nearly every week, they have a 40 percent or 50 percent coupon good for one item. The same coupon can be reprinted and reused multiple times during that week. So, if I just need a few things, I will use those coupons. If I have a larger order, I order from ASW Express - http://www.aswexpress.com.

Katarzyna Lappin
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I love Blick and they have a lot of great discounts.

Laura den Hertog
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Love your ideas Lori!
I save on shipping supplies by making my own packaging. I have used my system to ship all over the world and have never had an item arrive damaged and....I have found ways to keep the cost way down. For instance I use boxes from the recycle bins behind local stores. Pier one is a good choice because they have big boxes. I also use the bags that my canvas comes in from the store and I never buy bubble wrap. I don't even use bubble wrap, instead I use inexpensive sheets of foam insulation board.
I won't explain the whole process here, but if I can do it, anyone can. I wrote a blog post with images to show how it's done and you can find it here:
http://lauradenhertog.com/dataviewer.asp?keyvalue=10919andpage=BlogandTopic=Shipping percent20Art
I love saving money where I can and I think this is a great topic. Looking forward to hearing everyone's ideas.
Cheers,
Laura

Lesley White
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I make my own plein air panels for under $1.50 each. Recently I blogged about my method. Here's a link if anyone's interested.
http://oilsbylesley.com/blog/70/How-To-Make-Plein-Air-Panels. It's so convenient to have a large supply at the ready.

Adriana Guidi
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I get masonite from our local Home Depot and Orchard Supply..my husband cuts them into various sizes for me then I gesso them. I've also used 300lb. Saunders watercolor paper with gesso as my "canvas" for oils..works great!

Lori Woodward
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wow! Theses are wonderful ways of making supplies. I'm going to print out these answers and try some of them myself.

Adriana, I also gesso watercolor paper and use oil or acrylic on it. It costs less than canvas and both sides are usable. I use 100 percent cotton rag 300 lb cold pressed, and like you, I glue it to a panel. The texture lends itself to landscapes.

Thanks Adriana! I'm happy to see that someone else enjoys a gessoed watercolor paper surface for oil.




Diane Overmyer
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Framing has always been my biggest expense. Plus last year I started doing a few art fairs each year, so I needed to find frames that fit my work, but weren't quite as delicate as some of the gold plein air frames on the market these days. I found a company right in Elkhart County, Indiana, where I live! They produce the house and picture frame moldings in their factory and they have an outlet store with a staff that is wonderful to deal with!! They bend over backwards to help artists out also! I am getting ready for a large solo show where I will need about 30 some pieces framed. After talking with the company this spring, they let me know when a great summer sale was happening and then allowed me to purchase 3 boxes of the molding stock and store them in their factory. I just email them the sizes I need as I need them, they make them up (at a greatly reduced price compared to most companies) and I pick up the finished frames! I am so pleased to be getting quality quarter sawn oak craftsman style frames at a fraction of the cost that I was paying for frames elsewhere. The name of the company is: Nickell Moulding. Many other artists have started using them. They don't currently have the gold traditional style plein air frames, but I am talking to them about that...so maybe they will soon.

Diane Overmyer
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A note about ASW's Centurion DLX linen panels...I ordered them in several sizes recently. The surface was pretty good, but the panels themselves are not as rigid as Raymar panels. I love to paint on Raymar, but you have to order 10 panels per size and they don't come in off sizes like 6 x 12... If anyone has a good substitute for Raymar panels, please let me know. I love them...but my wallet can not always afford them.

susan
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Pintura panels from jerry's or ASW are more rigid than the Centurian. They are canvas (not linen and gessoed not oil primed) on board and they come 2 in a pack.
Another surface to try is mat board (museum is best). Prepare with 2-3 coats of matte medium on front and one on back. You can then paint with oils. You may find a frame shop willing to give you their leftover pieces at no charge.

Diane Overmyer
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Thanks for sharing about the Pintura panels. I think I used them a few years ago. I know I have used their stretched linen supports and loved painting on those.

I have never tried anything such as matt board or watercolor paper. I am sure it would most likely hold up for my life time, but I want my work to be around for generations...at least the ones that turn out to be the really good ones...and the trouble is, one never knows how a painting will turn out until it is completed.

Lori Woodward
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100 percent cotton rag watercolor paper and mat board will hold up forever. Any substrate made with wood pulp fibers, even if they are buffered and labeled "acid free" will eventually destroy the painting. Inexpensive cotton canvas (thin) tears easily and should be avoided unless it is glued to a panel.

I've recently gessoed cotton rag mat board. I cut two pieces, same size, and glued one to each side of foam core. This works well for small paintings, but the larger ones warp easily. They are super light and easy to transport... And will last hundreds of years if the Matt board is cotton rag.

It's interesting that Hudson River School artists did plain air studies in artist's board.. Or cardboard. I don't believe that these are acid free, and yet they have held up very well. Most were painted in the mid to late 1800s.

Sorry if I'm preaching to the choir. It's hard to know who knows what online, but figured I'd share anyway.

Charlie Hunter buys Gator board in bulk and glues canvas to it. Gator board is super stiff foam board - light weight . New Traditions makes panels from 1/8 and 1/4 inch gator board with linen or cotton glued to the panel, and these don't warp.

I've been buying Centurion acrylic primed linen in a roll... Very reasonable, bit I usually add an additional layer of acrylic or oil primer to it in order to make it a bit less absorbent.

I used to buy lead double primed linen from a couple of manufacturers, but at $55 to $75 per yard, it wouldn't allow me to make much profit at my current prices.

A friend of mine used to have Hime Depot cut her MDI board (similar to Masonite) into panels and just pay for the cuts. They have a huge saw that can cut a few dozen in a matter of minutes. She then sided a foam roller to apply several layers of acrylic gesso to the panels. She paints in oil on these.

Hey everyone. I'm really getting a lot of ideas from the comments. Thanks so much for contributing!


Lori Woodward
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As you can probably figure out, my iPad keeps using auto speller and putting its own worse in. It's Home Depot. ;-)

marilene sawaf
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great ideas and comments, thank you Lori for starting this..

Diane Overmyer
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It is funny, I studied in a fine arts program at a state university and find that there is still a lot I have to learn about materials and mediums...(I learned a lot from a similar conversation on FASO last year about painting mediums...). When I was in college our professor told us to go to one of the large home improvement stores and get a sheet of masonite, back then there were a few stores that would cut it for free..not sure if that is still the case. We then either gessoed the panels several times, building up texture a bit, or gessoed it and gessoed canvas to it. (in other words the gesso acted both as a sealer and a glue.) I also just want to thank everyone for sharing!! I will have to do some research on the rag paper and matt board...interesting stuff Lori....thanks so much again!!

Brian Sherwin
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I'm not sure if this has been mentioned... but what about trading spare supplies for spare supplies. For example, say you have a half a tube of paint that you will likely not use -- chances are another artist would be willing to trade something you can use for it. Just a thought.

I've seen a lot of waste over the years... I remember an artist discovering a paint set that he tucked away years ago while I was visiting his studio. Trading might be a good way to go.

Adriana Guidi
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I'm loving these posts-great information! I'd love to trade with other artists-spare supplies for spare supplies like you said Brian ...wonder how one would go about doing that?..

Brian Sherwin
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Adriana -- I suggest making a page for that purpose on Facebook... or use another social networking site for it... or blog. Let local artists know about it. I've seen locally focused 'buy, sell, trade' type groups on Facebook and other sites.... the same could be done with art supplies in mind. Just a thought.